Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian.
The public profile of the Japanese photography book has recently boomed, from near-complete obscurity to great desirability. And not only for the aficionados. Photobooks that once were entirely unknown outside Japan (except to a few well-informed scholars and collectors) now sell at astronomical prices at auctions and online. And yet the photobook has been central to the development of Japanese photography, particularly in its postwar phase. To sketch the stages of this boom: 1999's Fotografia Publica included just one Japanese photobook, Kiyoishi Koishi's Early Summer Nerves of 1937, plus two photo magazines from the 1930s, Nippon and Koga; Andrew Roth's The Book of 101 Books (2001) listed four seminal titles by Hosoe, Kawada, Araki and Moriyama; but it was not until 2004, with the first volume of Martin Parr and Gerry Badger's indispensable The Photobook: A History, that it began to be clear what a rich body of work awaited excavation. Japanese Photobooks of the 1960s and 70s may be seen as a culmination of this trajectory and, as such, marks a very exciting moment in photo publishing and in the history of photography. It presents 40 definitive publications from the era, piecing together a previously invisible history from some of the most influential works, as well as from forgotten gems, and situating them against the broader historical and sociological backdrop. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text, and sidebars highlight important editors, designers, themes and periodicals. A superb production, Japanese Photobooks is a landmark celebration of the distinct character and influence of the Japanese photobook.
29 ARTS IN PROGRESS gallery is proud to announce the opening on the 20th of September 2022 of DIPTYCH - the solo show of the eclectic Italian photographer Toni Meneguzzo.
The artist pushes towards a truly contemporary language suggestive of an unpublished relationship between the Polaroid and the vividness of his most recent digital photographs which combine a rigorous formal technique with an uninhibited use of the medium. The exhibition will run from 20th of September to the 19th of November 2022.
The Day May Break is an ongoing global series portraying people and animals that have been badly impacted by environmental degradation and destruction. Chapter One, which was released last year, features photographs taken in Zimbabwe and Kenya in late 2020. The work in Chapter Two, which will be unveiled in October 2022, was taken by Brandt earlier this year in Bolivia. This is the first time in his 20 year career that Brandt has made work outside of Africa.
Hidden: Life with California's Roma Families by Cristina Salvador Klenz is the first photography book ever to feature American Roma (formerly known as Gypsies) and to highlight the unique plight of a people marginalized and persecuted quite literally since the dawn of their culture 1,000 years ago. Modeled after Josef Koudelka's seminal work Gypsies, Klenz's collection was shot on black and white, 35 mm film in the early 1990s and 2003.
Secaucus, New Jersey is partially surrounded by the marshes, inlets, and wetlands known as the Meadowlands. The ecosystems have been severely impacted by years of landfills and other environmental abuses, but it is what is found and what remains in this region that photographer Nicholas Pollack works to convey in his photographic project and book Meadow (Hirmer, October 2022).
For part of his childhood, photographer Jason Langer lived with his mother and two brothers on a kibbutz in Israel following his parent’s divorce in the United States. This experience, along with childhood visits to the kibbutz’s Holocaust memorial every Yom Hashoah, and hearing frightful stories from his mother and grandmother about German people, shaped and informed his impressions and understanding of Germany. This included considerations and beliefs of Germany as a country, culture, its past Nazi ideology, and how that related to his own Jewish identity. It was a complicated understanding, and one that haunted him in several respects throughout his life.
These photographs by David Katzenstein emerged from his lifelong artistic journey as a visual chronicler of humanity. His mission led him to travel to many parts of the world to experience other cultures and peoples firsthand, capturing images that relate to the themes he is drawn to. In the process, he came to be fascinated by rituals.
A work to which she has dedicated herself for the last 7 years. ''I propose through this work an experience of meeting the living. In its human, vegetal, mineral or animal forms, I am keen to celebrate its manifestations in their rich and complex beauties.
Photographer Rob Hammer logs in an average of 35,000 miles per year road-tripping around the United States in his truck with his dog, exploring, discovering, and photographing what he's said can be "an endless expanse of unknown." He's come to call the trips "treasure hunts," and the 75 color images collected in his new book, Roadside Meditations (Kehrer Verlag, October 4, 2022) reflect a sense of respect and wonder not only for the landscapes and human imprint he discovers along the way, but also for the immersive process itself.
Mother and Father is a moving journal of the final years of a sixty-year marriage. For ten years, from 1997 to 2007 Paddy Summerfield photographed his parents, reflecting on the bond between them, which even the effects of Alzheimers could not break. They become symbols in a drama of balance and tension, which is both domestic and epic.
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