Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian.
The public profile of the Japanese photography book has recently boomed, from near-complete obscurity to great desirability. And not only for the aficionados. Photobooks that once were entirely unknown outside Japan (except to a few well-informed scholars and collectors) now sell at astronomical prices at auctions and online. And yet the photobook has been central to the development of Japanese photography, particularly in its postwar phase. To sketch the stages of this boom: 1999's Fotografia Publica included just one Japanese photobook, Kiyoishi Koishi's Early Summer Nerves of 1937, plus two photo magazines from the 1930s, Nippon and Koga; Andrew Roth's The Book of 101 Books (2001) listed four seminal titles by Hosoe, Kawada, Araki and Moriyama; but it was not until 2004, with the first volume of Martin Parr and Gerry Badger's indispensable The Photobook: A History, that it began to be clear what a rich body of work awaited excavation. Japanese Photobooks of the 1960s and 70s may be seen as a culmination of this trajectory and, as such, marks a very exciting moment in photo publishing and in the history of photography. It presents 40 definitive publications from the era, piecing together a previously invisible history from some of the most influential works, as well as from forgotten gems, and situating them against the broader historical and sociological backdrop. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text, and sidebars highlight important editors, designers, themes and periodicals. A superb production, Japanese Photobooks is a landmark celebration of the distinct character and influence of the Japanese photobook.
Henry Horenstein and Leslie Tucker began working together in the
summer of 1997, when she invited him to Maryland to shoot the
mysterious, little-known Wesort clan. ''We sorts are different from
you sorts.''
Celebrated photographer Bruce Haley spent much of his career documenting people and geopolitical conflict in far corners of the world, resulting in a Robert Capa Gold Medal, and placement of his work in major international news publications and exhibitions. In recent years he has been photographing throughout California and Nevada, exploring his own personal history and definitions of "home."
In August of 2020, my daughter Margaret announced the new name and non-binary identity as Alex (no pronouns), and while I fully support this, I am learning who the new person is, learning to love who Alex is becoming, and considering my own evolution as a mother. My project, Becoming Alex unfolded over a year during which Alex and I came to understand what our transitions looked like and meant. As a young adult with autism spectrum disorder and countless physical ailments, Alex struggles to exist in a world that seems to run counter to how my child understands it.
Artist and writer Steven Seidenberg presents his series and book The Architecture of Silence: Abandoned Lives of the Italian South, published by Contrasto Books, examining the failed post-war land reform movement (called the Riforma Fondiaria in Italian) to which these imaged structures and landscapes belong.
Twenty years ago, in the South Bay region of San Francisco, the South Bay Salt Pond Restoration Project was established to address the impact of human activity on the diminished marshes of the Bay and the role wetlands play in protecting vulnerable communities from sea level rise. This expansive environmental project is the largest tidal wetland restoration project on the West Coast and is dedicated to converting over 15,000 acres of commercial salt ponds at the south end of San Francisco Bay to a mix of tidal marsh, mudflat, and other wetland habitats
In his coffee table book Metropolis, Alan Schaller presents city life in his own individual
way, setting standards in modern street photography. For all lovers of spectacular
black-and-white photography, the coffee table book—Metropolis is a must-have,
because there is hardly anything comparable on the market. In a unique way, Alan
Schaller depicts urban contrasts that big cities like New York, London, Paris, Tokyo or
Istanbul hold in store in their architecture and everyday life.
In Ordinary People, Ksenia Kuleshova, a rising star in the world of photography, has taken a series of intimate portraits, accompanied by short interviews of LGBTQ Russians who, despite the relentless homophobia from politicians, religious leaders, and the media, remain open about their sexuality and seek happiness and joy in their everyday lives.
The Oceans is the culmination of fifteen years of traveling the globe to capture the seven seas—from the rugged shores of the North Atlantic to the turquoise tranquil waters of the tropics—Burkard’s lens captures the stunning diversity and ever-changing beauty of the world’s oceans. Traversing the world to document the oceans, the book features nearly 250 images from far away corners of the world like the Kuril Islands, Faroes, and Tahiti. He is also dedicated to climate change and The Oceans is more than just a collection of stunning photographs, it's also a call to action and a reminder of the urgent need to protect and preserve our oceans and fragile planet.
My father was a spy during the Cold War. Bilingual in German and English, he worked for the U.S. Air Force and sent agents into East Germany and elsewhere behind the Iron Curtain in the early 1960s. The Need to Know, a photo book, is my exploration of the meager details that emerged from brief and cryptic conversations with my father and my curiosity about Cold War espionage and its impact upon my family at the time. The book will be published by the Blow Up Press of Warsaw, Poland in early October
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