er Greif invites publishers and artists to submit recently published photobooks and artist books for consideration. This open call is conceived as a space of encounter between practices, geographies, and ways of thinking through the book as a critical and poetic form.
Photobooks are more than containers for images. They are sites of authorship, collaboration, circulation, and resistance. They shape how work is read, shared, and remembered. In a moment defined by accelerated image flow
