PHOTO ROME is a two-week workshop focusing on improving your photography skills, honing your personal vision, and learning a bit about Roman history and culture along the way. This workshop is for anyone who takes photography seriously - whether using cellphone cameras, DSLRs / mirrorless models, or old-school film.
This workshop mixes regular field trips with critiques and instruction using the first-rate facilities of Temple University Rome. The photography portion of the workshop is taught by Henry Horenstein and Tianqiutao Chen with art historians Cornelia Lauf and Ezio Genovesi as guides to the culture and history of this amazing city.
The goal is for each student to produce his/her/their own focused body of work during the two weeks. Emphasis will be given to developing a better understanding of specific issues or simply matters of interests, which will be tailored to individual student's needs and concerns.
In addition to developing and completing a singular project, we will also discuss promoting and distributing work, further educational options (workshops, graduate study, etc.), legal issues (copyright, model releases, etc.), grants, crowdsourcing, and other funding opportunities.
Several field trips and class lectures emphasize Italian cultural/artistic traditions and are led by notable art historians based in Rome, Cornelia Lauf and Ezio Genovesi. Students will see the history of art, close-up and in real time, not only in books and slides. A special treat will be an all-day trip to Assisi, hosted by Assisi native Genovesi.
The workshop ends with the production of a digital book edited and designed by the students.
Stay up-to-date with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.
Publisher : Columbia Books on Architecture and the City
2024 | 184 pages
In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.
With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.
Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English
Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society
Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.
A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.