Siân Davey, Matthew Finn
Nik Roche, Alex Schneideman
Jem Southam, Alys Tomlinson
Vanessa Winship
Pictures from the Garden is a collection of powerful photographic essays made by seven leading UK photographers in response to Paddy Summerfield’s influential book, Mother and Father.
Summerfield’s 2014 publication, set mainly in his parents’ north Oxford house and garden, is a poignant and durational examination of his relationship with his parents as their lives together faded. On publication Summerfield received wide praise with the Guardian’s Sean O’Hagan describing Mother and Father as “a profoundly sad and beautiful book”.
In Pictures from the Garden the photographers, each of whom has drawn inspiration from Mother and Father, travelled to Summerfield’s house in Oxford to discover a personal route to explore the emotions and themes that were evoked in the book. By photographing in the same space that set the scene for Summerfield’s original work about his parents, the photographers imbued themselves in the physical and psychological world depicted in its pages.
The relationship that connects us with those that brought us into the world is universal and yet unique in every instance. Pictures from the Garden represents seven independent journeys taken to discover the nature of the most complex relationship that is common to us all.
THE SPECIAL EDITION
A special edition is available at a pre-launch price of £85.00 (increasing to £95.00 from March 31st). Limited to 25 copies per photographer, this comprises the book and a signed and numbered 10 x 8 giclée print by your selected photographer. The selection of photographs available from each photographer is shown on the wbsite.
A special portfolio edition including the book and signed and numbered prints from all seven of the photographers is also available. This portfolio set is limited to 5 sets (plus 2 presentation sets) and is available at a launch price of £480.
An exhibition of the work from Pictures from the Garden will be shown at the North Wall Gallery, Oxford, between 19th April and 10th May 2023. The exhibition is supported by The Photographers Gallery and Photo Oxford 23.
While at grad school in the early 1970’s Henry Horenstein would attend Speedway races, in New England to see his brother in law compete. In front of his camera the drivers would fly around the track in beat-up cars customised for racing at break neck speeds in the hopes of small town glory. Horenstein's joyful images present us with a slice now of what the world of motor racing looked like then, before racing became big business, as it slowly morphed into Nascar - the worlds fastest growing sport. “I was still in grad school and I was looking for subjects. There had to be good pictures there for a wanna-be historian-with-a-camera. What better than an old-school sport that would certainly be extinct one day? I’m still waiting. My brother-in-law Paul raced stock cars―old. Paul’s cousin Dickie Simmonds owned the local Gulf station and modified the junkers that Paul drove at places like the Seekonk Speedway (Seekonk, MA) and the Thompson Speedway (Thompson, CT). Paul and Dickie had friends in low places.” Henry Horenstein "As I started to look at the photos I recognized most of the cars and I began to marvel at the skills of some of these drivers and their teams for keeping these heaps going. They must have been geniuses... As I looked over the photos for a second time I noticed that for a book about stock car racing there are more pictures of the people than their cars and this is something else that Henry and I share. On Car Talk we used the cars as an excuse to talk to people and get to know them and their stories." Ray Magliozzi
Achak’s dreamlike landscapes and mysterious portraits bring together human and spiritual worlds.
In All the Colors I Am Inside, Deb Achak reflects on our relationship with the soft, quiet voice of our intuition and the beauty of who we are under the surface. Achak explores how our inner voice leads us on the most surprising and glorious adventures, but to hear it, we must quiet our brains and savor the present moment. Bringing together human and spiritual worlds, she uses landscapes that are rich and mysterious, the way our dreams and meditations might feel, and portraits in which the subject is consumed by nature, swept up by it. Achak seeks to represent the pictorial quality of intuition using imagery that walks the line between rare and familiar. Ultimately, the work invites us to think less, feel more. Deb Achak is an American artist. All the Colors I Am Inside marks the artist’s debut monograph.
Southern wetlands, with their moss-draped trees and dark water obscuring mysteries below, are eerily beautiful places, home to ghost stories and haunting, ethereal light. The newest collection from award-winning photographer Keith Carter, Ghostlight captures the otherwordly spirits of swamps, marshes, bogs, baygalls, bayous, and fens in more than a hundred photographs.
From Ossabaw Island, Georgia, to his home ground of East Texas, Carter seeks “the secretive and mysterious” of this often-overlooked landscape: wisps of fog drifting between tree branches; faceless figures contemplating a bog; owls staring directly at the camera lens; infinite paths leading to unknown parts. Similarly, spectral images are evoked in the original short story that opens this book. Ghostlight, writes best-selling author Bret Anthony Johnston, “hovers, darts, disappears. It can be as mean as a cottonmouth, as mischievous aes a child. The closer you get, the farther the light recedes.” A masterpiece of “Bayou Gothic,” Ghostlight challenges our perceptions and invites us to experience the beauty of this elusive world.
The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.
Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.
For over two years, the iconic hôtel particulierunderwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration—documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.
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