10 Reasons why you should submit your work to photo contests
10 Reasons why you should submit your work to photo contests
Posted on January 30, 2023
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Participating in photo contests can be an important way to showcase your work and gain recognition as a photographer. Here are a few reasons why it can be beneficial:
Exposure:
Photo contests often have a large audience, which can provide a great opportunity for your work to be seen by a wide range of people. This can help to increase your visibility as a photographer, and can lead to more opportunities for work or collaborations.
Feedback:
Participating in photo contests can also provide valuable feedback on your work. Judges and other participants can offer constructive criticism that can help you to improve your skills and develop your style.
Networking:
Photo contests can be a great way to connect with other photographers and industry professionals. This can help you to learn from others, and can also open doors to new opportunities and collaborations.
Prizes:
Many photo contests offer prizes, such as monetary awards, equipment, or other tangible rewards. These can be a great way to help you to build your photography business or to fund your next project.
Recognition:
Winning or placing in a photo contest can provide a great sense of accomplishment, and can be a valuable addition to your portfolio or resume. It can also serve as a way of validating your skills and talents as a photographer.
Inspiration:
Participating in photo contests can be a source of inspiration and motivation. Seeing the work of other photographers can help to spark new ideas and push you to explore new subjects and techniques.
Education:
Participating in photo contests can be a great way to learn about different photography techniques and styles. You may also be exposed to different techniques and styles that you might not have otherwise considered.
Inspiration for others:
By participating in photo contests, you can inspire others to take up photography. The exposure that your photos receive can be a great way to inspire others to take up photography as well.
Creativity:
Participating in photo contests can help to boost your creativity. Seeing other photographers' work can inspire you to think in new ways and come up with unique ideas for your own photos.
Fun:
Participating in photo contests can be a fun and rewarding experience. It can be a great way to meet other photographers, learn new skills, and showcase your work.
Overall, participating in photo contests can be a great way to gain exposure, feedback, and recognition for your work as a photographer. It can also provide valuable opportunities for networking, prizes, and inspiration. Plus it can be a fun and exciting way to challenge yourself and improve your skills.
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Anastasia Samoylova: Atlantic Coast opens a vast, quietly unsettling portrait of the American East Coast — one in which nostalgia, dislocation and transformation are sewn into the landscape itself. In this new monograph, Samoylova retraces the route pioneered by Berenice Abbott in 1954, journeying from Florida to Maine to revisit the places Abbott once documented, and to observe what has become of them decades later. Her images — in vivid color and stark black and white — reveal the tension between myth and reality, between promises of progress and the traces of decay or displacement.
Where once small towns and coastal communities had a certain stillness, Samoylova finds change carved into facades and roadside signs, into suburban sprawl and shuttered shopfronts. She frames these scenes with a photographer’s patience and a poet’s sensitivity — capturing abandoned diners, empty motels, decaying houses, ghostly intersections. At the same time, there is stubborn life: occasional portraits of people, wildlife, reminders that behind every sign of decline, someone, something endures.
Her book does not simply document physical places. It traces the shifting contours of identity, belonging and memory in a nation where the open road has long symbolized freedom — and where that ideal has become tangled with consumerism, environmental degradation, and socio-economic upheaval. Through Atlantic Coast, Samoylova asks whether the “American Dream” remains intact, or if it has fractured along with the towns her car passes through.
Reading this volume is to experience a slow, attentive journey — as a witness, as a traveller, as someone invited to reconsider what America has become. Her photographs linger, subtly unsettling the viewer’s assumptions about beauty, progress and decline. In its silence and restraint, the book whispers that memory, identity and place are fragile — and that every road carries stories worth listening to.
Coreen Simpson: A Monograph is the first major book dedicated to the influential photographer and jewelry designer whose career spans more than fifty years. As the second volume in the Vision & Justice Book Series—a groundbreaking initiative created by Dr. Sarah Lewis and coedited with Drs. Leigh Raiford and Deborah Willis—the monograph celebrates Simpson’s enduring impact on visual culture.
Simpson began her career as a journalist before turning to photography, capturing the richness of Black life, fashion, and identity. Her portraits of icons such as Grace Jones, Muhammad Ali, and Toni Morrison, as well as her iconic B-Boys series from the 1980s, showcase her eye for style, pride, and self-expression. The book also features her later work with collage and overpainting, alongside the story of her celebrated jewelry line, including the iconic Black Cameo worn by Rosa Parks and Rihanna.
Featuring original essays by leading voices such as Bridget R. Cooks, Rujeko Hockley, Awol Erizku, and Doreen St. Félix, as well as an in-depth interview by Deborah Willis, Coreen Simpson: A Monograph offers a multifaceted portrait of an artist whose work continues to shape the worlds of photography, fashion, and Black cultural history.
Explore the groundbreaking early work of Daido Moriyama, one of Japan’s most radical photographers, with this collectible, slipcased photobook.
Daido Moriyama (b. 1938) is one of Japan’s most renowned and prolific photographers. His diverse projects often focus on urban landscapes, exploring light and shadow, and form and abstraction. Using a handheld camera and high-contrast black-and-white film, Moriyama captures Tokyo’s chaotic streets and clandestine underbelly, revealing the darkness and strangeness beneath the surface.
Daido Moriyama: Quartet is a vital anthology of the four seminal photobooks that form the foundation of Moriyama’s career as a photographer: Japan: A Photo Theater, A Hunter, Farewell Photography, and Light and Shadow. Spanning the fifteen years during which he honed his techniques and unveiled his distinctive vision, these photobooks were originally released as limited editions in Japan and represent some of the most daring ventures in photographic publishing history. Edited by Mark Holborn, this compilation includes excerpts from Moriyama’s diaries, journals, and memoranda, offering intimate glimpses into the core of his creative process. Presented in a slipcase, this volume is essential for all Moriyama fans and anyone passionate about photography and visual culture.
An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.
Critical Photojournalism guides readers through a variety of ethical, technical and business skills, plus the mental health, self-care and safety considerations necessary to thrive in the field. Drawing on their extensive industry and teaching experience, the authors provide real-world advice on how to navigate the demands of the profession while addressing the impact that photojournalism has on society and ways that photojournalists can mitigate harm. Consideration is given to understanding and disrupting implicit bias and power structures in newsrooms, as well as issues around access, working in breaking news environments and balancing informed consent with varying media laws around the world. In accessible language, this book highlights the importance of collaboration and community engagement in contemporary photojournalism and encourages students to adopt a decolonial approach to their work. Readers will learn to balance the needs for accuracy and thoughtfulness with the priorities of a global, social-media-engaged audience.
This is a key textbook for those seeking a nuanced introduction to visual journalism and/or a fresh approach to their craft. This book is supported by a website which can be accessed at www.criticalphotojournalism.com. The website includes a full-length bonus chapter on video and photojournalism, interviews with professional visual journalists, further tips and tools, and a glossary of key terms.
