939Founded by Ansel Adams, directed by Minor White, and staffed by such luminaries as Imogen Cunningham, Dorothea Lange, Lisette Model, and Edward Weston, the first fine-art photography department in the United States was created in 1946 at the California School of Fine Arts (now known as the San Francisco Art Institute). Under White's leadership and against a backdrop of revolutions in photography as an art form, this dynamic faculty developed the modern photography curriculum, bringing a new academic pedigree to the medium and establishing the future of photography education. The Moment of Seeing is much more than a history of the program and those who comprised it. Including White's never-before-published writings on the teaching of photography, it is also a rich gallery of iconic images by both renowned faculty members and the dedicated students they taught.
The Columbia River Gorge exerts a powerful influence on the lives and imaginations of the inhabitants of the Pacific Northwest. For people who live here today, just as for those Native Americans and European settlers who preceded us, this dramatic natural landform is a source of awe. Since the 1860s it has inspired superb photographers who have framed and interpreted the way we see the Gorge, and who have in turn had their artistic vision shaped by this compelling landscape. The ninety-year period covered in Wild Beauty was a critical one in the river's history. Over thousands of years the wild, free-flowing torrent of the Columbia River carved a passage 'the Columbia River Gorge 'through the Cascade Mountain Range. In the 1860s, when the first photographers arrived, the Gorge still looked much the same as it had when Lewis and Clark made their way down the river in 1805, and indeed as it had for centuries before that, when the native peoples' culture of fishing and trade thrived along the river's banks. In the mid-twentieth century, the character of the river was fundamentally altered by the construction of hydroelectric dams. Terry Toedtemeier and John Laursen have selected more than 130 images - most of them previously unpublished and many of them never before available for public view - by some three dozen photographers to chronicle the history of photography in the Gorge. Wild Beauty begins in 1867 with images by the legendary Carleton Watkins, creator of some of the greatest landscape photographs of the nineteenth century. Later photographers include Benjamin Gifford, Lily White, Sarah Ladd, Fred Kizer, Alfred Monner, and Ray Atkeson. The volume ends in 1957 with the completion of The Dalles Dam, which drowned Celilo Falls and with it the historic site where Indians had fished for millennia.The images in this beautifully designed volume are presented one to a spread, with captions on the facing pages. The book is organized into five chronological sections, each with a brief introduction; a map shows the locations where the photographs were made. The photographs have been meticulously restored and are exquisitely reproduced in four-color process to capture the subtle coloration and nuanced tonal values of albumen prints, gelatin silver prints, platinum prints, hand-colored photographs, and early Kodachromes.The photography of Watkins and his successors is a significant piece of the cultural heritage of the Pacific Northwest. Readers interested in the history of the Columbia River and the photography of the developing American West will be enthralled by the book's scope and artistry. And those who love the Gorge's stunning beauty will welcome how this volume has captured its grandeur.Wild Beauty represents, in the words of one reviewer, 'a culmination of decades of research, exhibition, and total immersion in the geology, history, and photography of the Columbia River Gorge. Oregon State University Press is proud to partner with the Northwest Photography Archive to publish this remarkable volume.
In this beautiful, yet extremely practical source book, fashion photographer Eliot Siegel embarks on an ambitious project to pull together 1,000 poses for photographing models. Designed to inspire photographers and models alike, the book's poses are organized by type including standing, sitting, reclining, crouching, kneeling, and dynamic poses, as well as head and shoulder shots and expressions. For selected images, Siegel includes a lighting diagram as well as a detailed explanation of how the image was made, but in every case he explains why a pose works, or why it doesn't.
Bringing together a group of stylistically diverse but similarly adventurous and innovative artists, this book explores the intense creative experimentation in photography that has occurred since the 1970s. Few people ask, "What is a painting? A drawing? A sculpture?" But the medium of photography, especially since the 1970s, has been constantly changing as technological developments allow for endless experimentation--until the very definition of a photograph becomes ripe for debate. Beginning with the waning days of conceptual art, this book presents a wide variety of artists--among them James Welling, Christopher Williams, Marco Breuer, Alison Rossiter, Sigmar Polke, and Gerhard Richter--who have reconsidered and reinvented the role of light, color, composition, materiality, and subject in the art of photography. Brought together for the first time in book form, these individuals have found new ways of implementing both analog and digital technology, in many cases creating hybrid works that open up new possibilities for today's artists. Filled with brilliant color reproductions, this volume not only traces the many strands of experimentation that have developed out of conceptual art, but also encourages dialogue on the continuing experimentation that is occurring as photography continues to evolve within the analog and digital worlds.
Every photographer, from weekend enthusiast to professional, can learn by studying the "greats". In Why Photographs Work, author/photographer George Barr analyzes 52 striking images by some of the world's top photographers. Accompanying Barr's analysis of each image is an explanation by the photographer describing the circumstances of making the image, including not only the how, but also the why. Also included is each photographer's biography, a reference to his or her websites and publications, and brief technical descriptions of the equipment used in making each image.
The Road Not Taken by Arnaud Montagard investigates classic visual themes of Americana and touches upon some of the ideas laid down by the Beat poets. Leaving the fast paced city life behind and setting off on a journey into the American psyche. As an outsider who moved to New York some
years ago,Arnaud's images are informed and inspired by the greats that precede him, but also announce his own unique style.
American artist Imogen Cunningham (1883-1976) enjoyed a long career as a photographer, creating an extensive and distinct oeuvre that underscored her unique vision, versatility, and ardent commitment to the medium. An early feminist and inspiration to future generations of men and women practitioners, Cunningham intensely engaged with Pictorialism and Modernism; genres of portraiture, landscape, the nude, still life, and street photography; and themes such as flora, dancers, music, hands, and the elderly.
Nothing had prepared me for my father's death. He was taken by a blood cancer before the family knew he was seriously ill. There was little time to talk, to prepare. We couldn't even say out last "SAYONARA" (goodbye). One day he was there and the next day- an empty place in the family. When he was gone the seemed to be no recovering. The house seemed full of sorrow and shock. In my room at night, expecting to hear my fathers voice, I heard only the weeping of my sister.
When Los Angeles based photographer and former Hollywood stuntwoman Hannah Kozak was nine years old, her mother left Hannah and her family after falling in love with another man. He turned out to be violent. From the age of nine to fourteen, Hannah witnessed him abuse her mother on the weekends she spent with them. In 1974, he beat Hannah's mother so badly she sustained permanent brain damage. After caring for her for six years, Hannah's father moved her mother into an assisted living facility at the age of forty-one, where she lived for thirty-five years. She has spent the last five years at a different, much improved facility. She is partially paralyzed on one side and cannot walk on her own, cloth or feed herself.
In Jenny Sampson's follow-up monograph to Skaters (Daylight, 2017) featuring her acclaimed collection of tintype portraits of male and female skateboarders, the American photographer, who is based in Berkeley, California, chose to focus exclusively on female skateboarders. Although historically a male-dominated sport, there have always been girls in the skateboarding landscape. By turning her lens on these fearless females in skate parks and at events all over California, Washington and Oregon, Sampson hopes Skater Girls (Daylight, September, 2020) will increase visibility and celebrate these girls and non-binary people, young and older, who have been breaking down this gender wall with their skater girl power.
In good times and bad, our best friends are there for support, therapy, and unconditional love. Especially now -- where would we be without our dogs? Although the so-called modernists of Palm Springs embrace the serenity of life in post-WWII America, the sometimes-harsh realities of contemporary life are impossible to ignore. These mid-twentieth-century reenactors are often transplants, enjoying the Palm Springs lifestyle with their dogs and friends as their chosen family.
This book offers a unique introduction to the Zen path through words, photos and poetry. More than a guidebook, it provides a space for reflection on our current situation and talks about Zen in relation to both photography and the origins of the coronavirus pandemic.
Award-winning photographer Dotan Saguy first met the Reis family, Mormons from Brazil, the day they arrived in Los Angeles in a converted yellow school bus they call home with their three children ages 10, 5 and 2. They had come to the United States two years prior to chase the American Dream. While they quickly found financial footing in the US and acquired all the material things they wanted, they were still not happy. Inspired by a YouTube video by a Brazilian artist who quit everything to travel and sell his art, they decided to explore an alternative lifestyle that would allow them to spend more time as a family and discover the world together through travel.
American photographer Jamie Johnson has devoted her over 20-year career to photographing children around the world. In 2014 she was invited to Ireland to document the Irish Travellers, a nomadic, ethnic minority that have lived on the margins of mainstream Irish society for centuries. She was introduced to a group of Travellers at the Ballinasloe Horse Fair and Festival, an annual event in County Galway where Travellers from Ireland and Europe come to set up camps, reunite with family and friends, and sell puppies and ponies. The children are left to run footloose and fancy free with dolls, animals, and candy cigarettes. While the Travellers don't usually like outsiders, Johnson's warmth, kindness and show of respect won them over and she was granted full access to photograph their lives and culture.
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