939Founded by Ansel Adams, directed by Minor White, and staffed by such luminaries as Imogen Cunningham, Dorothea Lange, Lisette Model, and Edward Weston, the first fine-art photography department in the United States was created in 1946 at the California School of Fine Arts (now known as the San Francisco Art Institute). Under White's leadership and against a backdrop of revolutions in photography as an art form, this dynamic faculty developed the modern photography curriculum, bringing a new academic pedigree to the medium and establishing the future of photography education. The Moment of Seeing is much more than a history of the program and those who comprised it. Including White's never-before-published writings on the teaching of photography, it is also a rich gallery of iconic images by both renowned faculty members and the dedicated students they taught.
The Columbia River Gorge exerts a powerful influence on the lives and imaginations of the inhabitants of the Pacific Northwest. For people who live here today, just as for those Native Americans and European settlers who preceded us, this dramatic natural landform is a source of awe. Since the 1860s it has inspired superb photographers who have framed and interpreted the way we see the Gorge, and who have in turn had their artistic vision shaped by this compelling landscape. The ninety-year period covered in Wild Beauty was a critical one in the river's history. Over thousands of years the wild, free-flowing torrent of the Columbia River carved a passage 'the Columbia River Gorge 'through the Cascade Mountain Range. In the 1860s, when the first photographers arrived, the Gorge still looked much the same as it had when Lewis and Clark made their way down the river in 1805, and indeed as it had for centuries before that, when the native peoples' culture of fishing and trade thrived along the river's banks. In the mid-twentieth century, the character of the river was fundamentally altered by the construction of hydroelectric dams. Terry Toedtemeier and John Laursen have selected more than 130 images - most of them previously unpublished and many of them never before available for public view - by some three dozen photographers to chronicle the history of photography in the Gorge. Wild Beauty begins in 1867 with images by the legendary Carleton Watkins, creator of some of the greatest landscape photographs of the nineteenth century. Later photographers include Benjamin Gifford, Lily White, Sarah Ladd, Fred Kizer, Alfred Monner, and Ray Atkeson. The volume ends in 1957 with the completion of The Dalles Dam, which drowned Celilo Falls and with it the historic site where Indians had fished for millennia.The images in this beautifully designed volume are presented one to a spread, with captions on the facing pages. The book is organized into five chronological sections, each with a brief introduction; a map shows the locations where the photographs were made. The photographs have been meticulously restored and are exquisitely reproduced in four-color process to capture the subtle coloration and nuanced tonal values of albumen prints, gelatin silver prints, platinum prints, hand-colored photographs, and early Kodachromes.The photography of Watkins and his successors is a significant piece of the cultural heritage of the Pacific Northwest. Readers interested in the history of the Columbia River and the photography of the developing American West will be enthralled by the book's scope and artistry. And those who love the Gorge's stunning beauty will welcome how this volume has captured its grandeur.Wild Beauty represents, in the words of one reviewer, 'a culmination of decades of research, exhibition, and total immersion in the geology, history, and photography of the Columbia River Gorge. Oregon State University Press is proud to partner with the Northwest Photography Archive to publish this remarkable volume.
175An extraordinary spiritual memoir about the will to survive . . . one breath at a time
Alison Wright, covered human conflict with her camera until her own life was nearly cut short during a horrific bus accident with a logging truck on a remote jungle road in Laos. Suffering from excruciating life threatening injuries she drew upon her years of meditation practice, concentrating upon each breathe believing it to be her last. Wright's recent memoir, "Learning to Breathe; One Woman's Journey of Spirit and Survival," chronicles this inspirational story of survival and years of rehabilitation, and her ongoing determination to recover and continue traveling the world as an intrepid photojournalist. The book details her ascent of Mt. Kilimanjaro as well as her circumambulation of Mt. Kailash in Tibet.
In this beautiful, yet extremely practical source book, fashion photographer Eliot Siegel embarks on an ambitious project to pull together 1,000 poses for photographing models. Designed to inspire photographers and models alike, the book's poses are organized by type including standing, sitting, reclining, crouching, kneeling, and dynamic poses, as well as head and shoulder shots and expressions. For selected images, Siegel includes a lighting diagram as well as a detailed explanation of how the image was made, but in every case he explains why a pose works, or why it doesn't.
Bringing together a group of stylistically diverse but similarly adventurous and innovative artists, this book explores the intense creative experimentation in photography that has occurred since the 1970s. Few people ask, "What is a painting? A drawing? A sculpture?" But the medium of photography, especially since the 1970s, has been constantly changing as technological developments allow for endless experimentation--until the very definition of a photograph becomes ripe for debate. Beginning with the waning days of conceptual art, this book presents a wide variety of artists--among them James Welling, Christopher Williams, Marco Breuer, Alison Rossiter, Sigmar Polke, and Gerhard Richter--who have reconsidered and reinvented the role of light, color, composition, materiality, and subject in the art of photography. Brought together for the first time in book form, these individuals have found new ways of implementing both analog and digital technology, in many cases creating hybrid works that open up new possibilities for today's artists. Filled with brilliant color reproductions, this volume not only traces the many strands of experimentation that have developed out of conceptual art, but also encourages dialogue on the continuing experimentation that is occurring as photography continues to evolve within the analog and digital worlds.
Every photographer, from weekend enthusiast to professional, can learn by studying the "greats". In Why Photographs Work, author/photographer George Barr analyzes 52 striking images by some of the world's top photographers. Accompanying Barr's analysis of each image is an explanation by the photographer describing the circumstances of making the image, including not only the how, but also the why. Also included is each photographer's biography, a reference to his or her websites and publications, and brief technical descriptions of the equipment used in making each image.
To watch, to see everything, to watch the world staying at its center. To be like God. [...] But this center has no place in a traditional geography: it is the endless, wild, mysterious Big Data electronic prairies. And this is an opportunity for everyone, through the medium of screens: getting to violate (and of letting the others violate) the intimate vestibule of space and time, with a look.
After several introspective journeys around the world, Avarino Carac̣ decides to explore the identity dimension of his Sicilian land. In this book, just published for PM Edizioni in the form of a personal diary, the author questions his path as a photographer and as an individual, facing his own limits as a cisgender person, and dealing with 11 transgender and non-binary people. 11 different stories that represent everyday life and resilience of very different people, who share a common difficult and hostile cultural territory towards non-heteronormative gender identities.
In his fourth book, Stephen Albair-by his own admission "an artist obsessed with recasting found objects and first-person experiences"-presents what he terms "a memoir told through photography and jewelry design.
For six years (2014-2020) Tel Aviv-based photographer and artist Iris Hassid followed the day to day life of four young Palestinian women, citizens of Israel, who are part of a recent surge of the young generation of Arab female students attending Tel Aviv University.
When two of his oldest friends died unexpectedly, Rick Schatzberg (born 1954) turned to photography to cope with his grief. He spent the next year and a half photographing his remaining group of a dozen men who have been close since early childhood. Now in their 67th year, "The Boys," as they call themselves, grew up together in the 1950s in post-war Long Island, New York.
Bruce Haley spent his formative years on a small ranch in the southwestern portion of California's San Joaquin Valley, in an area between Lemoore and Riverdale known as the Island District. Not the sort of young man who was easily contained indoors (setting a pattern that would last a lifetime), he ran the land, rode horses and dirt bikes across the fields, and grew up. Haley is a Robert Capa Gold Medal winner and celebrated internationally for his war and documentary work that took him to Somalia, Afghanistan, Burma, and elsewhere. For this deeply personal project, he turns his camera homeward, to this agriculture-rich San Joaquin Valley. The resulting images, haunting and melancholy, play out against the larger framework of contentious water politics and land use issues.
We're delighted that Big Heart, Strong Hands will shortly be back in stock. We published the book in late January this year and within eight weeks it was sold out. Unfortunately Covid delayed our reprint but we can now announce that we expect
to be able to begin shipping orders out to customers from December 18th.
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