By Eve Arnold, Susan Meiselas, Abigail Heyman, Clara Bouveresse
Publisher : Actes Sud
2019 | 168 pages
As feminism gained momentum in 1970s America, three photographers―Abigail Heyman, Eve Arnold and Susan Meiselas―published massively influential photobooks informed by the movement.
The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's The Unretouched Woman (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas' Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States.
Issue Three: The United States (2003-2013) is a composition of new American photographs taken over the last 10 years. It features the work of photographers like Bryan Schutmaat, Ilona Szwarc, Daniel Shea, Vanessa Winship, Lucas Foglia and over 100 more. Printed at Shapco, Minneapolis, 216 pages.
Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
From the water's surface, it's a simple exercise: a dog's leap, a splash, and then a wet head surfacing with a ball, triumphant.
But beneath the water is a chaotic ballet of bared teeth and bubbles, paddling paws, fur and ears billowing in the currents. From leaping lab to diving dachshund, the water is where a dog's distinct personality shines through; some lounge in the current, paddling slowly, but others arch their bodies to cut through the water with the focus and determination of a shark.
In more than eighty portraits by award-winning pet photographer and animal rights activist Seth Casteel capture new sides of our old friends with vibrant underwater photography that makes it impossible to look away. Each image bubbles with exuberance and life, a striking reminder that even in the most loveable and domesticated dog, there are more primal forces at work. In Underwater Dogs, Seth Casteel gives playful and energetic testament to the rough-and-tumble joy that our dogs bring into our lives.
Henry Horenstein and Leslie Tucker began working together in the
summer of 1997, when she invited him to Maryland to shoot the
mysterious, little-known Wesort clan. ''We sorts are different from
you sorts.''
Celebrated photographer Bruce Haley spent much of his career documenting people and geopolitical conflict in far corners of the world, resulting in a Robert Capa Gold Medal, and placement of his work in major international news publications and exhibitions. In recent years he has been photographing throughout California and Nevada, exploring his own personal history and definitions of "home."
In August of 2020, my daughter Margaret announced the new name and non-binary identity as Alex (no pronouns), and while I fully support this, I am learning who the new person is, learning to love who Alex is becoming, and considering my own evolution as a mother. My project, Becoming Alex unfolded over a year during which Alex and I came to understand what our transitions looked like and meant. As a young adult with autism spectrum disorder and countless physical ailments, Alex struggles to exist in a world that seems to run counter to how my child understands it.
Artist and writer Steven Seidenberg presents his series and book The Architecture of Silence: Abandoned Lives of the Italian South, published by Contrasto Books, examining the failed post-war land reform movement (called the Riforma Fondiaria in Italian) to which these imaged structures and landscapes belong.
Twenty years ago, in the South Bay region of San Francisco, the South Bay Salt Pond Restoration Project was established to address the impact of human activity on the diminished marshes of the Bay and the role wetlands play in protecting vulnerable communities from sea level rise. This expansive environmental project is the largest tidal wetland restoration project on the West Coast and is dedicated to converting over 15,000 acres of commercial salt ponds at the south end of San Francisco Bay to a mix of tidal marsh, mudflat, and other wetland habitats
In his coffee table book Metropolis, Alan Schaller presents city life in his own individual
way, setting standards in modern street photography. For all lovers of spectacular
black-and-white photography, the coffee table book—Metropolis is a must-have,
because there is hardly anything comparable on the market. In a unique way, Alan
Schaller depicts urban contrasts that big cities like New York, London, Paris, Tokyo or
Istanbul hold in store in their architecture and everyday life.
In Ordinary People, Ksenia Kuleshova, a rising star in the world of photography, has taken a series of intimate portraits, accompanied by short interviews of LGBTQ Russians who, despite the relentless homophobia from politicians, religious leaders, and the media, remain open about their sexuality and seek happiness and joy in their everyday lives.
The Oceans is the culmination of fifteen years of traveling the globe to capture the seven seas—from the rugged shores of the North Atlantic to the turquoise tranquil waters of the tropics—Burkard’s lens captures the stunning diversity and ever-changing beauty of the world’s oceans. Traversing the world to document the oceans, the book features nearly 250 images from far away corners of the world like the Kuril Islands, Faroes, and Tahiti. He is also dedicated to climate change and The Oceans is more than just a collection of stunning photographs, it's also a call to action and a reminder of the urgent need to protect and preserve our oceans and fragile planet.
My father was a spy during the Cold War. Bilingual in German and English, he worked for the U.S. Air Force and sent agents into East Germany and elsewhere behind the Iron Curtain in the early 1960s. The Need to Know, a photo book, is my exploration of the meager details that emerged from brief and cryptic conversations with my father and my curiosity about Cold War espionage and its impact upon my family at the time. The book will be published by the Blow Up Press of Warsaw, Poland in early October
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