Miscellaneous Photo Books / T

Musicians and designers have also sifted through photography's rich history for powerful photographs to match and keep company with the music enclosed within: Anders Peterson's classic Café Leibnitz portrait of a man nestled into a partner, stands in for Tom Waits on the cover of Swordfishtrombones; Big Star and Alex Chilton push the listener into a corner with William Eggleston's Red Ceiling on their album Radio City; Rage Against the Machine goes for the jugular with the anonymous Vietnam War photo of the self-immolation of a Buddhist monk. Iconic images like the Abbey Road crosswalk are deeply inscribed in our collective memory, but we know few details about the photographer of the image. All of these-and more-are included in this compendium of electrifying images and the albums they grace. Total Records reveals the artists behind some of the most striking images on vinyl sleeves and takes us on a journey through the cultural history of the twentieth century.

Tokyo 1955-1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan's capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. During this period, Tokyo was a vibrant hub that attracted such critical artistic figures as Taro Okamoto, Hiroshi Nakamura, Ay-O, Yoko Ono, Mieko Shiomi and Tetsumi Kudo; photographers Daido Moriyama, Eikoh Hosoe and Shomei Tomatsu; illustrators and graphic designers Tadanori Yokoo, Kohei Sugiura and Kiyoshi Awazu; and architects Arata Isozaki and Kisho Kurokawa; as well as many important artists' collectives. Curator Doryun Chong's essay investigates Tokyo's sociopolitical context and the massive urban changes that set the stage for the city to emerge as a vital node in the international avant-garde network. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including "graphism," which manifested itself across various mediums; the development of new sculptural languages; and the "intermedia" tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies. Tokyo 1955-1970: A New Avant-Garde brings fresh insight to this dynamic metropolis during a time of remarkable artistic burgeoning.