Joel Sartore's quest to photograph all the animal species under human care celebrates its 15th year with this glorious and heartwrenching collection of photographs. The animals featured in these pages are either destined for extinction or already extinct in the wild but still alive today, thanks to dedication of a heroic group committed to their continued survival. From the majestic Sumatran rhinoceros to the tiny Salt Creek tiger beetle, Sartore's photographs bring us eye to eye with the kaleidoscopic diversity of shapes, colors, personalities, and attitudes of the animal world.
The lush and unique photography in this book represents National Geographic's Photo Ark, a major initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals- especially those that are endangered. His powerful message, conveyed with humor, compassion, and art: to know these animals is to save them.
ased on the blog with more than four million loyal fans, a beautiful, heartfelt, funny, and inspiring collection of photographs and stories capturing the spirit of a city. Now an instant #1 New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out to create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in an attempt to capture New Yorkers and their stories. The result of these efforts was a vibrant blog he called "Humans of New York," in which his photos were featured alongside quotes and anecdotes.
What is the difference between a good picture and a great one? In this fully revised edition of the classic bestseller The Art of Photographing Nature, master photographer Art Wolfe and former Audubon photo editor Martha Hill team up to explain the art of composing images of enduring beauty. Against a backdrop of more than 250 photographs of nature, wildlife, and landscapes, they share insights and advice about what works and what doesn’t, and how small changes can take an image from ordinary to extraordinary. Throughout, all-new tips from digital imaging expert Tim Grey show readers how to make the most of digital technology, whether by choosing the right color space, understanding sensor size, or removing distracting elements in post-processing. The result is an invaluable collection of expert advice updated for the modern age.
Important collection of modernist photography, beautifully printed in a special four color gravure process. Published on the occasion of the exhibition mounted by the Metropolitan Museum of Art, NYC, September 22-December 31, 1989 - that subsequently traveled to other major museums around the U.S. Includes two essays in English on American and European photographers, 318 pp., work of 70+ photographers in 203 illustrations, including 125 full-page plates divided into 10 sections, bibliography and index.
For over 30 years, The New York Times Magazine has been synonymous with the myriad possibilities and applications of photography. The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors and other collaborators whose voices have been a part of the magazine over the years. Issues of documentary photography are addressed in relation to more conceptual photography; the efficacy of storytelling; and what makes an image evidentiary, objective, subjective, truthful or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine: Photographs serves as a springboard for a rigorous, necessary and revitalized examination of photography as presented within a modern journalistic context.
Atlantic City, at one time known as "The World's Playground" with its glittering casino hotels and night clubs, and legendary boardwalk and beach, looms large in the American imagination. It has been the subject of many movies, including the 1980 Louis Malle classic "Atlantic City" starring Susan Sarandon and Burt Lancaster, and the hit HBO series "Boardwalk Empire" set in the era of Prohibition. Historically the city was a refuge for those fleeing Prohibition. The casinos offered the unsleeping promise of redemption at the pull of a lever or roll of the dice.
Origini edizioni is proud to show you the third book born from the collaboration with Leporello, from projects selected by Call launched in March 2019, on theme "Terra" (in the sense of earth, land, matter).
William Earle Williams: Party Pictures is dedicated to the American photographer's acclaimed series of the same name. Williams' insightful photographs taken in the 1970s and 80s revel in the details of a particular moment and the unspoken cues of class, race and gender. In Party Pictures, you will find blue-blood doyennes in starched lace and society upstarts dripping with jewels alongside A-list celebrities and blue-collar wait staff.
In a very short space of time, Geert Broertttes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief.
I communicate with the world by creating visual narratives of composited photographs, often illuminating that in-between moment in time. It is how I explore dreams deferred, connections to prior generations, the natural world and our place within it. Making art is my psychological release, my obsession and my salvation.
In Lost Venice (Damiani, April 2020) photographer Sarah Hadley presents an alluring and haunting portrayal of this majestic city as distilled through her personal lens of loss and nostalgia. By contemplating the temporal beauty of Venice, Hadley examines our own impermanence and the uncertain future of this unique city.
Same-sex relations are illegal in thirty-two African countries. Most, including Kenya and Uganda, were former British colonies, and the legacy of the colonialists' anti-gay legislation can be felt to this day. In 2014 Uganda introduced a so-called "kill the gays" law that sought to broaden the criminalization of same-sex relations, making it punishable by life imprisonment and, in some instances, death. In 2019 Uganda's Minister of Ethics and Integrity called to introduce such a bill once again.
Stephan Vanfleteren is mainly known to the general public for his penetrating black & white portrait photography, but over the past decades his work has ranged to documentary, artistic and personal pictures. From street photography in world cities like New York to the genocide of Ruanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits. The iconic images sit side by side with unknown treasures in this heavy tome containing no less than 505 photographs.
The tourist season is over, the promenade is empty and Brexit is at the door when Benita Suchodrev returns to the British coastal town of Blackpool to photograph the hidden reality behind the famous Amusement Mile. She leads us to local churches, soup kitchens, youth shelters, old age homes and impoverished neighborhoods, meets bizarre characters, underage mothers, drug-addicts, artists, and hermits. She photographs strangers on train platforms, homeless in torn rags feasting on ham sandwiches and coffee under a dark overpass, closed storefronts and deserted alleys on a rainy night.
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