Miscellaneous Photo Books / L

In Last West, poet Tess Taylor follows Dorothea Lange's winding paths across California during the Great Depression and in its immediate aftermath. On these journeys, Lange photographed migrant laborers, Dust Bowl refugees, tent cities and Japanese American internment camps. Taylor's hybrid text collages lyric and oral histories against Lange's own journals and notebook fragments, framing the ways social and ecological injustices of the past rhyme eerily with those of the present. The result is a stunning meditation on movement, landscape and place.

In 1973, John Szarkowski, the revered director of photography at the Museum of Modern Art, New York, published his classic volume Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, offering a wide-ranging and accessible history of photography and an engaging primer.
Now, American photographer and educator Stephen Frailey has borrowed Szarkowski's concept and format for his new book, Looking at Photography: 100 great images and a page of text for each. Frailey picks up where Szarkowski left off, updating the project to take stock of significant photographs from the early 1980s to the present day. Through a focused discussion on each individual work, Frailey articulates the themes and emerging sensibility of contemporary photography.
Artists featured in this volume include Tina Barney, Jeff Wall, Steven Meisel, Nan Goldin, Helmut Newton, Martin Parr, Tim Walker and Wolfgang Tillmans, among others.

Experience the beauty of Laos with a hardcover, 112-page book of photographs and texts by: Adri Berger, Monica Denevan, Kenro Izu, Yumiko Izu, Michael Kenna, and John McDermott.8.5 x 11 inches, published by Nazraeli Press and Friends Without A Border. All proceeds benefit Lao Friends Hospital for Children.

Master launch photographer Ben Cooper captures readers' favorite subjects in a new light. Rather than presenting the standard “rocket lifting off the launch pad” images, he provides fresh perspectives. In addition to providing text about manned and unmanned crafts that will pique the interest of shuttle enthusiasts and newcomers alike, he shares wide-angle captures, night photographs, images shot from seldom-seen angles, and more. Readers will marvel over detailed photos of the shuttle before and after retirement, and juxtaposed with nature (Cape Canaveral's launch pages are surrounded by a national wildlife refuge), behind-the-scenes shots, images of the crafts rolling to the pad, and launching and landing too. Photographs of unmanned rockets, such as United Launch Alliance Delta II, Delta IV, and Atlas V rockets, which have been launching for a long time, plus the new era SpaceX, Falcon 9, and Falcon Heavy rockets, will please readers young and old.

n November 1936, publisher Henry R. Luce launched Life as a photo-led weekly news magazine with a clear purpose: “To see life; to see the world; to eyewitness great events.” Before readers’ attention was consumed by television, Life served as their window to the world, and by the late 1940s, it was being viewed by 1 in 3 Americans. Jean Harlow was the first movie star to appear on a Life cover in 1937, and from then until 1972 over 200 covers featured Hollywood-related subjects, illustrating the strength of the bond between Life and the film industry.

Matching the splendor of the finest Hollywood production, this two-volume epic blockbuster tells the intertwined story of a magazine and an art form that embodied the pinnacle of American imagination. Meticulously researched and curated, it features over 600 images from the magazine’s archives—well over half previously unseen—and stars icons such as Bette Davis, Elizabeth Taylor, Marlon Brando, Clark Gable, Steve McQueen, Sophia Loren, Alfred Hitchcock, Sidney Poitier, Paul Newman, Jane Fonda, Brigitte Bardot and many more. Life had special access to these celebrities following them on set, to extravagant parties, Oscar nights and at home, providing readers with intimate glimpses of their lives away from the spotlight.

Volume 1 (1936-1950s) covers the Golden Age of Hollywood: dashing leading men, glamorous starlets, powerful studio moguls, and opulent lifestyles. Witness how Life didn’t just indulge fantasy, but also documented the inner workings of the industry and the collective effort that went into creating the illusions on the screen, from screenwriters and composers to publicists and acting coaches. Volume 2 (1950s-1972) focuses on the New Hollywood, in which major studios gradually lost their stronghold, marked by a shift toward independent films, international stars, and a more diverse array of voices and faces. See how Life reported from the sets of classic movies such as The Godfather, Guys and Dolls, and The Ten Commandments;¬ and with the aid of exclusive editorial materials like contact sheets, tear sheets from the stories, and internal editorial notes, we learn how Life planned and framed their innovative photo-essays.

Featuring introductory texts by photography critic Lucy Sante, captions by film historian Justin Humphreys, and over 70 legendary Life photographers such as Alfred Eisenstaedt, Peter Stackpole, Gordon Parks, Lisa Larsen, Margaret Bourke-White, Gjon Mili, and many others, Life. Hollywood is a celebration of the 20th century’s most important photography magazine and the irresistible allure of Hollywood and movie magnificence.

He filmed his time, its characters, its beauties. Sinatra, Cardin, St. Lawrence, Claudia Schiffer, Karen Mulder, Mastroianni, Mireille Darc, Belmondo, Milos Forman and many others. He tells with humor these surprising encounters, in an atmosphere of perpetual celebration, hence the cruelty was not absent. So he was betrothed to Cecilia - not yet Martin, nor Sarkozy. The invitations to the wedding were already gone when her future mother-in-law came to quibble about her lifestyle: insufficient domesticity, private mansion, certainly, but perhaps not worthy of her daughter... Jean-Daniel fled, while remaining friends with his ex-bride. Fate adoring winks, a few years later, his neighbor Carla Bruni. He takes snapshots of this sovereign beauty, becomes his confidant, and tells... In French only

"Life" has, of course, visited its archives before - but never like this. This edition puts the photographs on display, not only as part of the page layout but as the page itself. The explanatory text will be out of the way, so that each image can be savoured. Moreover, prints will be included that are not just suitable for framing, but meant for framing. And not only will there be photographic prints; there will also be 75 other famous pictures that appeared in "Life"'s pages, the story behind each of them and the narrative history of what "Life"'s photography has long meant to the country and, indeed, to the world.This is a unique, ground-breaking book. It is the ultimate treatment of our photography to date in book form. As such it is ultra-commemorative and collectible. "The Classic Collection", presented in this classic way, will be a definitive "Life" Book-and a category leader.

From the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city’s cultural, political, industrial, and sociological history. It traces the city’s development from the 1880s’ real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis.

A growing appreciation of the photobook has inspired a flood of new scholarship and connoisseurship of the form--few as surprising and inspiring as The Latin American Photobook, the culmination of a four-year, cross-continental research effort led by Horacio Fernandez, author of the seminal volume Fotografia Pública. Compiled with the input of a committee of researchers, scholars, and photographers, including Marcelo Brodsky, Iatã Cannabrava, Pablo Ortiz Monasterio and Martin Parr, The Latin American Photobook presents 150 volumes from Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Mexico, Nicaragua, Peru and Venezuela. It begins with the 1920s and continues up to today, providing revelatory perspectives on the under-charted history of Latin American photography, and featuring work by great figures such as Claudia Andujar, Barbara Brändli, Manuel Álvarez Bravo, Horacio Coppola, Paz Errázuriz, Graciela Iturbide, Sara Facio, Paolo Gasparini, Daniel González, Boris Kossoy, Sergio Larrain and many others. The book is divided into thematic sections such as "The City," "Conceptual Art and Photography" and "Photography and Literature," the latter a category uniquely important to Latin America. Fernandez's texts, exhaustively researched and richly illustrated, offer insight not only on each individual title and photographer, but on the multivalent social, political, and artistic histories of the region as well. This book is an unparalleled resource for those interested in Latin American photography or in discovering these heretofore unknown gems in the history of the photobook at large.