In Last West, poet Tess Taylor follows Dorothea Lange's winding paths across California during the Great Depression and in its immediate aftermath. On these journeys, Lange photographed migrant laborers, Dust Bowl refugees, tent cities and Japanese American internment camps. Taylor's hybrid text collages lyric and oral histories against Lange's own journals and notebook fragments, framing the ways social and ecological injustices of the past rhyme eerily with those of the present. The result is a stunning meditation on movement, landscape and place.
In 1973, John Szarkowski, the revered director of photography at the Museum of Modern Art, New York, published his classic volume Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, offering a wide-ranging and accessible history of photography and an engaging primer.
Now, American photographer and educator Stephen Frailey has borrowed Szarkowski's concept and format for his new book, Looking at Photography: 100 great images and a page of text for each. Frailey picks up where Szarkowski left off, updating the project to take stock of significant photographs from the early 1980s to the present day. Through a focused discussion on each individual work, Frailey articulates the themes and emerging sensibility of contemporary photography.
Artists featured in this volume include Tina Barney, Jeff Wall, Steven Meisel, Nan Goldin, Helmut Newton, Martin Parr, Tim Walker and Wolfgang Tillmans, among others.
Experience the beauty of Laos with a hardcover, 112-page book of photographs and texts by: Adri Berger, Monica Denevan, Kenro Izu, Yumiko Izu, Michael Kenna, and John McDermott.8.5 x 11 inches, published by Nazraeli Press and Friends Without A Border. All proceeds benefit Lao Friends Hospital for Children.
Master launch photographer Ben Cooper captures readers' favorite subjects in a new light. Rather than presenting the standard “rocket lifting off the launch pad” images, he provides fresh perspectives. In addition to providing text about manned and unmanned crafts that will pique the interest of shuttle enthusiasts and newcomers alike, he shares wide-angle captures, night photographs, images shot from seldom-seen angles, and more. Readers will marvel over detailed photos of the shuttle before and after retirement, and juxtaposed with nature (Cape Canaveral's launch pages are surrounded by a national wildlife refuge), behind-the-scenes shots, images of the crafts rolling to the pad, and launching and landing too. Photographs of unmanned rockets, such as United Launch Alliance Delta II, Delta IV, and Atlas V rockets, which have been launching for a long time, plus the new era SpaceX, Falcon 9, and Falcon Heavy rockets, will please readers young and old.
He filmed his time, its characters, its beauties. Sinatra, Cardin, St. Lawrence, Claudia Schiffer, Karen Mulder, Mastroianni, Mireille Darc, Belmondo, Milos Forman and many others. He tells with humor these surprising encounters, in an atmosphere of perpetual celebration, hence the cruelty was not absent. So he was betrothed to Cecilia - not yet Martin, nor Sarkozy. The invitations to the wedding were already gone when her future mother-in-law came to quibble about her lifestyle: insufficient domesticity, private mansion, certainly, but perhaps not worthy of her daughter... Jean-Daniel fled, while remaining friends with his ex-bride.
Fate adoring winks, a few years later, his neighbor Carla Bruni. He takes snapshots of this sovereign beauty, becomes his confidant, and tells... In French only
"Life" has, of course, visited its archives before - but never like this. This edition puts the photographs on display, not only as part of the page layout but as the page itself. The explanatory text will be out of the way, so that each image can be savoured. Moreover, prints will be included that are not just suitable for framing, but meant for framing. And not only will there be photographic prints; there will also be 75 other famous pictures that appeared in "Life"'s pages, the story behind each of them and the narrative history of what "Life"'s photography has long meant to the country and, indeed, to the world.This is a unique, ground-breaking book. It is the ultimate treatment of our photography to date in book form. As such it is ultra-commemorative and collectible. "The Classic Collection", presented in this classic way, will be a definitive "Life" Book-and a category leader.
From the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city’s cultural, political, industrial, and sociological history. It traces the city’s development from the 1880s’ real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis.
A growing appreciation of the photobook has inspired a flood of new scholarship and connoisseurship of the form--few as surprising and inspiring as The Latin American Photobook, the culmination of a four-year, cross-continental research effort led by Horacio Fernandez, author of the seminal volume Fotografia Pública. Compiled with the input of a committee of researchers, scholars, and photographers, including Marcelo Brodsky, Iatã Cannabrava, Pablo Ortiz Monasterio and Martin Parr, The Latin American Photobook presents 150 volumes from Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Mexico, Nicaragua, Peru and Venezuela. It begins with the 1920s and continues up to today, providing revelatory perspectives on the under-charted history of Latin American photography, and featuring work by great figures such as Claudia Andujar, Barbara Brändli, Manuel Álvarez Bravo, Horacio Coppola, Paz Errázuriz, Graciela Iturbide, Sara Facio, Paolo Gasparini, Daniel González, Boris Kossoy, Sergio Larrain and many others. The book is divided into thematic sections such as "The City," "Conceptual Art and Photography" and "Photography and Literature," the latter a category uniquely important to Latin America. Fernandez's texts, exhaustively researched and richly illustrated, offer insight not only on each individual title and photographer, but on the multivalent social, political, and artistic histories of the region as well. This book is an unparalleled resource for those interested in Latin American photography or in discovering these heretofore unknown gems in the history of the photobook at large.
For over six years, photographer Michele Zousmer was welcomed into the Irish Traveller community while she photographed, built friendships, and learned about this unique group of people. The resulting book, Mis[s]Understood (Daylight Books, November, 2024), looks at the population as a whole but particularly focuses on the role of females within the culture. Zousmer captures the pride and tenacity of this marginalized community and the daily life struggles and discrimination that the Irish Traveller people endure in Ireland.
Drawn to the ineffable and the curious nature of the real, DeLuise works with a large-format 8x10 camera to produce luminous imagery that explores the visual complexities and everyday poetry of contemporary experience through portraiture, landscape, and still life. DeLuise is moved by the photograph’s uncanny ability to embody the depth and richness of human perception and experience. Her images reveal a great love of the medium, an embrace of light, circumstance, and the beauty and mystery of the quotidian. Emphasizing the etymological root of the word photography as drawing with light, and the collaborative nature of making photographs, The Hands of My Friends represents four decades of elegant and tender images.
For decades, photographer Kate Sterlin has made an artistic practice of examining the boundaries between individual, family, and community. In her first book, Still Life: Photographs & Love Stories, she uses intimacy in all its forms to tell a story of life, death, family, and race in America. Pairing lyrical photography with poetic writings, Still Life is a dreamlike narrative examining kinship and romance, friendships and tragedies, the complexities of Black identity, and personal and generational loss across a lifetime. It is a testament to one artist's commitment to creation and a profound blend of the personal and the universal.
A new photobook, by photographer Juan Brenner, explores the people and culture of the Guatemalan Highlands.
Genesis, published by Guest Editions, is the culmination of five years' work, in which Brenner documented the Highland area and people of his home country.
With a focus on youth culture in the region, Brenner captures a new generation of Guatemalans, the first to establish an intelligible dialogue with their contemporaries around the world.
In the ongoing evolution of my artistic journey, I find myself engaged in a profound process of self-examination, mental health and sadness - using the camera to explore the essence of who I am and my connection to the art of photography. My roots lie in a small town. Within this space, I grappled with a pervasive sense of loneliness that transcended both the physical boundaries and the emotional confines of my surroundings. Even in the company of others, I felt a profound solitude that echoed within and beyond those walls.
'Work in Progress' is a powerful exploration of Peter Essick's four-year journey capturing aerial photographs of construction sites across the Atlanta Metro area. This body of work offers a dynamic portrayal of human-altered landscapes, where the clash between nature and man-made structures creates a stunning visual narrative. Essick's unique perspective, gained through low-level drone flights, has revealed the ever-changing beauty of construction sites—spaces that are often overlooked or dismissed as mundane.
Aperture announces the release of Robert Frank:
The Americans, marking the centennial of Frank’s birth, and concurrent with a major
exhibition of his work at the Museum of Modern Art this fall. First published in
France in 1958 and then in the US in 1959, Robert Frank: The Americans is one of the
most influential and enduring works of American photography.
When Caroline Furneaux’s father Colin died suddenly in 2011, she discovered an archive of 35mm slides that he had shot during the 1960s. They were a beguiling series of beautiful women photographed in idyllic locations, mostly in Sweden, where he was working and living. It was during this time that he had first met Caroline’s Swedish mother, Barbro, yet hardly any of the photographs were of her.
'Glendalis' is a vivid narrative centered around the youngest daughter of a family, revealing intimate and universal human experiences and a poignant glimpse into the vibrant life of a lower-middle-class family, showcasing resilience, love, and the universal human experience. The photographs resonate deeply, portraying the spirit of Glendalis as she grows from a fierce child into a determined young woman.
