A definitive photographic history of the world under Covid-19., this book reveals in pictures the story of humankind's resilience, resourcefulness, and sense of purpose in the face of a global Pandemics documented by the photographers of Agence France Presse.
The Year That Changed Our World is a definitive, visual history of the Covid-19 Pandemic. With more than 450 photographs, this ambitious publication traces the arc of the Pandemic from early 2020 through to the vaccine breakthroughs of Spring 2021.
Here, the talented photographers of Agence France Presse document the deep, human stories of the Pandemic. Active in more than 150 countries, these capture all sides of the Covid-19 story as experienced by people throughout the globe. Organized into six chronological parts, and braided together with thematic breakout sections, including topics such as protests, sports, and politics, The Year That Changed Our World is a comprehensive time capsule. These images show the extraordinary efforts to understand, control, and cope with a previously unknown virus alongside the human stories of our lives at home: playing, caring, watching, and sharing, both together and at a distance.
Edited by Marielle Eudes, Director of Photography at Agence France Presse, and featuring, texts, quotes and insights from a range of contributors and public figures, The Year That Changed Our World is a photographic testament to humankind's resilience in the face of the pandemic. The book's arresting imagery provides a visual record for us and for future generations to better understand the world during the time of Covid-19.
For more than 25 years, French photographer Patrick Cariou has traveled to places around the globe, documenting people living on the fringes of society. Whether photographing surfers, gypsies, Rastafarians or the rude boys of Kingston, Cariou celebrates those who meet the struggles of life with honor, dignity and joy. Bringing together works from his groundbreaking monographs including Surfers, Yes Rasta, Trenchtown Love and Gypsies, Patrick Cariou: Works 1985–2005 (published by Damiani) takes us on a scenic journey around the world, offering an intimate and captivating look at cultures that distance themselves from the blessings and curses of modernity.
Here is a selection of photo books that, in my opinion, should be in your library! It is of course a very subjective choice and if I could, I would have chosen at least 50 of them. This collection will help you to draft your 'wish list' or to find the perfect gift for someone who enjoys photography. Happy Holidays!
Niko J. Kallianiotis' Athênai in Search of Home (published by Damiani) presents photos taken in and around Athens, the city in which he grew up. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar. Throughout the years the city and the surrounding territories have experienced their share of socio-economic struggles and topographic transformations that have altered its identity. The city of Athens in Kallianiotis' photographs is elliptically delineated as a vibrant environment that binds together luxury and social inequality. The photographer depicts a city in which the temporal and the spatial elements often clash with each other while conducting his research for a home that has changed over the years as much as he did.
In The Haight-Ashbury Portraits, 1967-1968 (published by Damiani) during the waning days of the Summer of Love, Elaine Mayes embarked on a set of portraits of youth culture in her neighborhood. Mayes was a young photographer living in San Francisco during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house for runaway teens.
Originally published in 1983 , Sirkka-Liisa Konttinen's Byker is recognised as a seminal body of work and a modern classic of photography. Konttinen documented a close-knit community in Newcastle in an area that was her home for seven years and which was destined for wholesale redevelopment. The work gained national recognition as a key photographic account of a rich working class culture on the eve of its destruction. The book was selected by The Observer as one of the top ten books of the year.
In this unconventional, lyrical biography, Lesy traces Evans's intimate, idiosyncratic relationships with men and women-the circle of friends who made Walker Evans who he was. Evans's photographs of James Agee, Berenice Abbott, Lady Caroline Blackwood, and Ben Shahn, among others, accompany Lesy's telling of Evans's life stories.
Thomas James Parrish presents his photobook and photography exhibition 'Oh India' as a part of his photography fundraising project. In 2016 Thomas spent 6 months travelling across northern India on a documentary-travel project. During
his time in West Bengal, he had the fortune to visit Kaikala Chetana, a volunteer-run, community-based
education program for India's rural poor in the Haripal Block of the Hooghly District, 50km from Kolkata.
"Fin D'Automne" from Olivier Kervern is a collection of black and white photographs taken during three consecutive journeys to Japan, between 2015 and 2019, that delicately translate the feeling of being a foreigner in Japan and the intimacy of a new love story.
Like 17th-century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Pennsylvania-based photographer Jessica Todd Harper looks for the value in everyday moments. Her third monograph Here (Published by Damiani) makes use of what is right in front of the artist, Harper shows how our unexamined or even seemingly dull surroundings can sometimes be illuminating
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