Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
From the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city’s cultural, political, industrial, and sociological history. It traces the city’s development from the 1880s’ real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis.
Fundamental to renowned landscape architect Frederick Law Olmsted's vision in his park designs was the key role of time. He had the ability to see a plot of land for what it was in the raw undeveloped state, as well as to visualize how his designs would translate several decades into the future after the trees and shrubs he planted had rooted and spread and integrated with the space. In a letter to his son he wrote
Widely celebrated New York street photographer Harvey Stein is known, in part, for his ability to notice the beautiful, mundane, quirky aspects of human nature and caught moments and in doing so, elevate the everyday to a space of wonder. Coney Island People 50 Years (Schiffer, July 26, 2022) traces Stein's love affair with Coney Island over time with a collection of 174 evocative black and white photographs spanning 1970 to 2020 that focus on the people who populate this legendary place. It's his third book about Coney. The first was published by W.W. Norton in 1998 and simply called Coney Island. The second, the acclaimed Coney Island 40 Years, was published in 2011, also by Schiffer. Twenty-three of Stein's favorite images from the 40 year book are included in the new work
To capture and distill into book form the sweeping achievement of an artist whose award-winning work spans scope, subject, and decades is no easy feat. And to do so in a way that reflects this unique breadth is even harder still. Lifework is a new book on George Tice and his photographs that provides a substantial look at his work, exhibition history, and significant life events.
At a time in global history when connection with others has been tested from two years of separations and quarantining, Erica Reade's photographs resonate well beyond the beach atmosphere of the image settings. Her black and white photos are focused on intimacy and physical connections between couples at beaches in New York. She focused particularly on the Rockaways, Fort Tilden and Coney Island, and has called this project "an NYC summer love story." Expressions of love and sensuality are made visible in these nostalgic black and white photographs.
June' 22 sees the launch of a new colour, 68 page photographic coffee table book by British photographer - Rankin- An Exploding World that highlights the importance of creativity as a tool for mental well being.
The New York City subway system shuttles many of the over 8 million NYC residents from here, to there, and photographer Ed Hotchkiss journeyed on every line, criss-crossing the city and its boroughs, discovering and noticing. The subway cars gather and hold for a finite amount of time a seemingly random group of people, all with their own unique lives, hopes, and plans, and who each disperse and disappear upon exiting the train. This setting provides a unique opportunity to observe the vast array of humanity that signifies New York. These images reflect the value Ed saw in what he found.
Nearly half a century after he left his native Tanzania, Pradip Malde returned with a large-format camera to document the lives of women affected by female genital mutilation and cutting (FGM/C). With Sarah Mwaga, founder of the Anti Female Genital Mutilation Network (AFNET), he traveled more than 3,000 miles over three years, visiting remote communities to converse with and photograph activist women —victims of FGM and former ngariba (Swahili for “circumcisers”)—, the sacred sites where these rituals take place, and the cutting tools used by ngariba who have renounced the practice.
Nancy A. Scherl's color photographs of people dining alone evoke a certain curiosity. What are the individuals thinking? What are they observing as they eat their meals and watch fellow diners? Is this a favorite pastime to collect their own thoughts, or are they waiting for someone, or are they lonely? The viewer does not know their stories, though they have them, everyone does.
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