Paul D'Haese - Borderline

Hangar Photo Art Center September 5 - October 24

Hangar presents the last work of the Belgian artist Paul D'Haese, Borderline. This new photographic series has been carried out during hiking trips along the northern French coast. Paul D'Haese focused on the border between the built-up country and the wide sea.

The northern French coast is marked by history: the Atlantic Wall, the liberation, the refugee camps. With this in mind, the artist has investigated all kinds of interactions in a non-documentary way: the ones between land and sea, solid and turbid, intern and extern, locked up and liberated. Paul D'Haese linked these themes to the search for identity, with the borderline personality disorder as the extreme case.

Three years ago, he conceived, for the first time, the idea of exploring this boundary line. Since then, he has been following a route, about 350 km as the crow flies, from Bray-Dunes to Le Havre. He has crossed about fifty villages and towns, with his camera, first by car, then by bicycle, and finally on foot.

Borderline follows Winks of Tangency, a project where he only touched the surface, the screen, the wall, the border. This time, he perforated the borderline by photographing it.

As with his previous project, the exhibition is the subject of a publication: Borderline, co-edited by Hangar and Stockmans Art Books.

Ambleteuse© Paul D'Haese

Mist © Paul D'Haese

About Paul D'Haese
Born in 1958 in Ninove, Belgium. Lives and works in Ternat (Belgium).

Paul D'Haese worked as an interior designer and then trained at the Photography Academy in Sint Niklaas and in Anderlecht. He took a masterclass with British photographer John Davies. He had various exhibitions in Belgium: M Museum (Leuven), Musée de la photographie (Charleroi); Fusée de la Motographie (Brussels); Land van Waaslaan (Ghent) or even Hangar, during PhotoBrussels Festival 03 (2018).

In 2016, he was the winner of the Magnum Photography Award for Belgopolis and then for Building an imaginary city in 2017. In 2018, his series Stuffy shell is selected for the Sony World Photography Awards.

His photos are published in the following books: Dagblind (2010) and Winks of Tangency (2018). In 2020, he releases his third publication Borderline, coinciding with his eponymous exhibition at Hangar.

Paul D'Haese's Website

Veules les Roses © Paul D'Haese

Pontoile © Paul D'Haese

Le Touquet © Paul D'Haese

Berck © Paul D'Haese

Virginia Hanusik: Into the Quiet and the Light

By Virginia Hanusik

Publisher : Columbia Books on Architecture and the City

2024 | 184 pages

In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.

With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.

Rawsht Twana: Twana’s Box

By Rawsht Twana

Publisher : Fraglich Publishing

2024 | 252 pages

Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English

Akinbode Akinbiyi: Being, Seeing, Wandering

By Akinbode Akinbiyi

Publisher : Spector Books

2024 | 252 pages

Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society

Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.

Grace Wales Bonner: Dream in the Rhythm

By Grace Wales Bonner

Publisher : The Museum of Modern Art, New York

2024 | 184 pages

A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.

Paul D'Haese - Borderline

Hangar Photo Art Center September 5 - October 24

All about the exhibition

Selected Books