2014 Photography Pulitzer Prize Winners

Coney Island is an American icon celebrated worldwide, a fantasyland of the past with an evolving present and an irrepressible optimism about its future. It is a democratic entertainment where people of all walks of life and places are brought together.

There isn’t anywhere else like it, and that is much of its appeal. Here 170 evocative black-and-white images taken by eminent photographer Harvey Stein from 1970 through 2020 simultaneously look back in time while giving a current view to the people and activities of this “poor man’s Riviera.” The images capture the wonder and intimacy of Coney Island. There is no photo book that has been published that documents a 50-year time period of a famous location taken by one photographer. Being in Coney Island is like stepping into another society, rather than just experiencing a day’s entertainment.

''Millions of eyes were suddenly upon us, creating a picture I will never forget.'' -Paul McCartney Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Featuring 275 images from the six cities―Liverpool, London, Paris, New York, Washington, D.C., and Miami―of these legendary months, 1964: Eyes of the Storm also includes: • A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit • Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964 • “Beatleland,” an essay by Harvard historian and New Yorker essayist Jill Lepore, describing how The Beatles became the first truly global mass culture phenomenon Handsomely designed, 1964: Eyes of the Storm creates an intensely dramatic record of The Beatles’ first transatlantic trip, documenting the radical shift in youth culture that crystallized in 1964.

Mystery and manners, romance and fun—the sophisticated compositions and stylish characters in the extraordinary pictures of fashion photographer Rodney Smith (1947–2016) exist in a timeless world of his imagination. Born in New York City, Smith started out as a photo-essayist, turned to portrait photography, and found his niche, and greatest success, in fashion photography. Inspired by W. Eugene Smith, taught by Walker Evans, and devoted to the techniques of Ansel Adams, Smith was driven by the dual ideals of technical mastery and pure beauty. This lavish volume features nearly two hundred reproductions of Smith’s images—many that have never before been published—and weaves together a biocritical essay by Getty Museum curator Paul Martineau and a technical assessment of Smith’s production by the Center for Creative Photography’s chief curator, Rebecca A. Senf. It maps Smith’s creative trajectory—including his introduction to photography, early personal projects, teaching, commissioned pieces, and career in fashion—and provides insight into his personal life and character, contextualizing his work and creative tendencies within his privileged but lonely upbringing and complex emotional and psychological makeup. Rodney Smith is the definitive record of the life’s work and worldview of a truly original artist.

The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.

Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.

For over two years, the iconic hôtel particulierunderwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration—documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.