VIALATTEA by Ilias Georgiadis

Origini edizioni is proud to show you the third book born from the collaboration with Leporello, from projects selected by Call launched in March 2019, on theme Terra (in the sense of earth, land, matter).

After: Blanco by Elton Gllava - 1/5 earth of crack and Finisterræ by Michele Palazzi - 2/5 border land...

VIALATTEA - Ilias Georgiadis (milkyway)

3/5 eclipse land vialattea (including photos from 2017 to 2020) happened without a specific pattern of expression and approach. It captured the process of taking a deep breath after coping with the drama of what I like to call the human adventure. A natural process of moving forward while turning our gaze into matter, soil and collective memory. Being transported. And slowly, a universe of details calmly appears:

My remains pass by
And I see the stars
It’s just the smell
Of soil and iron that make
The sea calms me down, at night
Those days melted Like the sun
At the peak of its enjoyment
Coffee grounds exploded in my hand
Like tiny minute places dreamed as real
Or like turf, never seen.
- vialattea poem by Matilde Vittoria Laricchia

This book is a galaxy of flashbacks, memories of light, sometimes intelligible, sometimes barely mentioned. A cinematographic variation of photography fast and melancholic as fragments of a life rethought from the window of a moving train.

What the photographer says about this photo corpus: For me, photography is the missing dot that connects what is deep inside us and we cannot understand or describe, with the world. A connection that transcends and moves through spacetime, in unpredictable, mysterious and non-linear ways. A link between reality and love. I believe we take pictures because our inner self wants to reconnect with the cosmos. We want to feel close to people, places, objects and as the time goes by, we recognise in them a part of ourselves. With photography, we reveal ourselves to the unknown, while preserving a link to the real. My work depicts my innermost states of fear, desire, affection. Standing in the middle between life and death.

Photos by Ilias Georgiadis
Design by Origini edizioni & Leporello
Handcrafted realization by Origini edizioni
Text and copywriting by Matilde Vittoria Laricchia
English translations by Massimiliano Barachini
Printrun in 200 copies numbered and signed
Closed book dimensions 29x30cm approx.
44 pages, 34 photos in b/w.

Virginia Hanusik: Into the Quiet and the Light

By Virginia Hanusik

Publisher : Columbia Books on Architecture and the City

2024 | 184 pages

In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.

With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.

Rawsht Twana: Twana’s Box

By Rawsht Twana

Publisher : Fraglich Publishing

2024 | 252 pages

Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English

Akinbode Akinbiyi: Being, Seeing, Wandering

By Akinbode Akinbiyi

Publisher : Spector Books

2024 | 252 pages

Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society

Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.

Grace Wales Bonner: Dream in the Rhythm

By Grace Wales Bonner

Publisher : The Museum of Modern Art, New York

2024 | 184 pages

A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.

VIALATTEA by Ilias Georgiadis

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