New Yorkers and Their Environments by Alexandro Pelaez

NEW YORKERS AND THEIR ENVIRONMENTS is in a way a small part or my seven-year ECLECTIC series of double exposure photographs where each city around the world has its own distinctive pace of elements, circumstances, colours; an array of miscellanea that shape what we call memory; a human quality as ephemeral as ever-changing. In ''NEW YORKERS AND THEIR ENVIRONMENTS'' I focused on different streets and areas of New York that capture the surroundings and locations where New Yorkers may cross on their way to work as landmarks. It reveals the true essence of the daily life of New Yorkers in one of the most if not the most cosmopolitan and challenging city in the world. All pictures were taken with a 35mm and 120mm film cameras applying the double exposure technique using an 800ISO colour film on my way around the city trying to capture the mood and the liveliness that this incredible metropolis city offers.

''When I am shooting in double exposure with my 35mm film camera, in a way and style, I am trying to capture the true essence of a city or an area. What I want to convey is my perspective of ''what you see is what you get'' by capturing those unique moments when I catch an image. The double exposure allows me to capture all that but can take my images to a different level where I can be more creative by holding double-layered scenarios that will give the viewer a magical, almost surreal, perspective and sense of unnatural futurism.''

Brooklyn meets Manhattan © Alexandro Pelaez

Grand Central RC Hall © Alexandro Pelaez

NY Hot Dogs © Alexandro Pelaez

I Love NY © Alexandro Pelaez

NY Graffiti © Alexandro Pelaez

Ruth Bader Ginsburg © Alexandro Pelaez

Alexandro Pelaez
Alexandro Pelaez is a Multi-award winning Latin American fine art film photographer based in London who initially started his professional career in Advertising in USA. Having moved to London in 2001, Alexandro completed his second BA (Hons) at Central Saint Martins and a Masters at London College of Communication-University of the Arts London. Since then, Alexandro has received numerous photography awards around the world and has worked over the years on various photography projects with different clients in the UK, Latvia, Germany, Italy, France, Hong Kong, Shanghai, Mexico and USA.
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@alexandropelaezphotography
All about Alexandro Pelaez

Loewe NY © Alexandro Pelaez

Central © Alexandro Pelaez

MJ in NY © Alexandro Pelaez

High Line NY © Alexandro Pelaez

Times Square 1 © Alexandro Pelaez

Times Square 2 © Alexandro Pelaez

Times Square 3 © Alexandro Pelaez

Times Square 4 © Alexandro Pelaez

Now we can go anywhere © Alexandro Pelaez

Michael Joseph: Lost & Found

By Michael Joseph

Publisher : Kehrer Verlag

2024 | 144 pages

Lost & Found documents a contemporary American subculture of young Travelers through raw, striking portraiture and intimate storytelling. These Travelers abandon home to move around the country by hitchhiking and freight train hopping in a nomadic, transient existence outside of mainstream society. Along their personal journey driven by wanderlust, escapism, or a search for transient jobs, they find a new family in their traveling friends.

The high of freedom, however, does not come without consequence. The black and white portraits are made in public, on the street, using natural light. Individual stories, as a collection, form a greater narrative. Over ten years in the making, Joseph’s portraits reveal the human condition. They capture courage, tenderness, and determination in his subjects that have been largely ignored and unseen.

An incredible book that we highly recommend! All About Photo

All About Michael Joseph

I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now

By Pauline Vermare

Publisher : Aperture

2024 | 440 pages

I’m So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.

Lisa McCord: Rotan Switch

By Lisa McCord

Publisher : Kehrer Verlag

2024 | 204 pages

Rotan Switch is the first monograph by Lisa McCord, documenting life on her grandparents’ cotton farm in the Arkansas Delta community of Rotan. It takes its name from the community’s central landmark—the railroad switch where farmers loaded their cotton bales onto trains headed out of the Delta. Although it hasn’t been used in years, it remains a potent symbol of the complex intersections of industry and agriculture, of race and injustice. Collected over the last forty-four years, these images and stories are a reflection on the people and places that have taught McCord the meaning of the word home. It is also a self-exploration into her inherently complicated role in this community as both the photographer and the granddaughter of the farm owner.
This publication is a long-term project, constructed from McCord's analog photographs, family snapshots and ephemera. Including, monochrome photographs, color polaroids, and recipes.

All About Lisa McCord

João Pina: Tarrafal

By João Pina

Publisher : GOST Books

2024 | 284 pages

João Pina draws upon his family history to tell the story of the Portuguese concentration camp at Tarrafal, Cape Verde which operated between 1936 and 1974. The visual history of the camp is told through the only known photographs taken inside the Tarrafal camp, combined with correspondence, archives, objects and Pina’s own contemporary photographs. Collectively these materials create a new dialogue about the Portuguese fascist regime of the past—and the resistance to it—on the 50th anniversary of its demise. In 1949, Pina’s grandfather Guilherme da Costa Carvalho—a young communist militant— was sent to the camp. Later that year Guilherme’s parents were granted unprecedented permission to visit their son and using a Rolleiflex camera they photographed all the living prisoners and the graves of the ones who had died in the camp. This extensive visual record—the only one ever made inside the concentration camp—was created with the intent of reporting back to the families of the other prisoners held in the camp or had died there. Seventy years later, in 2019, Pina began investigating a box in his family archive containing the negatives, contact sheets, vintage prints of these pictures made inside the camp, along with related letters and telegrams sent from his grandfather.

New Yorkers and Their Environments by Alexandro Pelaez

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