The winner will be announced on Tuesday 25 October 2022.
We are delighted to announce that Haneem Christian, Clémentine Schneidermann and Alexander Komenda have been shortlisted for the Taylor Wessing Photographic Portrait Prize 2022.
Three international photographers have been shortlisted for the Taylor Wessing Photographic
Portrait Prize 2022, the prestigious photography award organised by the National Portrait Gallery,
London. The shortlisted works will be displayed in the Taylor Wessing Photographic Portrait Prize
2022 exhibition at Cromwell Place, a new arts hub in South Kensington, London from the 27 October
until 18 December 2022, while the Gallery's building in St Martin's Place is closed for major
Selected by a panel of judges from 4,462 entries from 1,697 photographers, the three shortlisted
Haneem Christian for Mother and Daughter and Rooted, which explore queerness, transness
and the importance of chosen family.
Clémentine Schneidermann for portraits from the series Laundry Day, which document the
daily chores of her neighbour in South Wales, navigating life in lockdown.
Alexander Komenda for Zahid's Son, a portrait that examines themes of identity and the
post-Soviet landscape in Kyrgyzstan.
The annual Taylor Wessing Photographic Portrait Prize, now celebrating fifteen years under Taylor
Wessing's sponsorship, is one of the most prestigious photography awards in the world and
showcases new work submitted by some of the most exciting contemporary photographers. The
winner of the first prize will receive £15,000. The second prize-winner receives £3,000 and the third
Following an anonymous judging process, the winner will be announced on Tuesday 25 October
2022. This year's judging panel was chaired by National Portrait Gallery Director, Dr Nicholas
Cullinan, who was joined by Chief Foreign Correspondent at The Sunday Times, Christina Lamb;
award-winning photographer, Siâ n Davey; the Director of Photoworks, Shoair Mavlian; and the
Taylor Wessing Photographic Portrait Prize 2022 curator, Eva Eicker.
The following photographs have been shortlisted for the Taylor Wessing Photographic Portrait Prize
Haneem Christian is a visual poet and activist, who was born and raised in Cape Town, South Africa.
They studied Gender Studies and Environmental and Geographical Sciences at the University of Cape
Town, which has since informed their body of work. Their photography focuses on representation
within the Black and Brown LGBTQIA+ community.
Christian's entries, entitled Mother and Daughter and Rooted, are photographic works from two
separate series that explore queerness and transness in relation to family, race and identity. The
works were particularly praised for giving voices to communities in various cultural contexts, and for
the visible trust conveyed between sitters and photographer.
Mother and Daughter depicts Cheshire V and Autumn May, who are both trans feminine artists from
Cape Town, South Africa. Christian's photograph explores the relationship between the two, and
questions ''what it means to be a mother to a child who you have chosen and has chosen you''.
Christian commented that this image ''is a celebration of the family we choose,'' while Rooted
''honours the journey of returning to the Self by seeing yourself through the eyes of a loved one''. The
tender and poetic representation, which depicts a figure laying back and gazing straight to camera
within a woodland setting ''acknowledges and celebrates the multidimensionality and sacred nature
of queerness and transness rooted in precolonial knowledge of self''.
Clémentine Schneidermann is a French photographer, living and working between Paris and South
Wales. With a focus on social documentary photography, her approach is collaborative and playful,
with a particular interest in communities. She is a co-founder of Ffasiwn Stiwdio, a photography-
based creative studio that creates programmes with youth groups, and in 2021, she completed a
practice-based PhD at the University of South Wales, Cardiff.
Schneidermann's portraits from her series Laundry Day depict the artist's neighbour, hanging
laundry in the garden of her home in South Wales. Taken during another challenging year in the UK,
the photographs ''document micro events which deal with the passage of time through the small
moments of our daily lives,'' comments Schneidermann.
Through the obsessive photography of one daily chore, the photographer captures the everyday.
The socially distanced portraits, which are close, but not close enough to see the sitter's face, are
part of a series of works taken during times of quarantine, self-isolation, and national lockdowns.
Alexander Komenda is a Polish-Canadian documentary photographer and artist, whose work focuses
on revealing the nuances of everyday life. His interests in identity and collective memory are utilised
in his practice in order to explore the boundaries between unity and division in relation to his
subjects. In 2020, Komenda completed his BA in Documentary Photography at the University of
South Wales, Cardiff and is currently undertaking an MA in Photography at Aalto University in Espoo,
Zahid's Son forms part of Komenda's ongoing series, The Lost Enchiridion of the Fergana Valley, and
examines identity and the post-imperialist landscape of the Fergana Valley, which spreads across
Uzbekistan, Kyrgyzstan and Tajikistan.
Photographed on the Kyrgyz side of the Fergana Valley, Komenda's portrait depicts the son of Zahid,
an Uzbek friend working in the field of human rights in Osh, Kyrgyzstan. The nameless sitter is
photographed in his domestic setting, holding a pet rabbit.
Those who reside in the Fergana Valley are still living with the legacy of its Soviet past, and in
southern Kyrgyzstan, Uzbek people continue to face significant marginalisation. This portrait
dignifies the presence of Zahid and his family. The artists recalls a conversation with Zahid, in which
he said, ''as Uzbeks, my children could never become president or be in positions of government''.
Dr Nicholas Cullinan, Director National Portrait Gallery, said: ''Congratulations to the shortlisted
photographers; once again, this year's entries demonstrate the outstanding level at which
photographers across the world are working. Since the launch of the Prize in 1993, now in its
fifteenth year of sponsorship by Taylor Wessing, over one million people have seen the exhibition,
which continues to bring the very best in contemporary photography to our audiences. I look forward
to welcoming both new and returning visitors this autumn at Cromwell Place.''
Shane Gleghorn, Managing Partner at Taylor Wessing, said: ''The shortlist of talented artists for this
year's Taylor Wessing Photographic Portrait Prize is exceptional. We are proud to continue
supporting the Prize, not least because the prestige it has established internationally draws an
increasing number of artists to participate and provides them with a showcase for photographic
portraiture. We look forward to the official unveiling of the exhibition at Cromwell Place and the
winner's announcement for 2022.''
Eva Eicker, curator of Taylor Wessing Photographic Portrait Prize 2022, said: ''The annual Taylor
Wessing Photographic Portrait Prize and the portraits exhibited as part the exhibition allow a
collective representation of, yet another a difficult year. Seeing such a variety of themes and
approaches provided an honest glimpse into people's lives, and I am excited to curate the compelling
selection of photographs in the exhibition this year.''