The atomic age began at 5:30 a.m. on July 16, 1945, with the explosion of “the Gadget” at Trinity near Alamogordo, New Mexico. Prelude to the bombing of Hiroshima and Nagasaki, which forced the capitulation of Japan and ended World War II, the Trinity test was the culmination of herculean efforts by scientists, civilians, and the military of the United States to tap the potential of the atom for a wartime emergency. If Nazi Germany could engineer the bomb first, an Allied victory against Hitler was all but lost. Historic Photos of the Manhattan Project is a look back at the epic struggle to build the world's first atomic bomb. Nearly 200 images in vivid black-and-white reveal the project as it unfolded, from its secretive origins at Oak Ridge, Hanford, and Los Alamos, to the day Americans celebrated triumph over the Axis powers with victory over Japan. A pinnacle moment in the history of the United States, the Manhattan Project's application of Einstein's famous equation E = MC2 shows, perhaps better than any other single endeavor, what can be achieved by human ingenuity when the citizens of a great nation are united in freedom against a fearsome and despotic foe.
A charismatic stage and screen actress. A model whose beauty inspired some of the most arresting images of the twentieth century. A visionary photographer. A revolutionary with deep commitments to communism. A woman whose life, loves, and death were controversial. Tina Modotti (1896-1942) was all of these. Her life was one of almost unimaginable glamor, scandal, and turmoil. This biography portrays Modotti accurately and fairly, cutting through the distortions of myth and rumor that surround her. Perhaps best known as the lover, model, and apprentice of American photographer Edward Weston, Modotti emerges in these pages as a complex woman, deeply passionate in her relationships as well as her art and politics.
Historian Letizia Argenteri examines an array of international historical documents and letters as she traces the path of Modotti's life and career through Italy, California, Mexico, Germany, Moscow, and Spain. Argenteri tells the dramatic story in full detail, casting light on the mysteries of Modotti's life and carefully placing her in the political and social milieu of her time. The many fascinating illustrations in this book further illuminate Modotti's life.
The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografía en México. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the present.
The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Don’t miss your chance to own The Sound of Waves, the latest photo book by acclaimed photographer Tatsuo Suzuki. This stunning new work captures the essence of life and movement with Suzuki's signature style. Be among the first to experience this visual masterpiece by pre-ordering your copy through his exclusive Kickstarter campaign. Support the project today and secure a piece of art that promises to inspire and captivate!
Photographs by Stefano De Luigi: Captures the transformation of Italian TV and its influence on society and had free access to all these programmes during the renowned Bunga Bunga era in Italy.
Curated by Laura Serani: Ensures a thoughtful and engaging presentation.
The portraits, life stories, and DNA of 100 Angelenos making positive social impact in the community will be showcased in an exhibition, book, podcast, website, and more
Call Me Lola: In Search of Mother (Hatje Cantz, November 2024) is the culmination of Israeli-American photographer Loli Kantor’s extensive 20 year process retracing her own history through surveying and photographing family archives, as well as present-day places and geographies meaningful to her and her family's history such as Poland, France, Ukraine, Germany, and Israel.
Flor Garduño, photographer, passionate seeker and visionary of creativity and an outstanding representative of the richness and diversity of Mexican photography announces her long-awaited book 45 years in the making.
In 2014 and 2015, Pieter Hugo met the subjects of his photographs in San Francisco's Tenderloin and Los Angeles's Skid Row districts. The high-key lighting of the relentless California sun characterizes these outdoor portraits made in the city streets. Bold colors and chiaroscuro form the language used by Hugo to complement the expansive gestures and curving forms of his subjects—wild and unrestrained. Hugo pairs this theme of abandonment with a style that invokes Dutch Golden Age or Baroque master painters such as Caravaggio or Frans Hals.
Halloween Underground is the culmination of twenty years of photographing people dressed up in fantastical, outlandish costumes against the backdrop of the drab, gritty reality of the New York subway.
For over six years, photographer Michele Zousmer was welcomed into the Irish Traveller community while she photographed, built friendships, and learned about this unique group of people. The resulting book, Mis[s]Understood (Daylight Books, November, 2024), looks at the population as a whole but particularly focuses on the role of females within the culture. Zousmer captures the pride and tenacity of this marginalized community and the daily life struggles and discrimination that the Irish Traveller people endure in Ireland.
Drawn to the ineffable and the curious nature of the real, DeLuise works with a large-format 8x10 camera to produce luminous imagery that explores the visual complexities and everyday poetry of contemporary experience through portraiture, landscape, and still life. DeLuise is moved by the photograph’s uncanny ability to embody the depth and richness of human perception and experience. Her images reveal a great love of the medium, an embrace of light, circumstance, and the beauty and mystery of the quotidian. Emphasizing the etymological root of the word photography as drawing with light, and the collaborative nature of making photographs, The Hands of My Friends represents four decades of elegant and tender images.