War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Encompasses the entire range of the photographic medium, from the camera lucida to up-to-date computer technology, and from Europe and the Americas to the Far East. The text investigates all aspects of photography - aesthetic, documentary, commercial and technical - while placing it in historical context. It includes three technical sections with detailed information about equipment and processes. This edition also updates important new international work from the 1980s and 1990s.
'Art and Photography' surveys a rich and important history, from the 1960s to the 21st century. Arranged thematically, it presents works by the most significant international artists who have explored and extended the boundaries of photography. This influential body of work by over 160 artists over four decades is contextualised in the 'Documents' section by original artist's statements and interviews, as well as lucid reflections on photography by major thinkers of the era such as Roland Barthes and Jean Baudrillard. Featuring some of the worlds most innovative artists, such as Andy Warhol, Joel Meyerowitz, Wolfgang Tillmans, and John Baldessari, and influential writers, Laura Mulvey, Jacques Derrida, Jean Baudrillard, Walter Benjamin, Roland Barthes, and Marcel Proust, Art and Photography offers a expansive view of some of the key themes and movements associated with this practice such as memoirs, archives, the studio image, the urban, and every day, documentary practice, objects, media, testament, portraiture, land art, feminism and consumerism. Contains interviews, artists writings, bibliography, artists and writers biographies, index, and over 200 illustrations.
This wonderful book has sold extremely well since we launched in August. We're now down to our very last few copies other than a small number we're holding back for display on our stands at BOP Bristol 21 at the Martin Parr Foundation in October and at Paris Photo in November.
Circus - isn't that a tent full of stereotypes about freedom, adventure and romance? A spellbound, excited, guffawing audience, bright-eyed children staring in wonder, the roll of drums and a brass band playing lively music, intrepid acrobats in colourful costumes performing aerial feats high above the ring and garishly made-up clowns and their antics.
Photographer Richard Sharum travelled across Cuba to document the lives of isolated farmers, or 'Campesinos,' and their wider communities at a time of national transition. The histories of these communities have formed the backbone of Cuba, and yet they are rarely depicted in photographic representations of the country. Sharum began researching Campesino communities in late 2015 and his resulting black and white photographs depict the intertwined relationship of people and the land they depend on
Covid-19 came. Life changed around the world. For ever. Award-winning fine-art photographer Julia Fullerton-Batten felt she couldn't sit around helpless. During her evening permitted exercise, walking around her local neighbourhood, she noticed people looking out of their windows onto a newly desolate world. This was sufficient for her to formulate how she would visually portray the disturbing effect of the Covid-19 lockdown had on people's everyday lives, not only of those in her West London neighbourhood but of millions around the world. Little did she know that she would still be shooting her project over a year later.
Veritas Editions, the premier publishing house specializing in fine press and limited edition books, portfolios and prints, is honored to announce the publication this autumn of monographs by three master photographers, Kenro Izu (born 1949, Osaka, Japan), George Tice (born 1938, Newark, NJ), and Paul Caponigro (born 1932, Boston, MA). For Izu, Veritas Editions will produce 3 books: a Photobook, a Limited Edition Photobook, and a Fine Press Edition.
Over the course of a year that demanded we think more critically about inclusion, the project became something far greater than the sum of its parts: a series of four individual artists’ interpretations of great works from the history of photography posted on Instagram merged into a collective reflection on the writing of that history itself
Hepner grew up between the Nevada Test Site and the Idaho National Laboratory, where the United States engaged in extensive nuclear testing and reactor experimentation. Fast forward to 2013, and she was living in Japan helping with disaster relief following the tsunami when earthquakes caused the Fukushima Daiichi nuclear disaster. She is a conceptual artist with a deft ability to pivot her messaging style and visual aesthetic to communicate directly or subvertly, analytically or emotionally. The result is a complex, multi-faceted book project examining the tangled history of nuclear energy, the atomic bomb, and radioactive waste.
Olde Kensington, north of Center City Philadelphia, was predominantly a post-industrial area when photographer John Waller moved to town. Yet ominous signs of change could be seen everywhere as the neighborhood rapidly renovated and gentrified like the rest of Philadelphia. In the style of the classic flâneur of old, Waller wandered the streets recording a city in a state of flux. Permanent Drift (Daylight Books, May 25, 2021) brings together 53 of Waller's monochrome images taken during his regular walks around the neighborhood from 2012-2016.
In the summer of 1971, Michael Lesy and a friend found most of the snapshots in Snapshots 1971-77 in a dumpster behind a gigantic photo-processing plant in San Francisco. The photos were in the trash because the machines that printed them made them so fast-duplicates, triplicates, quadruplicates-that the people on the processing line couldn't stop them. Lesy took home thousands of the discards from the dumpster. By the end of the summer, he'd formed his own collection of images of American life
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