All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
FINAL DAYS to Publish your work in AAP Magazine Street and win $1,000 cash prizes
FINAL DAYS to Publish your work in AAP Magazine Street and win $1,000 cash prizes

Hippolyte Bayard: A Persistent Pioneer

From April 09, 2024 to July 07, 2024
Share
Hippolyte Bayard: A Persistent Pioneer
1200 Getty Center Drive
Los Angeles, CA 90049
Parisian bureaucrat by day and tireless inventor after hours, Hippolyte Bayard (French, 1801-1887) was one of the most important, if now lesser-known, pioneers of photography. During his thirty-year career, he invented the direct positive process and several other photographic techniques on paper.

Hippolyte Bayard: A Persistent Pioneer, on view April 9 –July 7, 2024, at the Getty Center, presents a rare chance to view examples of Bayard’s pioneering work, all made between the 1830s and 1860s. Most of these photographs come from the Getty Museum’s Bayard album, one of the first photographic albums ever created.

This exhibition will be the first to highlight one of the Getty Museum’s rarest and most treasured photographic holdings: a collection of prints by Hippolyte Bayard, and to explore his early processes, subjects, and strategies to achieve recognition.

“This exhibition provides a new understanding of this pioneering artist and his very significant contribution to the early development of the photographic medium,” says Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle Director of the Getty Museum. “The Getty Museum’s collection of over 200 prints is the second largest holding of Bayard’s work in the world, a highlight of which is our treasured Bayard album.”

Bayard began experimenting in January 1839, the same month in which Louis-Jacques-Mandé Daguerre’s daguerreotype was introduced in Paris and William Henry Fox Talbot’s photogenic drawing was presented in London. Though Bayard developed an innovative direct-positive photographic process on paper, his work was overshadowed by the inventions of Daguerre and Talbot, two more prominent figures who had the benefit of more established connections.

Because Bayard’s photographs are extremely light sensitive, they have been protected in storage since they came into Getty’s collection in 1984. Conservators conducted microfade tests on a selection to determine which works were stable enough to be put on view for this three-month exhibition period, making this a once-in-a-generation opportunity for Museum visitors.

The exhibition also includes a digital reproduction of the Bayard album so that visitors can experience it in its entirety. Bayard’s self-portrait at his garden gate introduces the content of the album, which contains works from 1839 to the late 1840s, 145 of Bayard’s experiments with different processes on paper, primarily salted paper prints from paper negatives, and 23 works by his British photographic peers. This album offers insights into Bayard’s practice, aesthetic choices, and strategies for presenting himself through the order and arrangement of those photographs. It also offers visual evidence of his exchanges across the English Channel with his fellow British photographers who also promoted paper processes.

Hippolyte Bayard: A Persistent Pioneer is co-curated by Karen Hellman, former associate curator at the Getty Museum and Carolyn Peter, assistant curator in the Department of Photographs at the Getty. A publication, Hippolyte Bayard and the Invention of Photography, co-edited by Hellman and Peter accompanies the exhibition. The first book in English devoted to Bayard, it includes over two hundred illustrations of Bayard’s photographs, along with a detailed chronology, four extended essays, twelve shorter examinations of single works by Bayard, and a conversation with contemporary photographer, Paul Mpagi Sepuya to compare his studio practice with Bayard’s.

Image: Three Feathers, 1842–43, Hippolyte Bayard. Cyanotype. Getty Museum
Our printed edition showcases the winners of AAP Magazine call of entries
All About Photo Magazine
Issue #42
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

Exhibitions Closing Soon

Jean-Pierre Laffont New York Noir
Leica Gallery Los Angeles | Los Angeles, CA
From September 12, 2024 to November 11, 2024
When I arrived as a young Frenchman in 1964, New York City was chaotic, dirty, gritty, loud and dangerous, but it was also attractive, provocative, brave, enchanting, joyous and free. “New York Noir” is inspired by the 1940 Film Noir. It is filled with a sense of danger, it is violent and upbeat, simple and timeless like my New York. Everything seemed possible and vibrant. I hated it one day and loved it the next. I responded to the city with my heart and never stopped capturing the monumental mess that it is and the exhilaration it provokes. All my wildest dreams came true in New York, and I hope my photos captured a city that I viewed critically but affectionally and to which I bear an immense gratitude.
Peggy Levison Nolan: Juggling is Easy
Dina Mitrani Gallery | Miami, FL
From October 20, 2024 to November 15, 2024
Dina Mitrani Gallery is pleased to present a pop-up exhibition of photographs by Peggy Levison Nolan as part of the Miami Design District's Art in the District cultural program. This exhibition features color as well as black and white photographs from the 80s to the present and commemorates the 2nd edition of her book Juggling Is Easy published by TBW Books. Nolan’s first monograph Real Pictures: Tales of a Badass Grandma, published by Daylight Books in 2018 will also be available. This exhibition coincides with Nolan’s participation in the exhibition Shared Documentary Narratives at the History Miami Museum curated by Aldeide Delgado. A second reception and book signing will take place on Saturday October 26th at 4 pm during the WOPHA Congress (Women Photographers International Archive), which, this year is entitled How Photography Teaches Us to Live Now. With her constant and conscious act of looking, Nolan makes pictures that reveal the beauty in everyday scenes, capturing life’s ordinary details in her photographs. Quotidian stills that normally go unnoticed are brought to light by Nolan’s frame, highlighting the home and members of her family in daily activities, whether sleeping, hanging out or making out. The black and white work mostly features her teenage kids, their friends and activities. Nolan began using color film in the early 2000s and depict images of her grown children with their spouses and grandchildren. Nolan's work is in collections such as the MOMA in New York, the San Francisco MOMA, the National Museum of Women in the Arts in Washington DC, the MOCA in North Miami and the Crystal Bridges Museum in Arkansas, the Margulies Collection, the Girls Club Collection and the Norton Museum to name a few. Her work has been reviewed and published in the New York Magazine, Vogue, The Guardian, Juxtapose, Lenscratch and Art Forum. Nolan has received numerous grants and awards including the South Florida Cultural Consortium Fellowship and taught photography at Florida International University for over 15 years. She claims her students were the ones teaching her. She raised seven children and now has eight grandchildren. Dina Mitrani opened her gallery in Wynwood in 2008 specializing in international contemporary photography representing emerging and mid-career artists, offering artists talks and lectures as well as photo-based objects and books. The gallery’s mission is not only to exhibit, promote and sell photo-based art but to also serve as an educational resource for the community. Dina has been working in the art world for 30 years, spending the first years of her career in New York, after studying art history at the University of Michigan. Moving back to Miami in 2002, together with her sister Rhonda, they were pioneers in creating the Wynwood Art District by organically converting their parent’s clothing factory into art galleries and studios for artists, designers, and architects. They are currently designing and building a center for photography, film and video art in Little River which will open in 2025.
Out of this World: Surreal & Fantastic Art in Photography
Keith de Lellis Gallery | New York, NY
From October 03, 2024 to November 15, 2024
In honor of the 100th anniversary of Surrealism we are pleased to present an exhibition “Out of this World” featuring vintage photographs that honor some of the leading figures of the Surrealist movement along with some lesser-known artists that were contributing to the art of surrealism with surprising images many of which have rarely been exhibited. The Museum of Modern Art presented its’ landmark exhibition “FANTASTIC ART DADA SURREALISM” in 1936-1937, an ambitious textbook survey documenting the art of that category and its precedents and distillation to other cultural art forms and mediums. The hefty MoMA catalog identifies the genre of art as “The fantastic and the marvelous in European and American Art” and further described this art in terms of the “the irrational, the spontaneous, the enigmatic and the dreamlike.” Surrealism permeated the culture in portrait photography, advertising photography, fashion photography, dance photography and almost any other form of photography that permitted the artist the leeway to experiment with images that piqued their imagination. Louise Dahl-Wolfe, one of the foremost fashion photographers of the post World War II era, collaborated with Russian artist Pavel Tchelitchew in the early 1940s to create a wildly imaginative surrealist set for a color-infused fashion layout for Harper’s Bazaar. This dreamy technicolor lit tableau features three models surrounded by drapery, fabric and news papered walls amongst the iconography of a fashion designers’ studio. Another interior and one of the most important pictures in the exhibition is a diptych photomontage by Frederick Kiesler (photography by Percy Rainford) of the interior of Marcel Duchamp’s 14th Street New York studio festooned with all the detritus that this trailblazing artist could manage to populate his studio with. This image was published in Charles Henri Fords 1945 issue of the art magazine View that was dedicated to Marcel Duchamp. Portrait photographers gravitated to surrealism to create complex and innovative images that went far beyond static portraiture. George Platt Lynes’ portrait of the actress Ruth Ford, (sister of Charles Henri Ford), created a delightful study of the actress who was often referred to as “the hummingbird” by her many artist friends. In Lynes’s image a hummingbird sits on top of Ford’s veil-wrapped visage while three eggs are floating on the upper right margins of the picture frame. Hi Williams was the go to photographer in the American food industry in the 1930s famous for his mastery of the carbro printing process, an early color printing technique, that was both laborious and expensive to produce. He created a still life photograph of utilitarian rubber items: a toy duck, a gas mask, a ball shoe and glove etc. all sitting on a sandy platform with a painted backdrop featuring blue sky and clouds. If it wasn’t clear that this was an homage, he titled this colorful 1941 photograph “Rubber Dali”. Image: Harry Richardson Cremer (American, active c. 1920–1949), Untitled, c. 1930, Gelatin Silver Print
An-My Lê  Between Two Rivers
The Museum of Modern Art - MoMA | New York, NY
From November 05, 2023 to November 16, 2024
For 30 years, the photographs of artist An-My Lê have engaged the complex fictions that inform how we justify, represent, and mythologize warfare and other forms of conflict. Lê does not take a straightforward photojournalistic approach to depicting combat. Rather, with poetic attention to politics and landscape, she meditates on the meaning of perpetual violence, war’s environmental impact, and the significance of diaspora. “Being a landscape photographer,” she has said, “means creating a relationship between various categories—the individual within a larger construct such as the military, history, and culture.” An-My Lê: Between Two Rivers/Giữa hai giòng sông/Entre deux rivières is the first exhibition to present Lê’s powerful photographs alongside her forays into film, video, textiles, and sculpture. Never-before-seen embroideries—some large scale, others the size of a laptop screen—and rarely shown photographs from her Delta and Gabinetto series explore the relationship between mass media, gender, labor, and violence. And an immersive installation created especially for the exhibition attests to the artist’s long-standing consideration of the cinematic dimensions of photography and war. Born in Vietnam in 1960, Lê came to the United States in 1975, after the fall of Saigon, as a political refugee. The two rivers in the exhibition’s title refer to the Mekong and Mississippi river deltas, to Vietnam and the United States. The phrase also gestures toward other subjects that Lê has inflected with her own experiences of war and displacement, from the Seine, to the Hudson River, to the Mexican-American border along the Rio Grande. It is a metaphor that invites viewers to reflect on the circularity of time and history, the layering of disparate geographies, and the intimacies that paradoxically grow out of conflict.
Pieter Henket: Congo Tales
FAS44 Gallery | Las Vegas, NV
From September 26, 2024 to November 16, 2024
The Hulett Collection in collaboration with FAS44 Gallery in Las Vegas and Michael Frey are pleased to present Pieter Henket's series, Congo Tales, September 26 - November 16, 2024. This series embodies the stories passed down from generation to generation, magnificently personifying fable and myth through portraits of people from the Mbomo District residing deep in the Congolese rainforest. These boldly authentic photographs transform the subjects into painterly creations filled with raw emotions and character depictions. Pieter Henket is a Dutch photographer living and working in New York City. Known for a photographic style inspired by the 17th century Dutch Golden Age of painting, his work has been exhibited at the Metropolitan Museum of Art in New York, the Museum de Fundatie in The Netherlands, and the Museum Barberini in Germany. A mastermind of integrating people and place, Henket has an innate storytelling ability that provides an authentically emotional experience for all who view his work.
Extra! Extra! News Photographs 1903 - 1975
Howard Greenberg Gallery | New York, NY
From September 12, 2024 to November 16, 2024
Iconic front-page news photography from the 20th century will be on view at Howard Greenberg Gallery from September 12 through November 16, 2024. Extra! Extra!: News Photographs from 1903-1975 presents unforgettable images from a wide range of historical events including the arrival of the first Ford car, voting rights protests by the suffragists, the detonation of the atom bomb, baseball highlights, Civil Rights activities, political assassinations, Woodstock, and the Vietnam War. Together the photographs form an extraordinary visual history of the United States during the last century. In most cases, the works on view represent the earliest known published prints, with each print featuring detailed provenance meticulously inked and stamped, documenting its historical journey from newsroom to printed page. This careful record provides invaluable insight into the print's origins, including its initial publication, subsequent ownership, and any historical events it has been associated with. Such thorough documentation enriches our understanding of its significance and the context in which it has been preserved over time. The exhibition will feature the notations on the backs of the images as well. Extra! Extra!: News Photographs from 1903-1975 features more than 60 photographs and draws on a collection of nearly 250 prints assembled by Dan Solomon and Howard Greenberg. A number of the prints are by well-known photographers including Robert Capa and W. Eugene Smith; many of the photographers are unknown. Major news makers of the 20th century are shown including Muhammad Ali, Neil Armstrong, The Beatles, Amelia Earhart, Martin Luther King Jr., Patricia Hearst, Jackie Robinson, Babe Ruth, and the Wright Brothers. Solomon began collecting the images more than 20 years ago by working with media outlets who were digitizing their archives, including The New York Times, Time-Life, The San Francisco Examiner, and The Cleveland Plain Dealer. He was initially inspired by the shocking 1963 image of a self-immolating monk in Saigon by Pulitzer Prize-winning photographer Malcolm Browne. Solomon turned over a print of the iconic image and noticed numerous stamps and information on the back. “The print had a presence and the aura of a powerful object connected to history and the dissemination of information. I immediately asked how I could see more,” he said. “This collection of iconic images includes many rare and important prints and is distinguished from all others,” said Howard Greenberg. “We had the good fortune to be able to acquire important first and second generation ‘press’ prints at a time when certain archives were beginning to sell photos from their files.” Far from pristine, each photograph in the exhibition has been handled and exhibits a rich history on the front and back including crop lines, grease pencil markings, date stamps of when the photograph was run, captions used by the newspaper, credit information, and other background notes. Together the prints in the exhibition show photojournalism in action. For example, a 1968 photograph by the Associated Press’s Eddie Adams of a South Vietnamese officer executing a Viet Cong prisoner has numerous credits and notations including a clipping from a newspaper noting “TOO VIOLENT? The question of whether scenes such as this, showing the execution in Saigon of a Vietcong prisoner, should be shown on television was deleted at the hearing.” Similar prints in Extra! Extra!: News Photographs from 1903-1975 were included in Pictures of the Times: A Century of Photography from The New York Times, an exhibition at the Museum of Modern Art (MoMA) in 1996 based on a gift of news photography from The New York Times to MoMA. New York Times writer Wiliam Safire wrote an essay in the catalogue noting, “Photojournalism confronts an unfolding drama and freezes the frame, refusing to let the fleeting instant flee. It stops the world at that moment of history and lets us get on.” Image: Saigon February 1, 1968 © Eddie Adams
Contemporary Photography: Highlights from the Collection
Wadsworth Atheneum Museum of Art | Hartfort, CT
From February 29, 2024 to November 17, 2024
Highlights from the museum’s collection of contemporary photography hang in Avery Court. Featuring recent gifts alongside familiar collection works, the installation surveys diverse approaches to portraiture and landscape by some of the leading artists of the past four decades, including Nan Goldin, Paul Mpagi Sepuya, and Ellen Carey. Image: Philip-Lorca diCorcia (American, born 1951), Roy, ‘in his 20s,’ Los Angeles, California, $50, 1990-92. Chromogenic print; ed. 12/20. Alexander A. Goldfarb Contemporary Art Acquistion Fund, 2017.20.1
Daido Moriyama: Five Decades
The Center for Photographic Art (CFPA) | Carmel, CA
From October 05, 2024 to November 17, 2024
For me, photography is not a means by which to create beautiful art, but a unique way of encountering genuine reality.” ― Daido Moriyama Please join us for a rare and special exhibition of works by renowned photographer Daido Moriyama. The Center for Photographic Art is honored to present 33 images from this master photographer spanning five decades, 1966 - 2007. From his early series such as Japan: A Photo Theater and Karyūdo (A Hunter) to more recent projects and prints, we'll get to view the progression of this legendary artist's work. A selection of Moriyama's books will also be on view. On opening night we have the pleasure of hearing Asako Shimazaki, one of Moriyama's students, speak about his long career and his influence. Not to be missed! Daido Moriyama was born in 1938 in Ikeda City, Osaka, Japan. Switching from designer to photographer, he worked as an assistant for Takeji Iwamiya and Eikoh Hosoe, before embarking on his career as a freelance photographer in 1964. For series such as “Japan: A Photo Theater,” which appeared in Camera Mainichi in 1967, he received the New Artist Award from the Japan Photo-Critics Association. Large-scale exhibitions of Moriyama’s work have been held at a number of major institutions including at the San Francisco Museum of Modern Art (1999; traveling to the Metropolitan Museum of Art and Japan Society, New York), the National Museum of Art, Osaka (2011), and London’s Tate Modern (two person exhibition with William Klein 2012-13). In 2012, Moriyama received the Infinity Award from the International Center of Photography (New York), was ordered Ordre des Arts et des Lettres in 2018 by the French government, and he was also the winner of The Hasselblad Foundation International Award in Photography in 2019 which cemented his international reputation. Moriyama has also produced more than 150 photobooks since 1968.
Cut Up/Cut Out: Photomontage and Collage
Norton Museum of Art | West Palm Beach, FL
From August 07, 2024 to November 17, 2024
By cutting out, reshuffling, and layering multiple photographs, artists create composite artworks called photomontages and collages. First coined by Berlin Dada artists John Heartfield and Raoul Hausmann at the beginning of the First World War, the photomontage was originally conceived as a form of social and political critique. With further developments from Cubist and Surrealist artists, both techniques gained widespread appeal for their capacity for abstraction, experimentation, and narrative building. Photomontages and collages can create both seamless compositions, as well as generate new relationships and dialogues between individual pictures. Cut Up/Cut Out: Photomontage and Collage explores these photographic techniques as enduring forms of artistic engagement, highlighting several new acquisitions and contemporary examples from the Norton’s Collection, as well as a selection of special loans. These hybrid forms can even point us to the foundations of our contemporary digital experience, as such widespread and rapid access to information continues to change and accelerate our ability to cut, mix, and paste each day. Image: Pittsburg Memory 1964 © Romare Bearden
Ken Light: American Stories: 1969-1995
Bronx Documentary Center | New York, NY
From October 10, 2024 to November 17, 2024
Ken Light | American Stories:1969-1995 showcases three decades of work by photographer Ken Light, highlighting significant moments in American history from 1969 to 1995. Light’s images focus on social issues, human rights, and the lives of overlooked communities, providing a powerful look at the stories of this period. The exhibition includes work from some of Light’s twelve published books, with selections from Report to the Shareholders, Course of the Empire; Midnight La Frontera; What’s Going On? 1969-1974; Valley of Shadows and Dreams; Coal Hollow, Delta Time; Texas Death Row; To The Promised Land; and With These Hands. A booklet accompanies the exhibition, featuring works by Ken Light and a text by Brian Wallis, Executive Director of the Center for Photography at Woodstock. Image: DeWitt Clinton High School, Bronx, 1972 © Ken Light
Laura Aguilar: Nudes in Nature
Phoenix Art Museum | Phoenix, AZ
From December 12, 2023 to November 17, 2024
Laura Aguilar: Nudes in Nature showcases photographic works by a groundbreaking yet underrecognized artist who challenged perceptions of beauty by examining the female body in dialogue with the natural world. Born and raised in California’s San Gabriel Valley, Laura Aguilar created photographic representations of historically excluded and marginalized groups of women from various communities across Los Angeles. She eventually turned the camera on herself to consider the multitude of factors that defined her own identity as a Chicana and a lesbian who lived in poverty and with depression and learning disabilities. Later in her career, Aguilar began to capture intimate portraits of nude, large-bodied women in natural settings. She created various series within this framework to highlight the inherent connections between nature and the female form. Laura Aguilar: Nudes in Nature brings together nearly 60 photographic works from the most-recognized of those series, including Nature Self-Portrait (1996) Stillness (1999) Motion (1999) Center (2000–2001) and Grounded (2006–2007). Featured works either directly explore the relationship between physical features of the body and the landscape or adopt an abstract approach. Exhibited in conversation, they encourage reflection on the ways female bodies are perceived within the natural world in comparison to how they are viewed in social and cultural spaces. All of the images in Nudes in Nature were made in the Southwestern region of the United States. With this particular backdrop, the exhibition provides a unique opportunity to consider Aguilar’s trailblazing work within the context of our desert region. Image: Motion #59, 1999 © Laura Aguilar Trust of 2016
Bevan Davies New York Typologies
Joseph Bellows Gallery | La Jolla, CA
From September 27, 2024 to November 23, 2024
Joseph Bellows Gallery is pleased to open the fall season with the work of Bevan Davies. Bevan Davies: New York Typologies will feature vintage black and white photographs of lower Manhattan made in the mid-1970s. Davies utilized a large-format view camera to generate images of great depth and clarity, pursuing an approach to documenting the urban landscape of the Empire City that the late photographer Lewis Baltz described as “rigorously contemporary while acknowledging a use of the camera which dates from the inception of the medium.” This exhibition will showcase varying aspects of the city’s architecture, presenting serial images devoted to these cast-iron edifices. Bevan Davies’ large-scale ferrotyped* prints flawlessly mirror the illuminated surfaces of Gotham’s doorways, storefronts, and facades. Davies writes of his approach as “an effort being made to let the camera almost see by itself.” These New York facades, taken in the early morning hours, describe the architectural subjects frontally and are defined by the chiaroscuro of the building. In his introduction to Davies’ book, New York 1975, published by Nazraeli Press, Joshua Chuang, (then, the Miriam & Ira D. Wallach Associate Director for Art, Prints and Photographs, and The Robert B. Menschel, Senior Curator of Photography at The New York Public Library), observed: “When first exhibited in 1976, their formal austerity and apparently neutral stance invited comparison with the contemporaneous work of Lewis Baltz, Bernd and Hilla Becher, and other photographers featured in the seminal 'New Topographics' exhibition. Distance, however, has revealed their concerns and temperament to be more akin to those of Marville or Atget, both of whom had a special feeling for the life and death of buildings (and thus of place), or Walker Evans, whose pictures Lincoln Kirstein praised for their “clear, hideous and beautiful detail, their open insanity and pitiful grandeur.” Davies’ sense of the urban landscape is furthered by his astute and rhythmic organization of his subject within the ground glass of his camera. His photographs both survey and celebrate the urban landscape, allowing traces of its inhabitants to inform the architecture and metropolitan spaces, revealing an everyday poetry of the city. Bevan Davies (American, 1941 - ) studied humanities at the University of Chicago in the early 1960s. After moving to New York, he continued his studies with Bruce Davidson in his New York studio, where he met Mary Ellen Mark, Diane Arbus, Ralph Gibson, and Danny Lyon. Davies' first New York exhibition was held at Witkin Gallery in 1969. Sonnabend Gallery featured Davies' work in solo and group exhibitions in their SoHo gallery in the mid-and late 1970s. During this period, Davies' work was also exhibited at Larry Gagosian’s Broxton Gallery in Westwood, CA and internationally at Galerie Wilde, Cologne, at Stills Gallery in Edinburgh and in group exhibitions of American contemporary photography at The Museum of Fine Arts, Houston; George Eastman House: Ringling Museum of Art: Institute of Contemporary Art, University of Pennsylvania; and the La Jolla Art Museum. Bevan Davies’ work can be found in numerous public and private collections, including the New York Public Library, J. Paul Getty Museum, Nelson-Atkins Museum of Art, the Art Institute of Chicago, the Center for Creative Photography, George Eastman Museum, and the Metropolitan Museum of Art, and the Black Dog Collection, among others. Monographs on Davies’ work include Los Angeles, 1976 (Nazraeli Press, 2014), and New York 1975 (Nazraeli Press, 2017). His work was included in the survey exhibition catalog, Ed Rusha and Some Los Angeles Apartments (Getty, 2013). Recently his work was featured in Geoff Dyer’s collection of essays on photography entitled, See/Saw (Graywolf Press, 2021).
Advertisement
Win a Solo Exhibition in December
AAP Magazine #44: Street
Photographer of the Week
Call for Entries
AAP Magazine #44 Street
Publish your work in AAP Magazine and win $1,000 Cash Prizes

Related Articles

Art Paris 2025 Preview
Art Paris returns to the Grand Palais, an architectural gem dating back to the Belle Époque that has been returned to its former glory
All About Photo Presents ’My Heart Exposed’ by Carolyn Moore
All About Photo proudly presents an exclusive online exhibition featuring the work of the American photographer Carolyn Moore. On view throughout November 2024, this captivating showcase includes twenty photographs from her acclaimed series ‘My Heart Exposed’
The 10th Jimei x Arles International Photo Festival
The Jimei x Arles International Photo Festival is delighted to announce the exhibition programs for its tenth edition this year, taking place in Xiamen from 29 November 2024 to 12 January 2025.
EDEN Square Print
Magnum Photos partners with The Photo Society for the upcoming Square Print Sale, titled Eden. Running from October 21 to October 27, Eden explores the miraculous beauty of our planet’s landscapes, ecosystems, and people, while emphasizing the urgent need to protect them from an existential threat: humankind.
VU’ at Paris Photo
Calderon de la Barca’s Life is a Dream could be used to describe our selection for Paris Photo 2024. We are presenting prints by three of our photographers whose work is closely linked to literature, poetry or fiction.
Arthur Tress: Observations at the Water’s Edge
With this small sampling of imagery, we’ve culled photographs from Arthur’s recent projects including his 30 years spent living in and documenting his life in Cambria and his recent project documenting Mare Island. This diamond-shaped body of work captures the essence of his ongoing obsession with shape, line, and composition. Arthur draws inspiration from beach surroundings and the people he encounters on his photographic journey. Many images in this exhibition such as Flags, Mare Island, Ferry Boat Window were photographed during the making of “Arthur Tress: Water’s Edge”, which will be screened in the Harvey Milk Center for the Arts ballroom on November 14, 2024.
Raymond Meeks: ’The Inhabitants’ at the Fondation Henri Cartier-Bresson
Raymond Meeks, the sixth laureate of Immersion from the Fondation d’entreprise Hermès, presents his photographic series "The Inhabitants" at the Fondation Henri Cartier-Bresson, Paris, from October 9, 2024 to January 5, 2025. Curated by Clément Chéroux, Director of the Fondation Henri Cartier-Bresson
The Analog Chronicles
A collective exhibition by Mathias Depardon, Ismail Ferdous, Théo Giacometti, Gaia Squarci, and Alessandro Silvestri. On view at the 99 Cameras Museum in Studio Harcourt, Paris From November 6, 2024 to February 15, 2025
Christian Voigt: LUNAR
Wanrooij Gallery in Amsterdam is pleased to announce a solo exhibition by the German fine art photographer Christian Voigt from 25 October 2024 until 25 January 2025. The gallery presents a stunning selection of his new LUNAR series. Iconic spacesuits and technical marvels from the USA and Russia are portrayed in a previously unseen way of poetic quality. The fascinating, large-format photographs show the objects against a black background, as if they were situated in the absolute silence of space, conveying both the loneliness and the immense vastness of the cosmos.
Call for Entries
AAP Magazine #44 Street
Publish your work in AAP Magazine and win $1,000 Cash Prizes