All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.

Andy Warhol: Photo Factory

From September 10, 2021 to January 23, 2022
Share
Andy Warhol: Photo Factory
281 Park Ave South/22nd
New York, NY 10010
With over 120 images spanning Warhol's career, including many rare and never-before-seen photographs, Andy Warhol: Photo Factory offers a distinctly intimate visual diary of the artist's life and work, featuring his iconic Polaroid portraits, photo strips, gelatin silver prints, and stitched photographs.

The exhibition pays homage to Warhol's iconic New York City studio The Factory and offers a distinctly intimate visual diary of the artist's life and work, including Polaroids of celebrities, artists and friends, such as Debbie Harry, Jean-Michel Basquiat, Dolly Parton, Grace Jones, and Keith Haring.

Notably, Warhol's earliest photographic works will be presented, offering a glimpse into his experimentation with the medium and how it served as a catalyst for his early silkscreen paintings, commissioned portraits, and commercial work.

All six categories of Warhol's film-based work are spectacularly represented, including polaroids of celebrities, lesser seen unique gelatin silver prints, polaroid collages, 16mm film Screen Tests, and his most recent stitched photograph series.
Our printed edition showcases the winners of AAP Magazine call of entries
All About Photo Magazine
Issue #37
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

Exhibitions Closing Soon

The Impact of Images:  Mamie Till’s Courage from Tragedy
California Museum of Photography - UCR ARTS | Riverside, CA
From November 04, 2023 to March 30, 2024
The lynching of fourteen-year-old Emmett Till by white supremacists in 1955 was a shocking tragedy, made worse by the appalling miscarriage of justice in the trial that followed. Emmett’s mother, Mamie, courageously made the decision to forego the privacy of her devastating loss by insisting the world see what they had done to her son. She chose to have an open casket funeral and invited the Black press corps in order to provide visual evidence of this tragedy to the world. The collective awakening and the actions that followed contributed directly to the Civil Rights Movement. Driven by courage, the event inspired a generation to force change, and the images that record this tragedy sparked consciousness across society. The impact of these images shook the world and there was no turning back. This photography exhibition begins with family photos of Mamie and Emmett, but at the core are extraordinary images made by Black photojournalists. The powerful photographs by Ernest Withers, for example, capture acts of bravery and of prejudice at the trial. Photographs of the funeral are fundamental to the story and are included. The famed images Mamie Till wanted “to let the world see,” however, are readily found elsewhere should one wish to bear witness. The exhibition continues with images of many exhilarating moments of the Civil Rights movement that followed and concludes with a photograph taken last year by Deborah Watts, Emmett’s cousin, of President Biden signing the “Emmett Till Antilynching Act.” Although sixty-eight years have passed, the images, lessons, inspiration, and courage of this singular tragedy can and must continue to educate, provoke, and inform today’s generation. This is the “Impact of Images.” The materials that contributed to this exhibition come from The Withers Collection, the Medgar Evers family and the Emmett Till Legacy Foundation, among other sources. Co-curator Chris Flannery gathered these historic photographs originally as support for the production of the 2022 film Till. Orion Pictures has generously made them available for this exhibition, which will feature screenings of the film and other public programs.
Andrés Mario de Varona + Cristobal Ascencio
Pictura Gallery | Bloomington, IN
From February 02, 2024 to March 30, 2024
The upcoming exhibition at Pictura explores the complex relationship of a child to a deceased parent. The show features two different projects, Contact by Andrés Mario de Varona, and Las Flores mueren dos veces by Cristobal Ascencio. Both projects are built from the artist’s efforts to connect with the lost parent. Ascencio creates a haunting virtual garden, honoring his father’s vocation as a gardener. De Varona works with personal relics, family members, and the mysterious properties of light to reach back towards his mother.
Brittany Nelson : I can’t make you love me
Patron Gallery | Chicago, IL
From February 03, 2024 to March 30, 2024
PATRON is proud to announce our third solo exhibition with New York-based artist Brittany Nelson (b. 1984). Nelson’s conceptual practice explores how science fiction, and the ongoing pursuit of space exploration, offer venues for the consideration of new social possibilities outside the limitations of heteronormative society. Utilizing analog chemical photographic techniques, historical science fiction and its archive, and visual culture from recent NASA missions, Nelson suggests how extraterrestrial, or non-human actors can function as proxies for queer life. I can’t make you love me pulls open the human, and often deeply romantic quests at the heart of astronomical discovery, both real and imagined. Since 2020, Nelson has researched an extensive archive of letters between science fiction writer Alice B. Sheldon (under the male pseudonym; James Tiptree Jr.) and novelist Ursula Le Guin between 1971 and 1976. Their exchange held space for real-life para-fiction. While withholding her true gender identity, Tiptree’s flirtatious fantasies were received and reciprocated by Le Guin—Tiptree would eventually reveal her true gender identity to Le Guin in 1976, and subsequently see Le Guin as a confidant “Ursula, Ursula I am petrified. - - - will they take it as “deception”? The exhibition opens with the persistent melody of everything but the signature is me (2023), an automaton typewriter, programmed by Nelson to perpetually dictate Tiptree’s excerpted term of endearment for Le Guin; “Starbear.” This coded evidence of Tiptree’s unrequited desire is extracted from their original context, scattered over the page in blue ink. The incessant transfer of the name by a non-human writer, suggests how Tiptree’s own use of a pseudonym functions as a metaphor. The letter, much like the format of science fiction, is a truth written in the present to apply to a future sense. Nelson further collapses past, present, and future in her Solaris series, expansive gelatin silver prints developed from stills of Andrei Tarkovsky’s 1972 film. Solaris narrates the plight of Kelvin, a cosmonaut who is pulled into the waking nightmare that has befallen his space station comrades as time and psychological acuity become increasingly warped. Nelson took screenshots from the film and rephotographed them onto 35mmx film at high speeds, a process which accentuates the silver grain of the image. The textural, impressionistic prints, developed with one of the last remaining Fotar Enlargers from the 1950’s, position us within the film itself, vulnerable, gazing outward onto the swirling waters of a foreboding form of extraterrestrial life. Solaris’s swirling waters of the ocean planet, like the mist-moody landscapes of Romantic painters, suggest that the scene is not an image of an experienced reality, but an existential experience of loneliness and mortality. Functioning as a coda, and bringing us to the present is I can’t make you love me, a single channel video, titled after Bonnie Raitt’s 1991 sentimental ballad. Edited from Nelson’s first-hand documentation during a research trip over the summer of 2023 at Hat Creek Radio Observatory in Northern California, the film tracks the artist’s own encounter with an isolated astronomical telescope array (Allen Telescope Array or ATA), technologies specifically designed for the Search for Extraterrestrial Intelligence (SETI). In the film, a presumed human subject sweeps spotlights across the open fields of the observatory, glimpses and fragments of the satellites appear as outlines in the dark as they themselves contemplatively yearn for the faintest glimmer of data to affirm their existence. Brittany Nelson: I can’t make you love me collapses and expands Nelson’s poetic parallels between Tiptree’s own closeted desire, the speculative space of scientific discovery, and the ongoing human quest to find, and communicate with, someone like us.
The Dissolve: Hellen van Meene
Yancey Richardson Gallery | New York, NY
From February 22, 2024 to March 30, 2024
One of the most influential international photographers of her generation, Hellen van Meene is known for her intimate color portraits of adolescent girls and young women inspired by traditions of classical painting. An exhibition of recent work, The Dissolve will be on view from February 22 through March 30, 2024, with the majority of the photographs on view in New York for the first time. A reception with the artist will be held on Thursday, February 22 from 6-8 p.m. In her sixth solo exhibition at the gallery, Dutch artist van Meene continues her exploration of female identity with 20 photographs made between 2016 and 2023. Many of her young subjects are on the cusp of adulthood and van Meene highlights both the psychological tension and confusion often experienced during these transitional years. Her unique visual language employs an exceptional use of natural, luminous light reminiscent of 17th century Dutch painter Johannes Vermeer. Martin Barnes, Senior Curator of Photographs, V&A, wrote in the book Hellen van Meene: The Years Shall Run Like Rabbits (Aperture 2015), “Each photo resounds with painterly color harmonies. She has a lucid understanding of the nuances of natural light: how it can transform a scene before the lens into a picture that distills and then transcends the depiction of reality. Coupling this with her choreographed scenes and her intuitive use of gesture in the faces and attitudes enacted by her subjects, she has consistently produced the condition for photographic transformations.” Van Meene’s subjects are often caught in dreamlike states or otherworldly situations. In one, a bride stands calmly as the train of her wedding dress ignites in a semi-circle of flames. In another, a sitter cradles a fish like a baby, and in another, butterflies carefully position themselves on the subject’s face, neck, and chest. One young woman immersed in a body of water is surrounded by flowers while fully dressed, recalling Shakespeare’s Ophelia. Van Meene’s subjects appear detached and unflummoxed about their unusual situations, absorbing the ambiguity of being at the brink of adulthood, while caught in the liminal space between childhood and womanhood. In the words of van Meene: “The girl’s dreams go beyond her daily life, as she yearns to be a butterfly and take flight into the skies. Her untangled hair serves as a powerful symbol of freedom and flight, inspiring us all to chase our dreams and embrace our innermost desires.” For more than 20 years, Hellen van Meene (Dutch, b. 1972) has been known as one of the world’s top photographers for her carefully staged portraits of adolescent girls. Her work has been exhibited internationally in museums including Fotografiska, New York (2024); Museum of Fine Arts Boston (2019); Musee d’Orsay, Paris (2016); Palais de Beaux-Arts, Brussels (2015); Brooklyn Museum, New York (2009); Art Institute of Chicago (2008); Van Gogh Museum, Amsterdam (2008); and Solomon R. Guggenheim Museum, New York (2007). Van Meene’s photographs are held in institutional collections worldwide, including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Art Institute of Chicago; San Francisco Museum of Modern Art; Museum of Contemporary Art, Los Angeles; National Museum of Women in the Arts, Washington D.C.; Museum of Fine Art, Boston; High Museum of Art, Atlanta; Victoria & Albert Museum, London; Stedelijk Museum, Amsterdam; Fries Museum, Netherlands; Museum of Photography, Netherlands; Folkwang Museum Essen, Germany; Huis Marseille, Amsterdam; and Museo Artium del Pais Vasco, Spain. Van Meene is the subject of five artist monographs, including Hellen van Meene: The Years Shall Run Like Rabbits (Aperture, 2015); Hellen van Meene: tout va disparaître (Schirmer/Mosel, 2009); Hellen van Meene: New Work (Schirmer/Mosel, 2006); Hellen van Meene: Portraits (Aperture, 2004); and Hellen van Meene: Japan Series (The Museum of Contemporary Photography, Chicago and De Hallen, Haarlem, the Netherlands, 2002). Van Meene lives and works in Heiloo, Netherlands.
Maggie Taylor: Up, Up, and Away!
Catherine Couturier Gallery | Houston, TX
From February 24, 2024 to March 30, 2024
Catherine Couturier Gallery is thrilled to announce Up, Up, and Away!, an exhibition of new work by gallery artist Maggie Taylor. Maggie Taylor (American, b. 1961, Gainesville, Florida) is well known for her technique using a flatbed scanner instead of a traditional camera to capture found objects and photographs she collects. In 1996, Taylor first used Adobe Photoshop to manipulate the timelessness of antique portraits by playing on their whimsical nature. She skillfully incorporates background elements to give depth and atmosphere to her works, effortlessly crafting a dreamlike style that tells a captivating story. With a rich history of embracing new technology in her art practice, Taylor skillfully incorporates elements generated by the AI program Midjourney into her latest digital collages. Using Midjourney, Taylor inputs prompts to create intricate background elements, seamlessly integrating them into her existing artistic practice through meticulous manipulation in Photoshop. The result is a series that not only showcases Taylor's longstanding commitment to innovative tools but also highlights the dynamic possibilities that emerge when combining her artistic vision with cutting-edge technology. "It is really amazing, but a steep learning curve to be able to control it." says Taylor. Maggie Taylor’s work is held by numerous public and private collections including The Princeton University Art Museum, Princeton, NJ; The Fogg Art Museum, Harvard University, Cambridge, MA; Harn Museum of Art, University of Florida, Gainesville, FL; Museum of Fine Arts, Houston, TX; and The Museum of Photography, Seoul, Korea.
Glorify Yourself: Carolyn Drake
Yancey Richardson Gallery | New York, NY
From February 22, 2024 to March 30, 2024
Begun in 2020, Glorify Yourself is the newest photographic series by Carolyn Drake, in which the artist turns the camera on herself, experimenting with self-portraiture and offering an exploration of, as Drake says, “the universe of desires and delusions that gave rise to the world I inhabit.” The exhibition will be on view from February 22 through March 30, 2024. An opening reception will be held on February 22, from 6 – 8 PM. The series takes its title from the book Glorify Yourself, a “beauty and charm guide” for women, popular in the U.S. during the 1940s and 1950s. The guide included chapter titles such as “Inviting Lips” and “Sitting Technique,” offering advice for its female readers on how to increase their allure to men. With pages of the book ‘s instructions plastered on one wall of the gallery, Drake’s darkly comedic self-portraits intersect with the misogynistic material that inspired them. Describing her process, Drake states; “With a mixture of satire and scorn, I began putting myself in the positions described in the book, exploring my relationship to its creed.” In Self-Portrait with Gene Tierney (Inviting Lips), Drake holds a page ripped from the book in front of her face. The page shows a portrait of a woman whose face has been cut out, replaced by Drake’s own mouth, agape in a silent scream. The caption beneath the image reads “Gene Tierney’s beautiful full mouth is one of her most attractive features.” In what could be seen as the pair to this image, The Face of Gene Tierney (Inviting Lips), these so-called “inviting lips” are revealed in a surreal composition that includes Tierney’s disembodied face suspended by a thread, and a pair of tweezers, held by the artist, pointing ominously towards it. Drake’s irreverent interrogation of this highly constructed, stereotypical notion of femininity exposes the degree to which women’s bodies have been controlled in service of the male gaze. Indeed, when we consider the series within the context of current events, including the recent rollback of abortion rights in the U.S., we can see it in part as Drake asserting her agency to present her body in whatever guise she chooses. In an act of defiance, the artist offers us so-called “self-portraits” in which her face is mostly obscured behind cut-outs and pages from the book, or disguised with a wig as she attempts to perform the prescribed exercises. Drake challenges our traditional understanding of the genre, offering us an introspective exploration of her identity and her shifting experience of gender and sexuality that refuses to be confined within fixed boundaries. Born in California in 1971, Drake’s work has recently been exhibited at the Henri Cartier Bresson Foundation, the High Museum, and the San Francisco Museum of Modern Art. She has published five photo books: Two Rivers (2013), Wild Pigeon (2014), Internat (2017), Knit Club (TBW Books, 2020), and Men Untitled (TBW Books 2023). Drake’s forthcoming project I’ll Let You Be In My Dreams If You’ll Let Me Be In Yours (Mack 2024) is co-authored with her partner Andres Gonzalez. She is the recipient of a Guggenheim fellowship, the Henri Cartier Bresson Award, and a Fulbright fellowship, among other prizes. Drake is a member of Magnum Photos and lives in Vallejo, California.
In the Room Where it Happened : A Survey of Presidential Photographers
Griffin Museum of Photography | Winchester, MA
From January 12, 2024 to March 30, 2024
Shealah Craighead, Eric Draper, Michael Evans, Sharon Farmer, David Hume Kennerly, Yoichi Okamoto, Bob McNeely, Adam Schultz, Pete Souza and David Valdez, Joyce Boghosian Our understanding of the U.S. presidency is largely shaped by images. Photographs of political campaigns, international engagements, historic legislation, and national tragedy, accompany more intimate family scenes and humanizing portraits, each contributing to the global perception of the American presidency for generations to come. Featuring the work of the official White House photographers Shealah Craighead, Eric Draper, Michael Evans, Sharon Farmer, David Hume Kennerly, Bob McNeely, Yoichi Okamoto, Adam Schultz, Pete Souza, David Valdez and staff photographer Joyce Boghosian, this group has shaped our vision of the presidency for the last 6 decades. Presidential photography highlights the complex nature of creativity, documentation and portraiture. Each photographers’ perspective and stories provide context for framing important moments, giving viewers a deeper understanding of the challenges and rewards of documenting the presidency, offering a comprehensive and insightful visual narrative of the U.S. presidency through the lens of these dedicated and talented photographers. Image: © Eric Draper
Dorothea Lange: Seeing People
National Gallery of Art | Washington, DC
From November 05, 2023 to March 31, 2024
During her long, prolific, and groundbreaking career, the American photographer Dorothea Lange made some of the most iconic portraits of the 20th century. Dorothea Lange: Seeing People reframes Lange’s work through the lens of portraiture, highlighting her unique ability to discover and reveal the character and resilience of those she photographed. Featuring some 100 photographs, the exhibition addresses her innovative approaches to picturing people, emphasizing her work on social issues including economic disparity, migration, poverty, and racism. Image: Grandfather and grandson of Japanese ancestry at a War Relocation Authority center, Manzanar, California, July 1942 © Dorothea Lange
Insight/Incite 20/20 EXHIBITION
Bolinas Museum | Bolinas, CA
From February 03, 2024 to March 31, 2024
We are excited to have our INSIGHT/INCITE 20/20 portfolio works on view in the beautiful gallery at Bolinas Museum this coming February! Curated by PhotoAlliance Creative Director Linda Connor, This exhibition will speak to humanity’s challenges, hope, and resilience as we grapple with daunting political, cultural, environmental, and humanitarian issues. Embracing artists who push the envelope in their own practice of photography in various ways, INSIGHT/INCITE offers the common ground of image as a tool for reflecting, sharing and learning from a multitude of incisive visual perspectives based on diverse identities and backgrounds. We invite you to celebrate these artists—who have generously donated their work to this project in support of PhotoAlliance—and our 20 years of commitment serving an inclusive, close knit community of artists, collectors, professors and cultural workers, and art lovers.
Poetry and Pose: Screen Tests by Andy Warhol
Ki Smith Gallery Ki Smith Gallery | New York, NY
From February 24, 2024 to March 31, 2024
Poetry and Pose: Screen Tests by Andy Warhol is an exhibition of forty-one Screen Tests shot between 1964 and 1966 showcasing sixteen beautiful individuals including Binghamton Birdie, Lucinda Childs, Roderick Clayton, John Giorno, Beverly Grant, Jane Holzer, Kenneth King, Donyale Luna, and Edie Sedgwick. The exhibition will be at Ki Smith Gallery from February 24th to March 31st, 2024, and is curated by Greg Pierce, Director of Film & Video at The Andy Warhol Museum. Presenting every portrait from a sitter’s single session, Poetry and Pose offers a peek into Warhol’s creative process by allowing visitors to compare the different poses, exposures, lighting scenarios, and framing techniques the artist used to capture his subjects resulting in some of his favorite Screen Tests - “Girl Who Cries a Tear” - Ann Buchanan [ST33] - and “Boy That Never Blinked” - Peter Hujar [ST158] - along with others that did not quite make the cut - “Mouth Open No Good” - Jane Holzer [ST143]. The centerpiece of the exhibit will be a double screen projection of fourteen Screen Tests featuring the members of the Velvet Underground - John Cale, Sterling Morrison, Nico, Lou Reed, and Maureen Tucker. These portraits of the musicians were culled from the background reels “Velvet Underground” and “Gerard Begins” both of which were projected on or behind the band during the live multi-media events known as Andy Warhol, Up-Tight, and Exploding Plastic Inevitable.
The Lives of Others by Meg McKenzie Ryan
All About Photo Showroom | Los Angeles, CA
From March 01, 2024 to March 31, 2024
All About Photo is pleased to present 'The Lives of Others' by Meg McKenzie Ryan Part of the exclusive online showroom developed by All About Photo, this exhibition is on view for the month of March 2024 and includes twenty photographs from the series ‘The Lives of Others’ The Lives of Others Producing a round photograph can be a little troubling for some viewers. People are not used to that shape. Please let us explain how that shape happened. There are photographers who focus closely on the person or people they are shooting, such as Richard Avedon, a great photographer. Since he used a large format camera, and he made large prints, every detail is quite clear. He used a plain white background. Freckled faces, a spot on a shirt from a recent meal, wrinkles, etc. contribute to the fascination viewers can experience. However, Meg is trying for something different. Meg shoots an 8" x 10" format field camera. Instead of using a lens for an 8" x 10" camera, she uses a 4" x 5" lens. Since the small lens doesn't cover the entire sheet of film, and the lens is round, the resulting images are round and very wide angle. The reason for this choice is she wanted to try to understand the culture. She believes that people are at least partially influenced by their environment. Small things such as a roll of toilet paper sitting on a television in an otherwise perfectly neat living room says the bathroom is not under the same roof. Children crowd around a shoot watching the action, but they become part of the action. Mothers supervise the shoot which also makes them part of the action since they are at the edge of the photos. Meg chose to shoot in the poorer neighborhoods of Mexicali, Mexico, the capital city of the state of Baja California. With over a million residents, the possibilities were enormous. Residents hardships were visible. Meg lived a few miles north of the Mexicali border in the lower desert of California, USA. The summers there last roughly seven months, and daytime temperatures during several of those months are almost always over 115 degrees F. Nights get down to 90-plus degrees F. In addition, major earthquake faults run through the area, and roughly every ten years or so, a large earthquake hits causing some buildings to crack or even crumble. Meg would drive to a neighborhood in Mexicali, stop near some action going on, take her fully-open camera (bellows pulled out), and ask if it would be OK if she shot a picture. People never turned her down. Meg's Spanish was very limited, and this made it easy to let people choose who and/or what would be in the picture. Babies were a common choice. Dads hugging their sons. Friends smiling. A much-loved dog was a priority of one young boy. The photos edges are just as important as the central subject. This is where mothers would stand, arms crossed (sometimes sternly), supervising. Children not chosen by their parents to be in the photo are standing nearby watching. Major cracks in the stucco of some homes, or wood shoring up a patio or home, beds just inside the front door, are all interesting and contribute to the overall photo. The excessive heat in the summer was the hardest time of year for Mexicali residents. Some, not all, had swamp or evaporative coolers which helped a little, especially if it wasn't humid. The details make the photos rich with information and meaning. And they require a good long look to experience the full impact of them. Hopefully viewers will take a good long look.
American Glitch
Palo Gallery | New York, NY
From February 09, 2024 to April 06, 2024
Palo Gallery presents American Glitch, a new exhibition by artist duo Orejarena & Stein (b. 1994, Colombia and United Kingdom), and the photographers’ debut solo exhibition in New York City. Presenting a series of new and recent photographs, American Glitch examines the slip between fact and fiction and its manifestation in the physical landscape of the United States, the duo’s adopted home. Orejarena & Stein lead us to examine that amidst an overwhelming sea of unending information available in an instant, society is left asking what is real and what's fake. What can the world trust, and what is a ‘glitch’? To Orejarena & Stein, screen dominance, conspiracy theories, fake news, and the advent of the Metaverse call to question our reality and our potential existence in a ‘simulation,’ a term employed as a satirical collective protest against late-stage capitalism and an increased dependence on technology. To exist in an online community is to bear witness to the ‘simulation’, where images are posted as personal evidence of spotting a ‘glitch in our reality.’ A concept initially explored in films such as 'The Matrix’ and 'The Truman Show,’ a ‘glitch’ reflects a generation’s collective experience wherein the digital and physical worlds have merged; a world in which five senses seem inadequate against campaigns of conspiracy. The artists spent years treating the internet as our collective subconscious, collating posts on social media and Reddit threads of ‘evidence of glitches in real life’. These threads and images become a place for a new form of community and connection across time and space. Orejarena & Stein then photograph sites around the US which remind them or people on the internet of real-life glitches. Such locations include California City – the blueprint of a perfect town – replete with ‘paper roads,’ avenues, and cul-de-sacs, which were never completed; or a staged Iraqi village at Fort Irwin, the U.S. Army base in the Mojave Desert. By merging traditional and contemporary photographic techniques Orejarena & Stein transform tools perceived by others as artistic errors into intentional elements to prompt reflection on the intersection of technology, perception, and the human experience. The duo has conducted years of research on social media to discover that online spaces have fostered original forms of community which span time and space, where participation in a thought marketplace creates legitimate feelings of connection. Realizing this research in a comprehensive collection, American Glitch brings together photographs made with a large-format camera coalesced with images sourced from the internet of peoples’ evidence of ‘glitches in resal life’. Utilizing digital elements such as Adobe Photoshop and AI tools, the exhibition includes large-scale prints of Orejana & Stein’s photographs integrated with an installation of smaller-scale prints of the ‘glitch in real life archive’ to form a constellation between two modes of exploring photographic veracity. Thousands of photographs are created daily, and American Glitch examines the intersection of personal existence within this new collective. Amidst an inundation of digital images, Orejarena & Stein exist at the juncture where hope and truth are still alive.
Advertisement
AAP Magazine #39: Shadows
April 2024 Online Solo Exhibition
AAP Magazine #39: Shadows
Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes

Related Articles

Astrid Verhoef: Human/Nature
In collaboration with Atelier K84, Koster Fine Art Gallery presents a solo exhibition by Dutch Fine Art photographer Astrid Verhoef from 5 April until 11 May 2024. For the first time, the gallery will showcase a large overview of her award-winning series 'Human//Nature' with surrealist black-and-white photographs on locations in the Netherlands, Spain, and the USA. The exhibition takes place at Atelier K84, an inspiring art space in the heart of Amsterdam.
Between Modernism and Surrealism by Mona Kuhn
We are delighted to announce the new exhibition Between Modernism and Surrealism by Mona Kuhn at Edwynn Houk Gallery from 4 April to 11 May 2024, to coincide with AIPAD.
Sebastião Salgado: Outstanding Contribution to Photography
The World Photography Organisation is delighted to announce the acclaimed Brazilian photographer Sebastião Salgado as the Outstanding Contribution to Photography recipient of the Sony World Photography Awards 2024. One of the most accomplished and globally celebrated photographers working today, Sebastião Salgado has achieved international renown for his remarkable black-and-white compositions captured over a career spanning more than 50 years.
World Press Photo Exhibition Returns to London
The World Press Photo Exhibition returns to London after a seven-year hiatus. Taking place at Borough Yards, Dirty Lane, London, SE1 9AD between Friday 3rd May and Monday 27th May 2024.
National Geographic Unveils Trailer For Captivating New Series ’PHOTOGRAPHER’ by E.Chai Vasarhelyi and Jimmy Chin
PHOTOGRAPHER takes us on a journey with the world’s most extraordinary visual storytellers, pairing them with today’s leading documentary filmmakers for an exhilarating and dynamic international adventure. Each hour-long episode follows the story of an iconic photographer - Cristina Mittermeier and Paul Nicklen, Dan Winters, Campbell Addy, Krystle Wright, Muhammed Muheisen, and Anand Varma - while they work to make iconic images that stand the test of time. Through vérité footage of their current mission interwoven with interviews and archived footage, viewers will gain a deeper understanding of each photographer’s process, learn how they became an artist, and discover how they see and experience the world.
The Photographer’s Eye Gallery to Exhibit Work of Debra Achen, Diana Bloomfield
The Photographer's Eye Gallery in Escondido will host an exhibit by two exceptional artists, Debra Achen and Diana Bloomfield, award winners in the gallery's 2023 (S)Light of Hand Alternative Process Juried Exhibition.
Daniel Sackheim: Bright Lights, Big City
Television and film director and photographer Daniel Sackheim presents Bright Lights, Big City, his first solo exhibition with Iconic Images Gallery in London, alongside a showcase of work in Hiding in Plain Sight, an exhibition with Wienholt Projects and Iconic Images in Los Angeles during Frieze Week.
Projecting L.A. 2024 marks the return of the larger-than-life photography event documenting street life throughout Los Angeles
After its acclaimed debut two years ago, The L.A. Project returns with the next iteration of its one-of-a-kind public photography event, Projecting L.A. 2024, on April 27, 2024, in DTLA. Projecting LA 2024 features 32 renowned photographers documenting life in LA with notable guest photographers like: actor, musician and photographer Jeff Bridges, Pulitzer Prize Winner Ringo Chiu, and L.A.Times Pulitzer Prize Winner Christina House, to name a few.
Lights Up: Photographs by Gian Paolo Barbieri and Michel Haddi
From the 23rd of February to the 23rd of March 2024, 29 ARTS IN PROGRESS gallery is pleased to announce the exhibition entitled «LIGHTS UP» - Photographs by Gian Paolo Barbieri and Michel Haddi, at the new exhibition space "LA RAMPA” located in the exclusive and intimate art & design mall «Gallaria Sonne» in Silvaplana, in concomitance with Nomad St. Moritz.
Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes