Pure Street Photography (PSP), the globally renowned
street photography platform founded in 2020, is a female-led initiative co-founded by internationally acclaimed photographer
Dimpy Bhalotia and
creative partner
Kamal Kumaar Rao. PSP proudly announces the winners
and finalists of the Pure Street Photography Grant 2025.
This year, the Grant spotlighted remarkable photographic voices from
across the globe — with one Grand Winner receiving a $500 cash prize,
followed by 1st, 2nd, and 3rd place winners, and 26 exceptional finalists. All
30 awarded photographs will be exhibited at the upcoming PSP Exhibition,
bringing together global perspectives in a powerful visual dialogue that
transcends borders.
These photographs reflect the pulse and purity of street life — spanning
continents, cultures, and contexts. Each photograph captures more than
just a moment; it tells a story that is layered, spontaneous, and emotionally
resonant.
Dimpy Bhalotia, a globally recognised creative force, brings extraordinary
credibility and curatorial depth to the judging process. With experience
judging over 15 prestigious international photography awards — including
serving as President of the Photography Jury at the ADC 103rd Annual
Awards by The One Club for Creativity — her global perspective ensures a
level of integrity and vision that is truly unparalleled.
Quote from Dimpy Bhalotia:
“This grant is a celebration of the human spirit through photography. These
30 iconic photographers come from different corners of the world, yet their
stories echo the same truth: there’s extraordinary power in how we see the
ordinary.” — Dimpy Bhalotia
About Pure Street Photography
Pure Street Photography is dedicated to celebrating the pure and authentic
essence of street photography. With a growing global community of over
218,000 followers on Instagram and members from all around the world, it
has grown into one of the most respected platforms in the genre.
Today, Pure Street Photography empowers artists through international
grants, curated features, memberships, and exhibitions. It continues to set a
new global standard — offering visibility, credibility, opportunity, and
inclusive recognition to photographers at every stage of their journey.
www.purestreetphotography.com
@pure.street.photography
Grand Winner – Ayanava Sil (India)

Crown of Fire, Grand Winner, Pure Street Photography Grant 2025 © Ayanava Sil
This picture tells a story of childhood fun, celebration and the playful chaos
of Diwali. It's more than a photo, it's a flash of magic caught in time, where
light, joy and imagination come together in one unforgettable frame. The
boy's glowing crown of sparks gives him a superhero-like appearance.” - Ayanava Sil
1st Place - Parvathi Kumar (USA)

Of Olives & Ovals, 1st Place, Pure Street Photography Grant 2025 © Parvathi Kumar
“I had randomly wandered into the olive section of a bustling market in
Derb Sultan, Casablanca. I noticed a woman wearing an oval-patterned
head scarf echoing the shape of the olives she was purchasing! It was such
an unexpected encounter in finding this visual rhyme, with textures and a
touch of humor! There is also simple sub-framing of the woman on one
side, and the working hands of the vendor on the other.”— Parvathi Kumar
2nd Place - Amy Horowitz (USA)

Oh, Hello!, 2nd Place, Pure Street Photography Grant 2025© Amy Horowitz
''I was immediately struck with curiosity as I came upon a gigantic snake
slithering up a building’s exterior wall. Just showing the woman’s hands as
they clutched her purse, with the massive snake only inches away, was
enough to tell the story — without giving away the ending.”
— Amy Horowitz
3rd Place - Sebastian Piatek (Germany)

When We Are Innocent, 3rd Place, Pure Street Photography Grant 2025 © Sebastian Piatek
“This photograph was taken in Cilincing, North Jakarta, Indonesia. Some of
the subjects were far away and some very close — that created a good
sense of depth, which I thought worked well visually. Even though it wasn’t
planned, the photo captures a quiet moment that feels real and unfiltered.
It’s one of my favourite photographs from Indonesia.”— Sebastian Piatek