Through Motion and Repose: Expanding the Walls 2026

Through Motion and Repose: Expanding the Walls 2026
Jul 1, 2026 – Jan 31, 2027

United States United States — Art Museum
144 W 125th Street
New York, NY 10027

Through Motion and Repose: Expanding the Walls 2026 at the Studio Museum in Harlem brings the work of seventeen teen photographers into a single exhibition that moves between the pace of the city and the stillness of home. On view from July 1, 2026 through January 31, 2027, the show grows out of the museum’s long-running Expanding the Walls program, which links photography, history and community through youth participation.

The photographs reflect everyday life in New York with unusual closeness. Some frames catch the blur of streets, subways and buildings, where motion becomes part of the image itself. Others turn inward, focusing on rooms, objects and family members with a level of attention that gives ordinary details real weight. Taken together, the works show how young photographers read their surroundings: not as a backdrop, but as a field of shifting relationships, pressure and care.

The exhibition’s title captures that tension neatly. Motion and repose are not treated as opposites so much as conditions that shape urban life. The artists, among them Agnes Baidoo, Angel Torres, Christopher Soriano, Fairooz Ahamed, Isabella Amankwa-Jones, Ismael Parache Henry, Janelly Rosendo, Jony Pineda Feliz, Jordyn Vargas, Keyaris Canty, Lalah Harper, Nathaly Lopez Alvarez, Nyasia Massey, Rijika Chowdhury, Stephanie Muñoz, Valentina Megraw and Yoselyn Lucero, work with proximity, blur and soft focus to trace what it feels like to grow up in a city that never settles.

An online exhibition extends the project with additional photographs and artist information, widening access beyond the gallery walls. That digital component fits the spirit of a program that has long treated photography as both artistic practice and public learning. Organized by curatorial fellows Cam McEwen, Taylor Ndiaye and Maria Wilson with the participants, the exhibition also reflects the museum’s broader commitment to mentorship and education.

What emerges is a clear and grounded picture of youth seeing itself. The photographs are attentive without being sentimental, and observant without overstatement. They register the city as lived experience.

Image: Christopher Soriano, Suits at the Corner, 2026. Digital chromogenic print, 16 × 20 in. Courtesy the artist


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