How do we live through and narrate moments of revolution and revolt, and how do we understand these experiences across time and distance? Using imaging technologies to meditate on what it means to witness from afar, Suneil Sanzgiri explores the complexities of anti-colonialism, nationalism, and diasporic identity. His work is inspired by his family’s legacy of resistance in Goa, India, an area under Portuguese occupation for over 450 years until its independence in 1961. Two Refusals (Would We Recognize Ourselves Unbroken?), the artist’s newest two-channel video installation, combines archival footage, animation, interviews, and a script written by poet Sham-e-Ali Nayeem. The film tells the stories of the mutual struggle in India and Africa against Portuguese colonialism, highlighting the solidarity that developed between the two continents during the 1960s and 1970s.
Here the Earth Grows Gold, Sanzgiri’s first solo museum exhibition, pairs the film with a 16 mm projection and new sculptural work. Modeled on bamboo structures seen across South Asia, the assemblage features family photos, 3D renderings, anti-colonial publications, and images of water and red clay soil from Goa that are drawn from his research. Together these works present the concept of diaspora as a way to reconfigure our understanding of history and belonging.
Image: Still from My Memory Is Again in the Way of Your History (After Agha Shahid Ali), 2023 © Suneil Sanzgiri
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