Jay Maisel's New York

Jay Maisel’s New York
Category: Photographer Monographs & Art Books
Reviews: star star star star star
Author: Jay Maisel
Publisher: Firefly Books
Publication Date: 2000
Print Length: 192 pages
Language: English
Price: paid paid paid

A master photographer's love affair with his home city.

New York has been the subject for countless photographs. But few have had a feel for the city that Jay Maisel has.

Jay has been photographing New York since the '50s. His home is located far downtown, but he has shot every part of the city -- from street level, looking down from rooftops and bridges. His aerial shots are moody, poetic, amazing by turns.

This book is filled with spectacular sights -- marathon runners on bridges, sunlight and moonlight reflecting off mirror walls onto the river, the awesome mass of skyscrapers bunched against blue skies. It's also about New York's people. It has the most surprising faces and details you'll see in any book about cities, gleaned from a lifetime of being on the scene.

expand_circle_rightGet the Book: Jay Maisel's New York

Selected Books by This Photographer

It’s Not About the F-Stop

It's Not About the F-Stop

2015 - New Riders

Jay Maisel

 
Jay Maisel: Light, Gesture, and Color

Jay Maisel: Light, Gesture, and Color

2014 - New Riders

Jay Maisel

 
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Jul 2026 — Steidl

Photographer Monographs and Art Books: Dayanita Singh: Forget Me Knot

Dayanita Singh: Forget Me Knot continues Dayanita Singh’s long-standing exploration of archives, memory, and the physical life of photographs. Known for transforming the photobook into an object that can be handled, rearranged, and experienced like a portable exhibition, Singh approaches the archive not simply as a repository of information, but as a poetic structure shaped by absence, repetition, and time. In this new volume, she turns her attention to the cloth-bound bundles that fill India’s

Lynn Adler: And So We Moved to Petaca

Jun 2026 — UNM Press
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Photographer Monographs and Art Books: Lynn Adler: And So We Moved to Petaca

Lynn Adler: And So We Moved to Petaca documents a rare intersection of cultures in the early 1970s, when several counterculture families from San Francisco and New York City moved to Petaca, a small village in Northern New Mexico, to adopt a traditional Nuevomexicano way of life. The village, home to about fifty very traditional Hispano families with roots in the area stretching back over a century, had no schools, no hospital, no stoplights—only one church, one bar, one dry-goods store, and a s

Steve Schapiro: Jazz

Jun 2026 — ACC Art Books

Photographer Monographs and Art Books: Steve Schapiro: Jazz

Steve Schapiro: Jazz brings to light a largely unseen archive of 1960s jazz photography taken just before Steve Schapiro’s breakthrough as one of the decade’s leading social documentary photographers. The book, titled Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions, gathers rare images from the Apollo Theatre, the Village Vanguard, and Riverside Records sessions, capturing the genre’s top figures during a golden period in New York. Schapiro, a Bronx native who began freelan

Frank Gohlke: Measure of Emptiness

Jun 2026 — Steidl

Photographer Monographs and Art Books: Frank Gohlke: Measure of Emptiness

Frank Gohlke: Measure of Emptiness returns to print as a quietly powerful meditation on the American landscape and the structures that define it. First published in 1992, the book gathers photographs made by Frank Gohlke between 1972 and 1977 across the vast expanse of the Great Plains. Moving from Minnesota to the Texas Panhandle, Gohlke focused on one recurring form: the grain elevator. These towering industrial buildings, stark and monumental against open skies, become the visual and symbolic

Bruce Davidson: Circus

Jun 2026 — Steidl
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Photographer Monographs and Art Books: Bruce Davidson: Circus

Bruce Davidson: Circus revisits one of the most compelling early chapters in the career of Bruce Davidson, offering a vivid journey into the world beneath the big top. Known for his deeply human approach to documentary photography and his long association with Magnum Photos, Davidson turns his lens here toward the circus, capturing not only spectacle but also the fragile, often overlooked lives that sustain it. Spanning work made between 1958 and 1967, the book gathers images that move between p
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