Sylvia Plachy is one of the most prolific and influential photographers of the late 20th century. After fleeing the
Hungarian Revolution as a child, hidden in a horse cart, Sylvia arrived in New York City and studied at Pratt Institute,
graduating in 1965. Joining the Village Voice staff under New Journalism proponent Clay Felker in 1974, Sylvia went
on to document four decades of cultural happenings, homicides, artists, riots, writers, circus animals, and street scenes.
Her photographs capture a time when New York City was both a center of world culture and art and a deeply
fractured, churning cauldron of politics, race, class, corruption and money.
Occasional forays to Eastern Europe, the first Gulf War and South America punctuated Sylvia’s thousands of New York
City assignments, primarily for the Voice, and also occasionally for Metropolis and other publications.
Armed with considerable charm and five cameras, including a battered Leica (for news or street work), a Hasselblad
(usually for portraits) and a panoramic Widelux (often for parades and landscapes), Sylvia broke nearly every rule of
composition, many rules of lighting and a few rules of decorum as she pushed or cajoled her way past police lines, into
boxing gyms, high society galas and everything in between.

Grandpa and Grandma, 1979 © Sylvia Plachy
Decades before 95 million photos per day would be posted on Instagram, more than a few New Yorkers waited by the Astor Place newsstand on Tuesday evenings for the first copies of Wednesday’s Voice, eager to see what off-kilter slice of last week’s life Sylvia had frozen forever on Tri-X. The author of six books of photos including Unguided Tour and Red Light, Sylvia lives in Queens and is married to retired social studies teacher Elliot Brody. They are parents of award-winning actor Adrien Brody who, as a child, frequently accompanied Sylvia on her assignments.
– Mike Kamber / Bronx Documentary Center

A corner in the Bronx 1988, 1979 © Sylvia Plachy


