All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
  1. Home
  2. All Photographers
  3. Rising Photographers
  4. Iulian Ignat
Iulian Ignat
Iulian Ignat
Iulian Ignat

Iulian Ignat

Country: Romania
Birth: 1972

I am not a professional photographer, but photography is much more than just a hobby. I`m Romanian, born in July 1972 in Bucharest. I began to take photography seriously in my twenties encouraged by my father. As a editor for a magazine, I traveled a lot in the countryside so the photos from my first exhibition, in 2000, were mainly portraits of peasants and gypsies. My next exhibitions were about dance, theater, jazz festivals, Venice Carnival, or life in a monastery. I`m still using analog cameras and film, just because I find no joy in taking pictures on digital. I am fascinate about photography, and attracted of classical street photography as well as abstract or news ways of approaching a portrait.
You are welcome to take a look on my website and my blog.

Websites

www.iulianignat.ro

Blog

 

Inspiring Portfolios

Klavdij Sluban
© Klavdij Sluban
Vincenzo Barone
© Vincenzo Barone
Michael Ackerman
© Michael Ackerman
Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes
© Mireia Vilaplana
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Benjamin Dimmitt
Benjamin Dimmitt
United States
Benjamin Dimmitt photographs wetlands and forests using film and a medium format camera. He uses his camera to investigate interdependence, competition, survival and mortality in the natural world. Benjamin was born and raised on the Gulf Coast of Florida. He graduated from Eckerd College in St. Petersburg, FL and also studied at the International Center of Photography in NYC, NY, Santa Fe Photographic Workshop in Santa Fe, NM, Santa Reparata Graphic Arts Centre in Florence, Italy and City and Guild Arts School in London, England. He moved to New York City after college and held an adjunct professor position at the International Center of Photography from 2001-2013. He now lives and works in Asheville, NC and teaches workshops throughout the Southeast. Benjamin's photographs have been exhibited at Museum of Fine Arts, Houston, TX, School of International Center of Photography, NYC, NY, American Academy of Arts & Letters, NYC, NY, Ogden Museum of Southern Art, New Orleans, LA, Griffin Museum, Boston, MA, Florida Museum of Photographic Arts, Tampa, FL, Center for Fine Art Photography, Ft. Collins, CO and Midtown Y Photography Gallery, NYC, NY. In November, 2019, his work will be included in a three person climate change exhibit at Southeast Museum of Photography in Daytona Beach, FL. His work is represented by Clayton Galleries in Tampa, FL and is in the collection of the Museum of Fine Arts, Houston, the American Academy of Arts and Letters, the Florida Museum of Photographic Arts and Eckerd College among many others. Ain't Bad, Architectural Digest, Black & White, Don't Take Pictures, Lenscratch, Oxford American, Orion, Photo District News, The New Yorker Photo Booth and others have featured Benjamin's photographs. He was a finalist in Photolucida's Critical Mass Award in 2014, 2017 and 2018 and in New Orleans Photo Alliance's Clarence John Laughlin Award in 2014 and 2015. An Unflinching Look The Chassahowitzka National Wildlife Refuge is a very fragile, spring-fed estuary on Florida's Gulf Coast, north of Tampa. I was overwhelmed by its lush, primeval beauty on my first visit over 30 years ago and have photographed there extensively since 2004. The dense palm hammocks and hardwood forests were festooned with ferns and orchids and the fresh water creeks were a clear azure. There are other similar estuaries nearby but the Chassahowitzka River and the surrounding wetlands are protected as part of the federal National Wildlife Refuge system and the river itself is designated as an Outstanding Florida Water. Unfortunately, saltwater began creeping up into the spring creeks around 2011. Rising sea levels due to climate change are the primary cause. However, the saltwater intrusion was accelerated when the state water commissioners, appointed by climate change denier and former governor Rick Scott, determined that the wetlands could survive with less fresh water. This new minimum flow policy would allow the state to increase the pumping of fresh water for large-scale inland developments and agricultural interests. The drawdown of fresh water for these lobbyists has taken fresh water away from the aquifer that feeds Chassahowitzka's springs and many others nearby. As the fresh water flow in the estuaries decreased, saltwater advanced upstream and took its place. What had been verdant, semi-tropical forest is now mostly an open plain of grasses relieved by palms and dying hardwood trees. Sabal palms are the most salt tolerant trees in this ecosystem and are the last to expire. This is a widespread phenomenon, occurring all along the Big Bend section of the Gulf coast of Florida. In 2014, I began to photograph in the salt-damaged sawgrass savannas and spring creeks there as a way of reckoning with the ecosystem loss and of understanding what has become of my native Florida. I have narrowed my focus to a small, remote area that I know and love. My intention in bearing witness to this loss has been to portray the ruined landscape with respect, nuance and beauty. To document the progress of the saltwater intrusion, I have re-photographed landscapes that I first photographed as much as 30 years ago. This ruin is the fate of estuaries around the world as sea levels rise. With increasingly fierce storms and extensive flooding along coastal areas, we are reminded that climate change is a certainty and a priority.
Robert Moran
Robert Moran
United States
"I am a freelance photographer living in a small town on the coast of Maine. My interest in photography began at the age of twelve when my parents bought me a Super 8 movie camera for Christmas. A few years later I bought my first 35mm camera. After studying art at the University of Maine, I started and ran several businesses over the course of twenty years. During that period I found the time to study photography and to pursue personal projects that resulted in several bodies of work. Although I'm not a travel photographer, many of these undertakings took me to Africa, Asia, Greenland, and the South Pacific. My photographs are in private collections in the USA, Great Britain, Australia, and Central America, and my work has been shown in galleries and museums across the US and abroad. My images and portfolios have been published in The Photo Review, Shots Magazine, B&W and Color Magazine, and on Aline Smithson's blog Lenscratch." -- Robert Moran
Anna Grevenitis
Anna Grevenitis
France / United States
1974
French-born visual artist Anna Grevenitis found photography in a meandering way: her formative years were filled with the study and teaching of the English language and literature, but when her daughter was born--and a year later her son--her world naturally morphed into full-time mothering. Drawing on the experiences of the domestic to inform her daily practice, she uses her home as a stage and her body and the body of others in her familial sphere as characters to deliver, in her photographs, the essence of what she wants to express about family and the self. For her work, the act of performing is an essential step in image making. Nowadays she divides her time between research and creation, and she is interested in building long term projects in photography as an act of establishing visual memory and engaging in social visibility. Her photographs have been exhibited both in the United States and internationally. Statement REGARD /ʁə.ɡaʁ/ verb 1. To consider or think of (someone or something) in a specified way. When my daughter was born, I was told that she had the “physical markers” for Down syndrome. A few days later, the diagnosis of Trisomy 21 was confirmed with a simple blood test. Today, years later, Luigia is a lively teenager, yet these “markers” have grown with her, and her disability remains visible to the outside world. As we try to go about our ordinary lives in our community--getting ice cream after school, going grocery shopping or walking to the local library--I often catch people staring, gawking, or side-glancing at her, at us. Even though their gaze feels invasive, I perceive it as more questioning than judging, at least most of the time. With this on-going series REGARD, I am opening a window into our reality. To emphasize control over my message, these everyday scenes are meticulously set, lit up; they are staged and posed. The performers are my daughter and me. The double self-portraits are purposefully developed in black and white, for by refusing the decorative and emotionally evocative element of color, I aim to maintain a distance between us and them. The composition of the photographs expresses routine, domestic acts in which I address the viewers directly: look at us bathing; look at us grooming; here we are at bedtime; this is us on a random day at the beach. In each scene, the viewers are plunged into the outside perspective. At first glance, it may seem that I am offering us as vulnerable prey to their judgment, yet in fact I am guarding our lives, and the viewers are caught gawking--my direct gaze at the camera. My series is very basic in its concept: it shows a child, it shows a mother, it shows them living at home, performing familial acts. Because I believe in the connective power offered by the depiction of domesticity, I hope that REGARD helps the audience rethink some of their assumptions about people living with disabilities and with this, I hope my series finds a humble spot within the movement that helps people with disabilities gain visibility.
Paolo Roversi
Paolo Roversi
Italy
1947
Paolo Roversi is an Italian-born fashion photographer based in Paris. His work is distinguished by soft, monochromatic images of women, with bodies veiled in shadow and captured with careful care to emphasize stunning facial features. Photography goes beyond the limits of reality and illusion. It brushes up against another life, another dimension, revealing not only what is there but what is not there. -- Paolo Roversi Paolo Roversi, who was born in Ravenna in 1947, became interested in photography as a teenager during a family vacation in Spain in 1964. Back at home, he established a darkroom in a convenient cellar with another keen amateur, local postman Battista Minguzzi, and began developing and printing his own black-and-white work. The meeting with a local professional photographer, Nevio Natali, was crucial: in Nevio's studio, Roversi spent many hours completing an important apprenticeship as well as a close and lasting friendship. In 1970, he began working with the Associated Press, and his first assignment was to cover Ezra Pound's burial in Venice. During the same year, Paolo Roversi founded his first portrait studio in Ravenna, capturing local celebrities and their families. In 1971, he met Peter Knapp, the legendary Art Director of Elle magazine, by chance in Ravenna. Paolo visited Paris in November 1973 at Knapp's invitation and has never returned. Paolo began working as a reporter for the Huppert Agency in Paris, but through his friends, he gradually began to explore fashion photography. But the photographers who piqued his interest at the time were reporters. Paolo Roversi knew nothing about fashion or fashion photography at the moment. Later, he discovered the work of Richard Avedon, Irving Penn, Helmut Newton, Guy Bourdin, and many others. In 1974, the British photographer Lawrence Sackmann hired Paolo as an assistant. Paolo endured Sackmann for nine months: "Sackmann was very difficult. Most assistants only lasted a week before running away. But he taught me everything I needed to know in order to become a professional photographer. Sackmann taught me creativity. He was always trying new things even if he did always use the same camera and flash set-up. He was almost military-like in his approach to preparation for a shoot. But he always used to say ‘your tripod and your camera must be well-fixed but your eyes and mind should be free’." Then he went freelance, doing small jobs for magazines like Elle and Depeche Mode until Marie Claire published his first major fashion story. When I take a picture using window light, I always think about what a long trip the light is making to reach my subject. -- Paolo Roversi Roversi's portfolio now includes celebrity and fashion photography. He has been a consistent contributor to American Vogue, and Vogue Italia, W, Vanity Fair, Interview and i-D. He has also photographed advertising campaigns for Yohji Yamamoto, Comme des Garçons, Dior, Cerruti, GIADA, Yves Saint Laurent, Valentino and Alberta Ferreti. Continuing to be a major force in contemporary fashion, Paolo Roversi is notable for his use of 8x10 Polaroid film, which is no longer produced. His work has been the subject of solo exhibitions worldwide, including at Pace MacGill Gallery in New York, James Gallery in Moscow, and Comme des Garçons in Tokyo, Rencontres d'Arles festival, France (2008), among others.
Animesh Ray
Animesh Ray
India/United States
1954
Animesh Ray was born in a small suburban town in West Bengal, India. He grew up by the banks of the river Hooghly, watching mud skinks slither and river dolphins whoosh. He got into street photography when 14 years old, back in the late 1960s, using a 1950's Agfa Isolette. While most of his earlier street photos are in black and white, lately he dabbles in color. Animesh loves to travel and take photographs of life as it presents itself. His beliefs are most compatible with those of the humanist ideals. In his other life, Animesh is a professor and a researcher in genetics and molecular biology in a US university. He has also published short stories and works of poetry, and is working on a novel. Creo ergo existo! (I create therefore I exist)
Chiara Felmini
Chiara Felmini
Italy
Born in Turin in 1965, I have been a photographer since the age of 8, when I received my first camera as a gift (which I still own); since then I have never stopped looking at the world from behind a lens with an ever growing interest in travel and the environment. Animals have been part of my life, professionally and otherwise, for over 30 years and photographing them has been an absolutely natural path. Only later did my love for travel lead me to discover a passion for documentary and reportage photography. Photographer to tell stories, for an aesthetic and emotional research; the constant search for light, for color, for the moment, but above all for the interaction with the people I meet, gives me a great boost to sharing and understanding human nature and it is an activity that is now indispensable for me.
Jonathan Jasberg
Jonathan Jasberg
United States
1977
I'm a full-time vagabond, traveling to visit and photograph locations that interest me from a cultural perspective. This has lead me to over 60 countries in the past 11 years, with my main focus on an in-depth exploration of Japan where I have made roughly 20 long visits to learn the culture and the language to a high level of proficiency. After spending the first 6 months of the coronavirus pandemic in Japan, I was forced to leave due to my visa running out, and on a whim I returned to Cairo, Egypt, a City I had briefly visited in 2018. Egypt and Japan are vastly different, but I find the same fascination with both locations and decided to start my 2nd long term project in Cairo, where I have now made 3 more lengthy visits in the last 2 years since I last left Japan. Cairo: A Beautiful Thing Is Never Perfect The project borrows its title from an ancient Egyptian proverb, and came about from a chance encounter with an older Egyptian man who stopped me and asked why I was photographing. At the time, I was overwhelmed by the scene in front of me and motioned to it stating 'just look at it, it's beautiful'. The older man looked, looked back at me and shook his head stating 'beautiful? it's an old mess' and he walked on. The project focuses on showing candid beautiful moments of daily life of a complex city that most tourists quickly skip over after a brief visit to the pyramids and museum, moments and scenes that are also easily overlooked by locals who have grown too familiar with their surroundings.
Anita Conti
Anita Conti
France
1899 | † 1997
Anita Caracotchian was born in Ermont in Seine-et-Oise to a wealthy Armenian family. She spent her childhood being educated at home by different tutors and travelling with her family, gradually developing a passion for books and the sea. After moving to Paris, she concentrated on writing poems and the art of book binding. Her work got the attention of celebrities and she won different awards and prizes for her creativity in London, Paris, New York and Brussels. In 1927, she married a diplomat, Marcel Conti, and started traveling around the world, exploring the seas, documenting and reporting what she saw and experimented. Spending time on the fishing boats for days and even months on certain occasions gave her a deeper understanding of the problematic faced by the fishermen. In between the two world war, she developed the technique of fishing maps apart from the already used navigational charts. For two years, from one vessel to another, she observed the French fishermen along the coast and Saharan Africa discovering fish species unknown in France. She published many scientific reports on the negative effects of industrial fishing and the different problems related to fishing practices. From 1943 and approximately for 10 years, she studied in the Mauritian islands, Senegal, Guinea and Ivory Coast, the nature of the seabed, different fish species and their nutritional values in regards of protein deficiency for the local populations. Gradually, she developed better preservation techniques, fishing methods and installed artificial dens for further studies. She even founded an experimental fishery for sharks. She became more and more conscientious of the misuse of natural resources by the fishing industry and the major waste that could be prevented. In 1971 she published L’Ocean, Les Betes et L’Homme, to denounce the disaster that men create and its effects on the oceans. Through many conferences and forums and for the rest of her life, she advocated for the betterment of the marine world. She died on 25 December 1997 in Douarnenez.Source: Wikipedia Born in 1899, Anita Conti was recruited in 1935 by French Fisheries Authorities to conduct scientific experiments at sea and to assess fish resources. In 1941 she embarked on a trawler bound for Western Africa and spent the next ten years exploring the mangrove swamps between Senegal and the Ivory Coast, observing and assessing the techniques of traditional fishermen, meeting with local elders, establishing new fisheries... The hair-raising account of her attempts at catching the "Giants of the warm seas", such as sawfish and sharks, bears witness to her intrepid nature. Yet one can also feel her strong desire to contribute to a worthwhile cause. Exploring the swamps is not seen as an unilateral exploitation of African resources by Europeans : it is a genuine attempt at sharing knowledge. Source: aflit.arts.uwa.edu.au Born just before the 20th century started, Anita Conti represents a piece from the past. During her teenage years, she developed a passion for books and sea and started photography in 1914. Indeed, for almost a hundred years, she has been gathering more than 40,000 photographies. Anita was what we can call today an engaged pioneer. Recruited by French Fisheries Authorities to conduct scientific experiments at sea and to assess fish resources, she was the first french female oceanographer. In 1939, she's been the first woman to embark in the service of the National French Navy, and, thus, became the first woman to work on a military ship in wartime. In charge of developing a new technique for fishing maps, she embarked on a trawler bound for western Africa in 1941. During 10 years, she explored the West African coasts, from the Mauritian islands to Senegal and from Guinea to Ivory Coast. She insured a resupply program for the population and the French army. Her goal was to save population from hunger and find nutritional solutions in regards of their protein deficiency. During a decade, she travelled the world, explored the seas, documented and scientifically reported the negative effects of industrial fishing. "To be able to exploit the sea, you must enter into the sea" she used to say. Her African experience helped her to denounce the impacts of plundering the oceans and the major waste of marine resources. "Seas are under threat" she claimed. She tried to find fishing methods like fish farming to avoid overfishing.Source: Panthalassa
Larry Fink
Larry Fink
United States
1941 | † 2023
Larry Fink is an American photographer best known for his black-and-white images of people at parties and in other social situations. Fink was born in 1941 in Brooklyn, New York. His father, Bernard Fink, was a lawyer, and his mother, Sylvia Caplan Fink, was an anti-nuclear weapon activist and an elder rights activist for the Gray Panthers. His younger sister was noted lawyer Elizabeth Fink (1945–2015). He grew up in a politically conscious household and has described himself as "a Marxist from Long Island." He studied at the New School for Social Research in New York City, where photographer Lisette Model was one of his teachers and encouraged his work. He has been on the faculty of Bard College since 1986. Earlier he taught at other institutions including the Yale University School of Art (1977–1978), Cooper Union School of Art and Architecture (1978–1983), Parsons School of Design, and New York University. Fink's best-known work is Social Graces, a series of photographs he produced in the 1970s that depicted and contrasted wealthy Manhattanites at fashionable clubs and social events alongside working-class people from rural Pennsylvania participating in events such as high school graduations. Social Graces was the subject of a solo exhibition at the Museum of Modern Art in 1979 and was published in book form in 1984. A New York Times reviewer described the series as exploring social class by comparing "two radically divergent worlds", while accomplishing "one of the things that straight photography does best: provid[ing] excruciatingly intimate glimpses of real people and their all-too-fallibly-human lives." In 2001, for an assignment from The New York Times Magazine, Larry Fink created a series of satirical color images of President George W. Bush and his cabinet (portrayed by stand-ins) in scenes of decadent revelry modeled on paintings by Weimar-era painters Max Beckmann, Otto Dix and George Grosz. The planned publication of the series was canceled after the September 11 attacks, but was displayed in the summer of 2004 at the PowerHouse Gallery in New York, in a show titled The Forbidden Pictures: A Political Tableau. Larry Fink was the recipient of Guggenheim Fellowships in 1976 and 1979 and National Endowment for the Arts Individual Photography Fellowships in 1978 and 1986. In 2002 he received an honorary doctorate from the College for Creative Studies in Detroit.Source: Wikipedia Working as a professional photographer for over fifty-five years, Larry Fink has had one-man shows at New York’s Museum of Modern Art, and the Whitney Museum of American Art amongst others. On the European continent, he has had one-man shows at the Musee de l’Elysee in Lausanne, Switzerland, the Musee de la Photographie in Charleroi, Belgium, and in 2019 a retrospective at Fotografia Europea in Italy. He was awarded the “Best of Show” for an exhibition curated by Christian Caujolle at the Arles Festival of Photography in France. In recent years retrospective shows have been shown at the Museo de Arte Contemporaneo in Panama City as well as six different museums in Spain. This past year in 2018, Larry had a solo show featuring The Boxing Photographs at The Philadelphia Museum of Art, and at the deCordova Sculpture Park and Museum with the show Primal Empathy. Larry was the recipient of the Lucie Award for Documentary Photography in 2017, and in 2015, he received the International Center of Photography (ICP) Infinity Award for Lifetime Fine Art Photography. He has also been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He has been teaching for over fifty-two years, with professorial positions held at Yale University, Cooper Union, and lastly at Bard College, where he is an honored professor emeritus. Larry’s first monograph, the seminal Social Graces (Aperture, 1984) left a lasting impression in the photographic community. There have been twelve other monographs with the subject matter crossing the class barrier in unexpected ways. Two of his most recently published books were on several “Best Of” lists of the year: The Beats published by Artiere /powerhouse and Larry Fink on Composition and Improvisation published by Aperture. As an editorial photographer, The New Yorker and Vanity Fair have been amongst a long list of accounts. He is currently collaborating with fashion house Jil Sander based in Milan, Italy. In the summer of 2017, Larry’s work from The Beats and The Vanities was on display at Giorgio Armani’s beautiful Armani/Silos exhibition space in Milan, Italy. This exhibition was the first of its kind for the space. Additionally, the Newport Museum of Art in Rhode Island exhibited pictures from his monograph Somewhere There’s Music. Fink On Warhol: New York Photographs of the 1960s, Larry’s latest monograph was released Spring 2017 featuring rare photographs of Andy Warhol and his friends at the Factory interspersed with street scenes and the political atmosphere of 1960s New York. Also released in 2017 was The Polarities chronicling five years of recent work, and The Outpour containing images taken at and around the Women’s March on Washington, D.C. Source: www.larryfinkphotography.com
Advertisement
AAP Magazine #39: Shadows
April 2024 Online Solo Exhibition
AAP Magazine #39: Shadows

Latest Interviews

Barbara Cole and Wet Collodion Photographs
Interview
Photographer
Barbara Cole and Wet Collodion Photographs
Cole is best known for her underwater photography, but her other studio practice during the cold months in Toronto is an ongoing series of wet collodion photographs. This heavily analog process from the 19th Century is a years-long endeavor of revitalization and experimentation, offering modern day viewers an understanding of what it took to develop photographs in the early days of its invention. Cole has added her own unique take on the process by adding a layer of color in contrast to the usual sepia tones associated with the genre. The resulting wet plate photographs are tactile and dimensional dances between light and shadow, past and present, depicting women in timeless dreamscapes. We asked her a few questions about this specific project
Read More
Exclusive Interview with Michael Joseph
Interview
Publication
Exclusive Interview with Michael Joseph
I discovered Michael Joseph's work in 2016, thanks to Ann Jastrab. I was immediately captivated by the power of his beautiful black and white photographs from his series 'Lost and Found.' His haunting portraits of young Travelers have stayed with me ever since.
Read More
Exclusive Interview with Debe Arlook
Interview
Exclusive Interview with Debe Arlook
Debe Arlook is an award-winning American artist working in photography. Through color and diverse photographic processes, Arlook’s conceptual work is a response to her surroundings and the larger environment, as she attempts to understand the inner and outer worlds of human relationships. Degrees in filmmaking and psychology inform these views.
Read More
Orchestrating Light: Seth Dickerman Talks About his Passion for Photographic Printmaking
Interview
Tips
Orchestrating Light: Seth Dickerman Talks About his Passion for Photographic Printmaking
Seth Dickerman is a master manipulator of the wide spectrum of light densities that reflect off the surface of a photographic print and enter into our field of vision. His singular intent in making prints is to bring out the best an image has to offer, which means giving an image the ability to hold our attention, to engage us, and to allow us to discover something about an image that is meaningful and significant.
Read More
Exclusive Interview with Michel Haddi
Interview
Exclusive Interview with Michel Haddi
Photographer and film director, Michel Haddi has photographed many high-profile celebrities while living in the USA including, Clint Eastwood, Martin Scorsese, David Bowie, Uma Thurman, Francis Ford Coppola, Cameron Diaz, Faye Dunaway, Nicholas Cage, Johnny Depp, Heath Ledger, Angelina Jolie, Janet Jackson, Jennifer Lopez, and many others. He also manages a publishing house, MHS publishing, which publishes his own books. Currently based in London we have asked him a few questions about his life and work
Read More
Exclusive Interview with Sebastien Sardi
Interview
Exclusive Interview with Sebastien Sardi
In 2008, Swedish photographer Sebastian Sardi, inspired by an article exposing hidden mining-related incidents, embarked on a photography journey. Without formal training, he explored mines and ventured to India's Jharkhand state to document coal miners in Dhanbad, known as the "coal capital." His project, "Black Diamond," captured the lives of people, including men, women, and children, dedicated to coal extraction in grueling conditions.
Read More
Exclusive Interview with Debra Achen
Interview
Exclusive Interview with Debra Achen
Monterey-based photographer Debra Achen was born and raised near Pittsburgh, PA, where she developed a passion for both nature and art. She studied a variety of studio arts, including drawing, painting, and printmaking in addition to her training in traditional film and darkroom photography. Her project 'Folding and Mending' won the September 2022 Solo Exhibition. We asked here a few questions about her life and work.
Read More
Exclusive Interview with Steve Hoffman
Interview
Exclusive Interview with Steve Hoffman
Steve Hoffman is a documentary photographer who has who spent the last dozen years working with and photographing the people that live the housing projects in Coney Island. He was the winner of the July and August 2022 Solo Exhibition. We asked him a few questions about his life and work.
Read More
Exclusive Interview with Aya Okawa
Interview
Exclusive Interview with Aya Okawa
Aya is passionate about exploring the natural world and protecting ecosystems and wild landsAll about Photo: Tell us about your first introduction to photography. What drew you into this world? Her project The Systems That Shape Us'won the February 2022 Solo Exhibition. We asked her a few questions about her life and her work.
Read More
Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes
© Michel Kharoubi
Explore All About Photo
All About Photo
About Us
Contact Us
Link Back
Press
Blog
Newsletter
Terms of Use
Privacy Policy
Competitions
All About Photo Competitions
Our Jurors
All Photo Contests
Open Photo Contests
Amateur Photo Contests
Professional Photo Contests
Portfolio Reviews
Photo Competition News
Artists
Photographers A-Z
Masters of Photography
Modern Photographers
Rising Photographers
Articles
Interviews
Inspirational
Photography Exhibitions
Photography Festivals
Photo Fairs
Photo Museums
Galleries & Centers
Photographer Monographs
Technique Books
History of Photography
Miscellaneous
Paper Magazines
Online Magazines
Resources
Schools and Classes
Photography Agencies
Equipment Rentals
Studio Rentals
Photo Labs
Camera Repairs
Framing Stores
Photo Tips & Tools
Photo Gear
© 2024 © All-About-Photo.com, All Rights Reserved  •  Photographs © the Respective Artists, All Rights Reserved.