All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Yann Arthus-Bertrand
Yann Arthus-Bertrand
Yann Arthus-Bertrand

Yann Arthus-Bertrand

Country: France
Birth: 1946

Yann Arthus-Bertrand, born in 1946, has always had a passion for the animal world and the natural environment. At the age of 20, he settled in central France and became the director of a nature reserve. When he was 30, he travelled to Kenya with his wife with whom he carried out a three-year study on the behaviour of a family of lions in the Massaï Mara reserve.

He quickly started using a camera as a visual aid to capture his observations and enhance the written reports they compiled. While in Africa, he earned his living as a hot-air balloon pilot. This was when he really discovered the earth from above and the advantages of viewing what he was studying from afar to gain an overall picture of an area and its resources. He discovered his calling: to demonstrate the Earth’s beauty and show the impact of mankind on the Planet. His first book, Lions, was born of this adventure – he likes to call these lions his "first photography teachers."

Little by little, Yann became a reporter focusing on environmental issues, and collaborating with Geo, National Geographic, Life, Paris Match, Figaro Magazine etc. He then started a personal work on the relationship mankind/ animal, which led to the books Good Breeding and Horses. In 1991, he founded the first aerial photography agency in the world. For the First Rio Conference in 1992, Yann decided to prepare a big work for the year 2000 on the state of the planet: it is The Earth From the Air. This book encountered a great success and over 3 million copies were sold. The outdoor exhibitions have been seen so far by about 200 Million people.

Yann then created the Goodplanet Foundation that aims to raise public awareness of environmental issues, implement carbon offset programmes and fight deforestation with local NGOs. Within the Foundation, he developed the 6 billion Others project, that has just changed names and become 7 billion Others. More than 6000 interviews were filmed in 84 countries. From a Brazilian fisherman to a Chinese shopkeeper, from a German performer to an Afghan farmer, all answered the same questions about their fears, dreams, ordeals, hopes: "What have you learned from your parents? What do you want to pass on to your children? What difficult circumstances have you been through? What does love mean to you?" Forty or so questions that help us to find out what separates and what unites us. Due to this involvement, Yann Arthus-Bertrand is today considered more an environmentalist and activist than a photographer. It is because of this commitment that Yann Arthus-Bertrand was designated Goodwill Ambassador for the United Nations Environment Programme on Earth Day (April 22nd, 2009).

In 2006, Yann started the series Vu Du Ciel, a television documentary series of several one-and-a-half hour episodes, each dealing with a particular environmental problem. It was shown on French public television and is currently being distributed for broadcast in 49 countries. Encouraged by his television experiment, Yann Arthus-Bertrand undertook the production of a full-length feature film, HOME, that deals with the state of our planet. The film was released on the 5th of June 2009 on television, on the Internet, on DVD and in cinemas simultaneously worldwide, almost entirely free of charge to the public. More than 600 million people have seen it so far. In 2011, Yann directed two films for the United Nations : the film Forest, official film of the 2011 International Year of the Forest, and the film Desertification. Both were screened during UN General Assemblies. Yann founded a non-profit production company, Hope. For the World Water Forum in March 2012, Yann, Thierry Piantanida and Baptiste Rouget-Luchaire directed a film narrating the history of water and reminding us that reasoned management of water is a crucial challenge for our century. This documentary was broadcast on French national television on the 20 th of March 2012.

For Rio + 20, Yann directed the film Planet Ocean with Michael Pitiot. This film aims to promote understanding of the importance of oceans in the ecosystem. In the same time, the GoodPlanet Foundation initiated a “Ocean Programme”, to raise awareness of the importance of marine ecosystems. At the heart of this programme, the publication of the book “L’Homme et la Mer” by the Editions de la Martinière, available in bookstores from the 18 th of October 2012.

All the films produced by HOPE are available free of charge to NGOs, nonprofits and schools in the frame work of environmental education.

Source: www.yannarthusbertrand.org

 

Yann Arthus-Bertrand's Video

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Elise Boularan
France
1984
Elise Boularan grew up in the South of France and has a Master's degree in Creation and Artistic Research from the University of Toulouse. She also studied photography at the Toulouse School of Photography. After finishing her academic research and studies, she moved to Paris. She currently lives between Paris and Toulouse, pursuing a career as a photographic artist.She develops a photographic work turned to the story, realizing images loaded with ellipses and silences. This work does not shy away from the world, but intends to build an interpretation, where something deaf, undefinable is very present. Her preoccupations concern the human reality of our time, trying to reveal what can be secret at the individual's.She has been published extensively and has exhibited in Europe and the USA, notably in Madrid, Denmark, and New York, as well as the French Institute of Ukraine, The Museum of New Art (Mona) and The Russell Industrial Center (Mona Detroit) in Detroit; the Instituto Cultural de México, San Antonio, Texas Hill Country, Usa. Her work is in several private collections.Elise Boularan works also for international & national press and collaborates with musicians and other artists, making the universe of songs match perfectly with her poetical vision.All about photo: When did you realize you wanted to be a photographer?I had already done specialized studies in photography, but I remember I really got caught by the photographer' syndrome when I was in Belgium.Do you spend a lot of time editing your images? For what purpose?After the shooting. there is a lot of work. I don't retouch a lot my images or give this impression... But I spend a great deal of time to select and to see which images work together. It's a difficult and very interesting work.The compliment that touched you most?Indeed, there is a compliment which particularly touched me some years ago in Paris. A compliment coming from one of my references photograph, a famous photographer who has a remarkable work. When we met us, she wanted to discover my work and it was unexpected for me to have compliments on my work from her. And the next day, she phoned me to thank me, because my work had motivated her to boost in her creations again. Is there another job you could have done?No, I don't think so. But it's a good question because we should make no mistake about it, the artistic crafts aren't easy so we can have this kind of questions. But my answer is no.
John Novis
United Kingdom
1950
John Novis is photographer and story teller working on environmental issues, particularly climate change for the last 30 years. Climate Change is the biggest global threat ever known to mankind, yet it is the most challenging and difficult subject to visualize to any great effect. Any image presented, be it extreme weather events, scientific evidence or global protests can be argued against by a sceptic media, governments and industry. It is precisely this challenge that drives concerned photographers to push ever more creative photos into the image pool to drive home the importance of this emergency of our times. We are getting somewhere thanks to Greta Thunberg and Environmental groups such as Greenpeace, Extinction Rebellion etc. which provide scope for compelling pictures. Social media has also provided a valuable platform for citizen journalism reporting climate related events as they unfold in real time. How I got there I stared my career in photography in London during the 'swinging 60's 'years working with high profile photographers in Vogue, Apple Corp (Beatles), top Fashion and Industrial photo studios Adrian Ensor Labs up until 1977 when I enrolled on a 3 year 'Creative Photography' course in Nottingham University under the guidance of Thomas Joshua Cooper and Raymond Moore. In 1980 I received a grant from UK South East Arts to make a 30 minute, 16mm film called 'Our trip to the Zoo' analysing the family snapshot with the old Kodak slogan – 'to capture life'. Throughout most of the 80's I worked as a freelance commercial photographer and then in 1989 I joined Greenpeace as an in –house photographer where I was employed until 2015. Just before I joined Greenpeace, I was becoming disillusioned with photography as an instrument for advertising and generating profit. It was though Greenpeace I was able to employ my expertise in photography to produce images that would serve as a wake-up call to the critical state of our environment. As photography became more important to the organisation I became Head of Photography at the international headquarters in Amsterdam, directing major photo projects such as: - Ocean and whaling expeditions, Amazon – Illegal logging, Yunnan, China campaigning against the introduction of GMO rice to the rice growing communities, Climate in Crisis - Yellow River drying up, the Disappearing Glaciers on Everest, Climate and Poverty along the Silk Road in Gansu Province, China - Palm oil production in Riau, Indonesia and 'Forest Solutions' global communities living from the forest management towards a sustainable solution. In addition, I have also worked on numerous successful publications including the nuclear industry of Russia with Dutch photographer Robert Knoth, (Panos) and Bhopal – '' with Raghu Rai (Magnum). My professional services outside Greenpeace have included, organizing and hosting the Beijing Photo Master Classes with World Press Photo winners, member of the jury for the 2007 CHIPP (China International Press Photo Contest) and Member of the Jury and visiting lecturer to Fotopub, Slovenia July 2008. Directing a major exhibition and slide show at 1999 Perpignan, Visa Pour L'image with an interview with Jean Francois Leroy on stage. In 2012 I ran a photo workshop and curated a renewable energy exhibition at the Angkor Photo Festival in Siem Reap, Cambodia and was invited as guest speaker for Wild Photos at the Royal Geographic society in 2011. I am currently working on Climate Emergency events and supporting on line publications with consultancy and archive picture material.
Sol Hill
United States
1971
Sol Hill was born in Albuquerque, NM in 1971, to artist parents who founded the first contemporary art gallery in Santa Fe. His early memories were of being with his parents in their respective studios and of being in their gallery in Santa Fe. As a child the mysterious objects and paintings that pervaded the gallery intrigued him. Contemporary art works were prevalent both in the gallery and at home. Looking at those artworks felt like observing some secret alchemical language that Hill wished to learn. Growing up, Hill lived all across the United States, and in Jamaica and Germany. He majored in International Affairs and German at Lewis & Clark College in Portland, OR and at Maximilian Ludwig Universität in Munich, Germany. He also studied printmaking in college and then became deeply involved with photography while in Germany. He later returned to Santa Fe and founded Zen Stone Furnishings with his wife, a paper artist from Brazil. Together they designed and manufactured hand crafted home furnishings from stone, twigs, copper and handmade paper. After an intense medical crisis, Hill decided to dedicate himself to fine art. He went on to study photography at the Brooks Institute in Santa Barbara, where he received an MFA in 2010. Hill travels regularly and often to Brazil to visit his wife’s family. Travel has powerfully affected his vision as an artist. Although Hill uses some of the latest digital photographic equipment and embraces digital photography, he finds that he is drawn to the kind of liberation found in embracing the mysterious and unfamiliar rather than that which is crisply defined and well known.About Token Feminine:The mannequin is a token feminine used to impart cultural conventions of the idealized female image In this body of work I examine mannequins in storefront windows as symbols of consumer culture. I see them as emblems upon which the desire and fantasy of sex and fashion are draped and from which complex valuations of body image are ingested. The mannequin is a token feminine presence used to impart cultural conventions of the idealized female image. I dissipate these literal mannequin pictures by interrupting the expected information and accepting the digital noise, which are undesirable artifacts produced by false exposure, inherent to the process of capturing digital images. This allows me to explore the nature of the boundary between the reverie of the token feminine and the reality of the commercial icon.About Urban Noise:I seek stillness within the modern day information overload through the act of unconventional street photography. Urban Noise combines an exploration of the aesthetic and conceptual value of digital noise in photography with a contemplative study of the contemporary urban environment. Digital noise is a reviled artifact inherent to digital imaging. I challenge the notion that this artifact is inherently worthless by using it to render photographs into contemporary visual tropes. It is my tool to address the digital nature of the contemporary world. Digital noise is false exposure produced by energies other than light, namely heat, electrical current and “cosmic noise.” Cosmic noise is the term for invisible wavelength energies comprised in part of man-made signals from our built and technological environment mixed with the electro magnetic energy produced by human bodies. The resulting noise from these interfering energies transforms my photographs. The contemporary urban environment is flooded with so much extraneous information that we necessarily turn most of it into background noise to survive. There is so much conflicting information competing for our attention that I am intrigued by how we sort out what is worthy of our attention, from meaningless background noise. I seek my own stillness within the overwhelming cacophony of modern day information overload through the act of unconventional street photography.
Wiktor Franko
Poland
1983
Wiktor Franko, born in Kielce in 1983. He completed Polish Language Studies at the Swietokrzyska Academy, then got involved in photography and he has ever since been preoccupied with it. He deals with both fine art and commercial photography. His photographs have been published in a number of professional magazines, such as Prism Magazine, Camerapixo, Pokochaj Fotografie, Fabrikon Magazine, Musli Magazine, Confashion and a Chinese Prime Magazine. He exhibited his works at a few collective and individual exhibitions, and his photographs were awarded in a variety of photo contests - he was twice awarded in a prestigious Viva Photo Awards and two local contests Zycie Jest Piekne and Kielce Inaczej (he was a jury member with Pawel Pierscinski in the last two editions of Kielce Inaczej contest). Wiktor Franko was a collaborator of Charaktery magazine, and a number of his images were placed on the cover of that magazine. His photographs can also be found on book covers. On two occasions, he took photographs of famous people from the world of business, culture and politics, including a portrait photo depicting Malgorzata Tusk, Prime Minister's wife for Philanthropist's Calendar, a publication that is of importance for the region. Wiktor Franco is the author of three posters for The Off Fashion, a European contest for fashion designers that is held in Kielce. Initially, Wiktor's development as a photographer ran parallel to his stay in London, where he shot photos of jazz and rock music stars, including Marillion, King Crimson, Porcupine Tree, Archive, Chic Corea, Jan Garbarek. Currently, Wiktor is engaged in making music albums covers of Polish artists, including Strefa Ciszy, Lebowski. In his photographs, Wiktor Franko frequently uses literary motifs and allusions (a cycle devoted to Milan Kundera's novels). His works, strongly influenced by surrealism, are often defined as painterly. As he himself says, what is most important for him in photography is the atmosphere, a particular mood and surprise.Source: Galeria Winda
Sherrie Nickol
United States
Sherrie Nickol is a fine art photographer who captures moments in time - and in life - with an almost tangible warmth and energy. She was grew up in Osceola, Arkansas and has lived her adult life in New York City. Nickol studied photography at the University of Cincinnati and later at the International Center of Photography in New York City. Her photographs are in the permanent collection of the Bibliotheque Nationale de France in Paris, and in numerous private collections in the United States. She has mounted one-person exhibitions at Temple University and The National Arts Club in New York City. In recent years, Nickol has focused especially on exploring the relationships between people and their environments. She is interested in families as they come together to share experiences and in individuals as they navigate their space alone. Her work examines the different ways to experience public and private spaces, and she brings a sincerity to her approach that breaks down barriers and allows her to connect deeply with her subjects - a connection which is evident in the photographs themselves. Les étés en bretagne Les étés en Bretagne (Summers in Brittany) is part of my larger series By the Water which is a meditatation on the carefree days of summer. When my son turned six our family began spending a part of each summer near the seaside town of Dinard, on the north coast of Brittany, and I began a project documenting the lives of French families as they vacationed on various beaches. We always rented the same home near the seaside, a short car ride from our relatives, who lived in an old stone house on a working farm. The scenes spoke of another era, with seaside picnics and striped cabanas dotting the beaches. The photographs in this series show the intimacy among families, friends, and lovers as they break from their routines and come together at the water.
Alex Webb
United States
1952
Alex Webb (born May 5, 1952) is a photographer known for his vibrant and complex color photographs. He has been a member of Magnum Photos since 1979. He's authored 16 books, including Hot Light/Half-Made Worlds (1986), Under a Grudging Sun (1989) From The Sunshine State (1996), Amazon (1997) Crossings (2003), Istanbul (2007), The Suffering of Light (2011), La Calle (2016), as well as five books with photographer Rebecca Norris Webb, his wife and creative partner—Violet Isle (2009), Memory City (2014), Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image (2014), Slant Rhymes (2017), and Brooklyn: The City Within (2019). He has exhibited at museums worldwide, including the Whitney Museum of Art, NYC, the Metropolitan Museum, NYC, and the High Museum of Art in Atlanta, Georgia. He was awarded a Guggenheim Fellowship in 2007. He has contributed to Geo, TIME Magazine, National Geographic, and The New York Times Magazine among others. Born in San Francisco, Webb was raised in New England. Webb first became interested in photography as a high school student and in 1972 attended the Apeiron Workshops in Millerton, New York, where he met Magnum photographers Bruce Davidson and Charles Harbutt. He went on to study history and literature at Harvard University (graduating in 1974), but also studied photography at the Carpenter Center for the Visual Arts. By 1974 he was working as a photojournalist and in 1976 he became an associate member of Magnum Photos. During this time he documented small-town life in the American South. He also did some work in the Caribbean and Mexico, which led him, in 1978, to begin working in color, which he has continued to do. Webb's work has been exhibited around the world, including at the Walker Art Center, the Museum of Photographic Arts, the International Center of Photography, the High Museum of Art, the Museum of Contemporary Art in San Diego, and the Whitney Museum of American Art. His work is in numerous collections. He has received commissions from the High Museum of Art as well as the Banesto Foundation in Spain. Webb now lives and works in Brooklyn, New York with his wife, Rebecca Norris Webb, who is also a photographer, and they have collaborated on a number of books.Source: Wikipedia Alex Webb is best known for his complex and vibrant color photographs of serendipitous or enigmatic moments, often in places with socio-political tensions. Over the past 45 years, Webb has worked in places as varied as the U.S.-Mexico border, Haiti, Istanbul, and, most recently, a number of U.S. cities. “My work is questioning and exploratory,” he says. “I believe in photographs that convey a certain level of ambiguity, that ask questions rather than provide answers.” In 1974, the 22-year-old Webb, a Magnum Photos nominee, began working as a professional photojournalist, going on to work for the New York Times Magazine, Geo, Life, National Geographic, among other magazines. Alex became a full member of Magnum Photos in 1979. Working mostly in Latin America and the Caribbean, he credits those cultures with inspiring his interest in color, when he transitioned from black-and-white photography in 1979. Webb has published 16 photography books, including The Suffering of Light, a survey of 30 years of his color photographs, and Memory City (with poet and photographer Rebecca Norris Webb, his wife and creative partner), a meditation about film, time, and the city of Rochester, NY, itself, the long-time home of Kodak, in the year following the company’s bankruptcy. His most recent books include La Calle: Photographs from Mexico and the collaboration Slant Rhymes with Rebecca. In fall 2019, Aperture will publish his seventeenth book—and fifth collaboration with Rebecca—Brooklyn: The City Within. He has received numerous awards and grants including a Hasselblad Foundation Grant in 1998, a Guggenheim Fellowship in 2007, a National Endowment for the Arts Fellowship in 1990, and the Leica Medal of Excellence in 2000.Source: Magnum Photos
Margaret Bourke-White
United States
1904 | † 1971
Margaret Bourke-White studied at the University of Michigan and then at Cornell University where she first discovered photography in 1927. She started taking pictures of buildings and engines. Henri Luce who created the magazine Fortune was very impressed with her work and decided to hire her as editor-in-chief in 1930. In November 1936 her picture of the Fort Peck dam makes the cover of Life magazine. It was the beginning of a long collaboration (1931-1971) and the real beginning of her career. She traveled to USSR in 1931 and then worked with E. Caldwell on the subject of poverty in the US (1937). She is then a photographer for the US Air Force and travels to Moscow, Germany, India, South Africa, and Korea. At the same time, she works for advertising agencies. At the end of the 50s, she has to stop working because of Parkinson disease.Source: Wikipedia Photography is a very subtle thing. You must let the camera take you by the hand, as it were, and lead you into your subject. -- Margaret Bourke-White Margaret Bourke-White, original name Margaret White, American photographer known for her contributions to photojournalism. Margaret White was the daughter of an engineer-designer in the printing industry. She attended Columbia University (1922–23), the University of Michigan (1923–25), Western Reserve University (now Case Western Reserve University), and Cornell University (A.B., 1927). During this period she took up photography, first as a hobby and then, after leaving Cornell and moving to New York City, on a professional freelance basis. She combined her own last name with her mother’s maiden name (Bourke) to create her hyphenated professional name. Beginning her career in 1927 as an industrial and architectural photographer, she soon gained a reputation for originality, and in 1929 the publisher Henry Luce hired her for his new Fortune magazine. In 1930 Fortune sent Bourke-White to photograph the Krupp Iron Works in Germany, and she continued on her own to photograph the First Five-Year Plan in the Soviet Union. She became one of the first four staff photographers for Life magazine when it began publication in 1936, and her series of photographs of Fort Peck Dam was featured on the cover and as part of the feature story of the first issue. Throughout the 1930s Bourke-White went on assignments to create photo-essays in Germany, the Soviet Union, and the Dust Bowl in the American Midwest. These experiences allowed her to refine the dramatic style she had used in industrial and architectural subjects. These projects also introduced people and social issues as subject matter into her oeuvre, and she developed a compassionate, humanitarian approach to such photos. In 1935 Bourke-White met the Southern novelist Erskine Caldwell, to whom she was married from 1939 to 1942. The couple collaborated on three illustrated books: You Have Seen Their Faces (1937), about Southern sharecroppers; North of the Danube (1939), about life in Czechoslovakia before the Nazi takeover; and Say, Is This the U.S.A. (1941), about the industrialization of the United States. Bourke-White covered World War II for Life and was the first woman photographer attached to the U.S. armed forces. While crossing the Atlantic to North Africa her transport ship was torpedoed and sunk, but Bourke-White survived to cover the bitter daily struggle of the Allied infantrymen in the Italian campaign. She then covered the siege of Moscow and, toward the end of the war, she crossed the Rhine River into Germany with General George Patton’s Third Army troops. Her photographs of the emaciated inmates of concentration camps and of the corpses in gas chambers stunned the world. After World War II, Bourke-White traveled to India to photograph Mahatma Gandhi and record the mass migration caused by the division of the Indian subcontinent into Hindu India and Muslim Pakistan. During the Korean War she worked as a war correspondent and traveled with South Korean troops. Stricken with Parkinson disease in 1952, Bourke-White continued to photograph and write. She retired from Life magazine in 1969.Source: Encyclopaedia Britannica The beauty of the past belongs to the past. -- Margaret Bourke-White
Michael Jackson
United Kingdom
1966
British b.1966, in Wokingham, Berkshire. Jackson trained as a painter at West Dean College, England. After moving to Wales In 2007 he started work on an extensive study of a single remote beach, Poppit Sands, which lasted for eight years until 2015. Jackson won the Chris Beetles Award in 2013 and became a Hasselblad Masters Award finalist three times in 2008, 2009 and 2012. Now regarded as a leading exponent of the luminogram process, he works with uniquely developed techniques and response mirroring using silver gelatin paper in the darkroom. In 2017 his luminogram work was paired with theologian Edwin A.Abbott in a book published by 21st Editions, titled after Abbott's famous work 'FLATLAND' and premiered at the Grand Palais in Paris. His work is held at the National Gallery of Art in Washington and the collection of the University of Minnesota. Artist Statement "I am a British photographer based in rural Wales, UK. Born 1966. Studied art at West Dean College then apprenticed under the landscape painter Christopher W. Baker. Since moving to Wales in 2007 I have been photographing a single beach - Poppit Sands. This seems to be something that I am compelled to do as I have not yet tired of it. My goal is to keep on looking harder and hope that through studying a single subject I can find something new. The images have toured with the Hasselblad Masters On Tour twice and have been exhibited in Copenhagen, Hong Kong, Beijing, Berlin, New York, Cardiff, London & Los Angeles as well being featured in magazines such as LENSWORK, SILVERSHOTZ and SHOTS as well as blogs such as LENSCRATCH, CNN & FEATURESHOOT. The images have also reached the Hasselblad Masters Finals three times."Source: www.mgjackson.co.uk
Advertisement
AAP Magazine #39: Shadows
April 2024 Online Solo Exhibition
AAP Magazine #39: Shadows

Latest Interviews

Barbara Cole and Wet Collodion Photographs
Cole is best known for her underwater photography, but her other studio practice during the cold months in Toronto is an ongoing series of wet collodion photographs. This heavily analog process from the 19th Century is a years-long endeavor of revitalization and experimentation, offering modern day viewers an understanding of what it took to develop photographs in the early days of its invention. Cole has added her own unique take on the process by adding a layer of color in contrast to the usual sepia tones associated with the genre. The resulting wet plate photographs are tactile and dimensional dances between light and shadow, past and present, depicting women in timeless dreamscapes. We asked her a few questions about this specific project
Exclusive Interview with Michael Joseph
I discovered Michael Joseph's work in 2016, thanks to Ann Jastrab. I was immediately captivated by the power of his beautiful black and white photographs from his series 'Lost and Found.' His haunting portraits of young Travelers have stayed with me ever since.
Exclusive Interview with Debe Arlook
Debe Arlook is an award-winning American artist working in photography. Through color and diverse photographic processes, Arlook’s conceptual work is a response to her surroundings and the larger environment, as she attempts to understand the inner and outer worlds of human relationships. Degrees in filmmaking and psychology inform these views.
Orchestrating Light: Seth Dickerman Talks About his Passion for Photographic Printmaking
Seth Dickerman is a master manipulator of the wide spectrum of light densities that reflect off the surface of a photographic print and enter into our field of vision. His singular intent in making prints is to bring out the best an image has to offer, which means giving an image the ability to hold our attention, to engage us, and to allow us to discover something about an image that is meaningful and significant.
Exclusive Interview with Michel Haddi
Photographer and film director, Michel Haddi has photographed many high-profile celebrities while living in the USA including, Clint Eastwood, Martin Scorsese, David Bowie, Uma Thurman, Francis Ford Coppola, Cameron Diaz, Faye Dunaway, Nicholas Cage, Johnny Depp, Heath Ledger, Angelina Jolie, Janet Jackson, Jennifer Lopez, and many others. He also manages a publishing house, MHS publishing, which publishes his own books. Currently based in London we have asked him a few questions about his life and work
Exclusive Interview with Sebastien Sardi
In 2008, Swedish photographer Sebastian Sardi, inspired by an article exposing hidden mining-related incidents, embarked on a photography journey. Without formal training, he explored mines and ventured to India's Jharkhand state to document coal miners in Dhanbad, known as the "coal capital." His project, "Black Diamond," captured the lives of people, including men, women, and children, dedicated to coal extraction in grueling conditions.
Exclusive Interview with Debra Achen
Monterey-based photographer Debra Achen was born and raised near Pittsburgh, PA, where she developed a passion for both nature and art. She studied a variety of studio arts, including drawing, painting, and printmaking in addition to her training in traditional film and darkroom photography. Her project 'Folding and Mending' won the September 2022 Solo Exhibition. We asked here a few questions about her life and work.
Exclusive Interview with Steve Hoffman
Steve Hoffman is a documentary photographer who has who spent the last dozen years working with and photographing the people that live the housing projects in Coney Island. He was the winner of the July and August 2022 Solo Exhibition. We asked him a few questions about his life and work.
Exclusive Interview with Aya Okawa
Aya is passionate about exploring the natural world and protecting ecosystems and wild landsAll about Photo: Tell us about your first introduction to photography. What drew you into this world? Her project The Systems That Shape Us'won the February 2022 Solo Exhibition. We asked her a few questions about her life and her work.
Call for Entries
AAP Magazine #39 Shadows
Publish your work in AAP Magazine and win $1,000 Cash Prizes