He photographs the American West mostly in winter and mostly alone, returning to the same handful of places until the weather does something he has not seen before. He is not a fast worker. A frame he is willing to keep is usually the fourth or fifth visit to a place he has already photographed badly.
Description of the work
These photographs were made between 2024 and 2026 across California and southern Utah — the Eastern Sierra under snow, the central coast at low tide, eroded ground in the Utah desert.
What connects them is not a place but a condition: land in the middle of being changed by something faster than itself. Cloud taking a mountain apart. A creek cutting the only dark line through a white valley. The sea working driftwood down to bone. Wind removing colour from the ground until only the shape of the erosion is left.
He works with long lenses more often than wide ones, and frames vertically, which lets him cut away context and keep only the thing that is happening.



