Born in San Francisco, California in 1954 and raised in Southern California, Garner has lived most of her life in the Bay Area. She was mentored into photography at the age of fifteen by a neighbor who taught her to use their darkroom and then gave her unfettered access to it. She continued her interest in photography as well as textile arts, studying several types of weaving including traditional loom, backstrap and tapestry.
Along with her lifelong interest in creating, Garner also developed a keen interest in the human body and movement. She studied Physical Therapy and, early on, transitioned that knowledge into the field of ergonomics, where she continues an independent practice to this day. As an ergonomist she found herself in a wide variety of work settings such as factories, animation studios, prisons, air force bases, hospitals and offices throughout the state. Observing how such environments affect the people within them is a significant reason why her artistic practice focuses on the constructed landscape and buildings.
Eventually, her passions for photography and weaving came together in the creation of photo-weavings. These are made by taking many pictures of a scene from multiple angles and then weaving them together by hand. This technique allows her to present a "real/unreal portrait" of a place, applying deliberate distortions in perspective, repetition, and kineticism to a static object. Her art heavily prioritizes the built environment, implying the passage of time and the presence of human labor without explicitly depicting people.
Garner's work has been exhibited widely throughout the United States, with a prominent presence in the Bay Area. She has held a notable solo exhibition at the Bolinas Museum and has secured multiple awards, including the Juror's Choice Award at the Arc Gallery in San Francisco and the Juror's Award and two-person exhibit at the Gearbox Gallery in Oakland. She views art as a vital, stabilizing force essential for maintaining personal and societal equilibrium.



