I’m drawn to places where natural systems and human presence intersect. Landscapes shaped by time, structures left behind, and environments that exist in tension between what they were and what they have become. These spaces hold layers of meaning that aren’t always immediate, but reveal themselves through light, form, and subtle detail.
I’m guided by a spirit of exploration and a reverence for light. Photography, for me, is both adventure and meditation. My work has taken me from trekking to Mount Everest Base Camp to diving with great white sharks off Guadalupe Island. These experiences shape my sense of scale, patience, and presence, and influence how I approach each scene.
At the same time, my process is rooted in slowing down. Working in both analog film and digital formats, I’m interested in allowing moments to unfold rather than forcing them. Film demands a different level of attention and commitment. It creates distance between the moment and the result, reinforcing a more deliberate and observational way of working.
Themes of impermanence, resilience, and connection run throughout the work. By moving between stillness and more extreme environments, I’m interested in what endures, what fades, and how memory becomes embedded within place. The images are not meant to explain, but to create space for reflection.



