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Gustavo Lacerda
Gustavo Lacerda
Gustavo Lacerda

Gustavo Lacerda

Country: Brazil
Birth: 1970

I was born in Belo Horizonte (Brazil) and got my BA in Media from the Federal University of Minas Gerais (UFMG). I have lived in São Paulo since 2000.
I began photographing in the 1990s as a newspaper photographer and then migrated to advertising photography. Throughout it, I have always developed my own authorial projects.
I have had the joy to receive some awards such as the Conrado Wessel Art Award (2011, 2007, 2006 and 2005), Porto Seguro Photography Award (2010), the Silver Lion at Cannes Lions International Festival of Creativity (2010), D&AD Global Awards in London (2004), and the Gold Medal at New York Festivals International Advertising Awards (2002).
Some of my works are now part of the Pirelli permanent collection of the São Paulo Museum of Art - MASP (Sao Paulo/Brazil), Catherine Edelman Collection (Chicago/USA), FOTOMUSEO (Bogota/Colombia), Photography Museum/Silvio Frota Collection (Fortaleza/Brazil), Porto Seguro Collection(Sao Paulo/Brazil) and SESC Collection (Sao Paulo/Brazil).
I am represented by Catherine Edelman Gallery in Chicago, Arte 57 in São Paulo and Quadrum Gallery in Belo Horizonte.
My work has been exhibited in France, Germany, Belgium, Spain, The United States, Colombia, Korea, Angola, Uzbekistan and Singapore.

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Anna Hayat and Slava Pirsky
We are Anna Hayat (born 1974) and Slava Pirsky (born 1965), originally from the Soviet Union. Each of us decided to start a new life in Israel in the early 90s, in search of new horizons. Fate brought us to Jerusalem through different paths, where we lived for over 20 years and now find joy in a small town nearby. We met in 1999 and instantly felt a special connection, as if our shared passion for photography brought us closer. In 2000, we became proud parents of an exquisite daughter whom we started photographing from her very birth. Since then, we have become an inseparable team and partners in the world of photography and art. For over 20 years, we have actively collaborated on joint photography projects. Our creative process revolves around analog photography, primarily using old Polaroid large-format black and white negative plates. Despite the discontinuation of production of these films in 2008, we use expired films to create unique and emotive works of art. We capture images using both a large studio camera and small field Polaroid cameras. The slow shooting process is of utmost importance to us, as it imparts a special depth to our works. In a way, the negative itself becomes another partner in our process. We appreciate the unpredictability of old negatives, which gives our photographs a distinct character, a touch of poetry, and a timeless feeling that is crucial to our work. Our latest project reflects our emotions and pain caused by Russia's treacherous aggression. For this series, we ventured into a mixed technique for the first time, tearing and cutting our works, stitching them anew, adding patches and seams. The project was showcased at the Ramlah Museum and immediately after at the KyotoGraphie International Photography Festival in Japan.
Andy Fabrykant
Andy Fabrykant was born in Argentina in 1984. He studied filmmaking at the Film University of Buenos Aires (FUC) and he did a master degree in Czech Republic at FAMU. Today he lives in Paris and he has already made 5 exhibitions (2011 - Paris, des lieux et de gens - Paris / 2011 - Nomade - Bourg-en-Bresse / 2012 - Tremplin Jaunes Talents - Saint-Mandé / 2013 - Besares - Buenos Aires / 2014 - L’Argentine à l’honneur - Neuilly-sur-seine). Even thought he is a filmaker he has been always around a film cameras.fter many years of walking around as a "flâneur" in my own city Buenos Aires (and after in Czech Republic and France) using my camera as a tool to get related with people and the city without knowing exactly what I was looking for, I realized that after the taxonomy of my work I could find the meaning of it. Because, what is a photographer more than a collector of images? That's how I started to find out which were my interests. In general, I am attracted to the relationship between the subject and the space. Sometimes it is an architectural approach where there is a lack of human activity and sometimes is completely the opposite, the subject verbs the object. I have been working around this topic for the last 5 years creating different activities or how I like to call them: games. Each game has it's own rule and I try to change them so I can always have a fresh and new approach. For example I just follow someone on the street and I let him take me to places that I don't know. Normally I don't take pictures of the subject, I just let him be an excuse bring me to where I am.I know a piece is done when I let the person go or when I get interested in someone else.
Sid Avery
United States
1918 | † 2002
Sid Avery (October 12, 1918 – July 1, 2002) was an American photographer and director who was best known for capturing the private moments of legendary Hollywood celebrities like Elizabeth Taylor, Rock Hudson, James Dean, Marlon Brando, Humphrey Bogart and Audrey Hepburn as showcased in his book Hollywood at Home. Avery was born in Akron, Ohio on October 12, 1918. He was only nine months old when they decided to move out to Los Angeles, California, which is where he grew up. Sid Avery received his high school education at the institution of Roosevelt High School. He discovered his love and talent of photography when he was young due to the fact that he was able to work with his uncle, Max Tatch, who was a landscape and architectural photographer. His uncle was able to teach him the skills required to use cameras, film, and darkrooms. After he graduated from high school, Sid Avery worked in a camera store on Sunset Boulevard, Hollywood where he further gained love and inspiration for photography. While working in the shop, he had opportunities to meet many famous photographers. This also encouraged him to take more photography classes. He also gained the experience of being a darkroom assistant. He served in the Army in World War II. When he returned from the war, he began his work of photographing celebrities. Sid Avery eventually became one of the top advertising photographers in Los Angeles. He was also a director of television commercials. Sid Avery was married to Diana Avery. Together they had three children named Sandra Guttman, Marc Avery, and Ron Avery. Sid Avery also had three grandchildren. He founded the Hollywood Photographer's Archive (HPA) and which is known today as mptvimages.com in an effort to preserve the work of the early Hollywood photographers. Sid Avery's work was commonly featured in publications such as Life, Look, Colliers and The Saturday Evening Post. There is a collection of his work, Hollywood at Home: A Family Album 1950-1965, that was published by Crown in the year of 1990. He is most famous for his work of photography that captured the home life of famous celebrities at the time. He captured the celebrities in their own element aside from the glamour of fame. Sid Avery died at the age of 83 on July 1, 2002, in Los Angeles, California.Source: Wikipedia One of six children, Sid Avery was born in 1918 in Ohio and moved to Los Angeles at a young age. Avery repaired a broken brownie box camera that he had found, and with the tutelage of his architectural photographer uncle he began to learn the basics of the photographic profession. By the time he entered Roosevelt High School, Avery’s talent in photography won him numerous prizes and after graduation he landed a job at Morgan’s Camera store on Sunset Boulevard. Avery was pursuing various odd photography jobs when World War II intervened. He was drafted into the Army, assigned to the Signal Corps, and selected to receive six months of training at Life magazine in New York before being sent overseas. Avery was stationed in London and was placed in charge of the Army Pictorial Service Laboratory, where all the stills and combat footage that came out of the European Theater of Operations passed through his hands. This included the detailed, highly classified photomontages of the French coast which were produced for the Normandy invasion. In order to handle this special material, Avery was granted an immediate commission by General Eisenhower himself. Photojournalism publications proliferated during the post-war years, and interest in film stars and their private lives grew to an all time high. During the 1950’s and early 1960’s, Avery photographed screen legends such as Humphrey Bogart, Lauren Bacall, Clark Gable, James Dean, Marlon Brando, James Stewart, and Alfred Hitchcock. His photographic essays appeared in the pages of The Saturday Evening Post, Look, Photoplay, Collier’s, Reader’s Digest, and many others. Avery’s characteristically low key, unobtrusive manner struck a sympathetic chord with reclusive and difficult personalities like Humphrey Bogart, who generally refused to be photographed. Bogart would eventually allow himself to be photographed by Avery with his pregnant wife Lauren Bacall and his son Stephen at their home. Sid Avery photographs have been exhibited and have been included in the permanent collections of the Museum of Modern Art in New York and San Francisco, the International Center of Photography in New York, the Smithsonian Institute in Washington, D.C., and the Los Angeles County Museum of Art in California.Source: Wikipedia
Mahya Rastegar
I am Mahya Rastegar, born 1980 in Tehran, Iran, a graduate in Photography and a Documentary Photographer, based in Tehran, Iran. I began to study Graphic Design in 2000, but quit it very soon in 2001 to find my field of interest somewhere else. After many years, in 2010, I started to study Photography, and graduated in 2013. I am mainly a social documentary photographer, most interested to capture the influential stories of women's lives.From the aspect of appearance, face and fashion, women are different from each other, but they are all the same in the way that all of them make efforts to get stronger in their inner world and possess the ability to live independently. From 2015 until now, I've been working on a long-term documentary photographing project with topic of Iranian women with influential stories. The collections of photos about each woman have the form of stories of their lives, meaning that I'm talking about the lives of these women by taking pictures of them. While holding on to the passion of presenting all type of women issues as a woman and after some serious researches and studies, I started shooting Iranian women trough different projects since 2013. In addition to all my ongoing projects, I have been working on a project called "To Remain Such a Woman" since 2016. I pictured all the women I live inside myself trough more than 10 women living under different conditions in the real/outside world (more on portfolio). This project will be released as a book soon. Some of my photos had the chance to be released on different pages and magazines such as: Panospictures, UK, L'HEBDO Magazine, France, Refinery29 Blog, PRI Org, NYTimes, women Photograph: 2018 year in Pictures, welt.de, leparisien.fr, NBC news, Euronews, Photo printing in Lens magazine 2019, Fine art photography awards 2020 (portrait nominee), Tow Phot's from NBCnews.com's November gallery of Women defying stereotypes in Iran won an AI-AP award in 2020. About Soudabeh Soudabeh was born in 27 October 1976 Soudabeh is the deputy of women bodyguards in ISBTA association. she said : "l was seeking for a sport-educational system for years to evacuate my excitements and beside that I could be able to protect myself in front of bullies and also in dangerous situations", until I got to know the international security and bodyguard training association or ISBTA. This association legally and officially works. Soudabeh's son, Pouria, was born in 25 March 1997. He was 10 when Soudabeh got divorced. Soudabeh has given motivation of independence to his son and Pouria has learned to sport and having a healthy body from his mother. The first reason I chose Soudabeh was the divorce thing.In Iran ‘s society divorce and being divorced is still a taboo for women. A divorced woman can't easily go to work and still has challenges in her work communications with men. Soudabeh and even me are divorced women and we are facing obstacles in this patriarchal society and we were able to prove ourselves with an appropriate job in this society. Which means we can continue living despite the fact that we are divorced. Soudabeh has been a body building coach for 8 years. Before being a coach she used to work in an advertising company in the graphic section. Soudabeh went to a beauty salon which is owned by one of her students. She is student of body building and she just goes to gym for sport. Soudabeh, It's right that she is doing a masculine sport but at first she is a woman and then a mother and ultimately she is a woman bodybuilder. Her position as a deputy in this organization means she can holds ISBTA bodyguard classes for women and she she can teach in this classes as a coach.
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