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Alfred Eisenstaedt
Alfred Eisenstaedt

Alfred Eisenstaedt

Country: Germany
Birth: 1898 | Death: 1995

Alfred Eisenstaedt (December 6, 1898 – August 24, 1995) was a German-born American photographer and photojournalist. He is best known for his photograph of the V-J Day celebration and for his candid photographs, frequently made using a 35mm Leica camera. Eisenstaedt was born in Dirschau (Tczew) in West Prussia, Imperial Germany in 1898. His family moved to Berlin in 1906. Eisenstaedt was fascinated by photography from his youth and began taking pictures at age 14 when he was given his first camera, an Eastman Kodak Folding Camera with roll film. Eisenstaedt served in the German Army's artillery during World War I, and was wounded in 1918.

While working as a belt and button salesman in the 1920s in Weimar Germany, Eisenstaedt began taking photographs as a freelancer for the Pacific and Atlantic Photos' Berlin office in 1928. The office was taken over by Associated Press in 1931. Eisenstaedt successfully became a full-time photographer in 1929. Four years later he photographed a meeting between Adolf Hitler and Benito Mussolini in Italy. Other notable, early pictures by Eisenstaedt include his depiction of a waiter at the ice rink of the Grand Hotel in St. Moritz in 1932 and Joseph Goebbels at the League of Nations in Geneva in 1933. Although initially friendly, Goebbels scowled for the photograph when he learned that Eisenstaedt was Jewish.

Because of oppression in Hitler's Nazi Germany, Eisenstaedt emigrated to the United States in 1935 where he lived in Jackson Heights, Queens, New York, for the rest of his life. He worked as a staff photographer for Life magazine from 1936 to 1972. His photos of news events and celebrities, such as Dagmar, Sophia Loren and Ernest Hemingway, appeared on 90 Life covers. Eisenstaedt was awarded the National Medal of Arts in 1989 by President George Bush in a ceremony on the White House lawn. Eisenstaedt, known as "Eisie" to his close friends, enjoyed his annual August vacations on the island of Martha's Vineyard for 50 years. During these summers, he would conduct photographic experiments, working with different lenses, filters, and prisms in natural light. Eisenstaedt was fond of Martha's Vineyard's photogenic lighthouses, and was the focus of lighthouse fundraisers organized by Vineyard Environmental Research, Institute (VERI).

Two years before his death, Eisenstaedt photographed President Bill Clinton with wife, Hillary, and daughter, Chelsea. The photograph session took place at the Granary Gallery in West Tisbury on Martha's Vineyard, and was documented by this photograph published in People magazine on September 13, 1993. Eisenstaedt died in his bed at midnight at his beloved Menemsha Inn cottage known as the "Pilot House" at age 96, in the company of his sister-in-law, Lucille Kaye (LuLu), and friend, William E. Marks.

Source: Wikipedia


Born in Dirschau (now Poland), Alfred Eisenstaedt studied at the University of Berlin and served in the German army during World War I. After the war, while employed as a button and belt salesman in Berlin, he taught himself photography and worked as a freelance photojournalist. In 1929, he received his first assignment that would launch his professional career--the Nobel Prize ceremony in Stockholm. From 1929 to 1935 he was a full-time photojournalist for the Pacific and Atlantic Picture Agency, later part of the Associated Press, and contributed to the Berliner Illustrierte Zeitung and other picture magazines in Berlin and Paris. In 1935, he came to the United States, where he freelanced for Harper's Bazaar, Vogue, Town and Country, and other publications. In 1936, Henry Luce hired him, along with Margaret Bourke-White, Peter Stackpole, and Thomas McAvoy as one of four staff photographers for the new LIFE magazine. Eisenstaedt remained at LIFE for the next 40 years and was active as a photojournalist into his eighties. In 1988, he was honored with ICP's Infinity Master of Photography Award.

Eisenstaedt was among those Europeans who pioneered the use of the 35-millimeter camera in photojournalism as they brought their knowledge to American publications after World War I. He was also among the earliest devotees of available-light photography. Unlike many photojournalists in the postwar period, he was not associated with a particular kind of event or geographic area: he was a generalist. As such, he was a favorite among editors, not only for his quick eye, but also for his ability in making good photographs of any situation or event. His nonjudgmental but acutely perceptive eye and his facility with composition have made his photographs memorable documents of his era both historically and aesthetically.

Source: ICP

 

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Francesco Ridolfi is an Italian portrait photographer who usually shoots for advertising and editorial projects. Born and raised in Bologna, Italy, he now splits his time between Brussels, Milan and Bologna, working for different clients and assignments in the editorial and commercial field. Some of his most recent clients includes: Rolling Stone Magazine, Auchan, Louis Vuitton and Tetra Pak. All about Francesco Ridolfi: AAP: When did you realize you wanted to be a photographer? The photography passion came to me long ago, since I was a child. But maybe I started to realize it could be turned into a profession around the 2006. How long have you been a photographer?Professionally speaking, since 2008. What or who inspires you? Well, maybe it could sounds expected, but for me inspiration is everywhere! I think that the process of developing an idea it's like connecting dots. More dots you have (experiences, visual references, interests,..) more chance to come out with something original and great! How could you describe your style? I'm pretty sure it could be described as clean and precise. And actually it's what I'm looking for in my photos. I prefer to take away instead of add something: less is more for me. Do you have a favorite photograph or series? Speaking of my work, for the efforts done, I surely like the Chess Portraits here presented. But from my previous works, I'm attached to a John Landis' portrait I took a couple of years ago and a series of black and white portraits I took in Cuba Cublanco Do you spend a lot of time editing your images? For what purpose? Actually not so much, I prefer to do as much as possible on camera. The editing process consists mainly in color correction and general cleaning of the photos. Favorite(s) photographer(s)? Erwin Olaf, Martin Schoeller, Richard Avedon. What advice would you give a young photographer? If I had to suggest something to a young or an aspirant photographer, for sure I will advice him of the importance of the profession's business side. It's something you have to take really seriously, if you want to survive out there.What mistake should a young photographer avoid?Think that to be a photographer (and making a living with it) it's enough just take good pictures. An idea, a sentence, a project you would like to share? Less is more. But also, try to convey an idea through your photos. An idea adds much more than technique and Photoshop. About "Room 322""The airy luminosity of an ethereal space, aseptic and suspended, contrasts with the stolidity of these bodies - less than perfect in their awkward and authentic humanness. Statically present, the hotel room preserves its non-connection to sundry turn-taking occupants: its stillness heightens the tension they feel inside, which rips itself free of these contentless surroundings. Thus, from the bottom of a bathtub, contrasting perceptions emerge: appearance and reality, restlessness holding itself still, past within present; authenticity within fiction."
Gregory Dargent
France
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Gregory Dargent is a French musician and photographer born in 1977 in Argenteuil. A graduate of the Strasbourg Conservatoire, he has an international career as a musician (electric guitar and oud) as well as a composer. His creations have taken him all over the world, from the Berlin Philharmonic to a small place in the Itabuna Church in Brazil, from the Doha Oud Festival to the "Poisson Rouge" in New York, from the Jazz Festival in Cairo to the auditorium of Warsaw Radio. Somewhat belatedly fascinated by photography he discovered it accidentally the day of his 38th birthday, anchored in the temporality of film, committed to the abstraction of black and white and advocating its subjectivity, he created in 2018 the Book H., published by Saturn, his first photographic work. It is an echo in images to the disc H (contemporary trio setting to music the French nuclear tests in the Sahara). This book tells his feelings and his personal awareness during 3 short trips around the seventeenth ground zero French atomic explosions in the 60s, in Reggane and Tamanrasset, Algeria. His book is acclaimed by the press (Christmas selection Telerama for the book + CD, L'Humanité, L'Oeil de la Photographie, L'Interval, "Par les temps qui courent" on France Culture) and became the subject of his very first exhibition as part of the collective exhibition "Le Rêve d'un mouvement" in Paris in January 2019, alongside, among others, Gilles Roudière, Damien Daufresne, Stephane Charpentier and Gael Bonnefon. This exhibition then travelled to Studio Spiral (Grenoble) in March/April 2019, at Retine Argentique (Marseille) in April/May 2019, Sharjah Art Foundation (E.A.U), Galerie VU'(Paris), Dar Abdelaatif in Algiers and will be on view at Studio Baxton (Brussels) in 2020. He is selected in 2019 as a "young talent photographer in residence" as part of the Festival Planche (s) Contact of Deauville for which he will create a new exhibition, L'Echappée, and is currently working on his next personal projects, mixing photography, video super 8 and music. The first project is about spirituality and poetry in Haiti, "Black Venus", the second one is about the feeling of underground life mixed with ancient mythologies in Cairo (with musician and photographer Frederic D. Oberland).
Joakim Eskildsen
Denmark
1971
Joakim Eskildsen was born in Copenhagen in 1971 where he trained with Royal Court photographer, Mrs. Rigmor Mydtskov. In 1994, he moved to Finland to learn the craft of photographic book making with Jyrki Parantainen and Pentti Sammallahti at the University of Art and Design in Helsinki, graduating with an MA degree in photography in 1998. He often collaborates on projects with writer Cia Rinne, and his publications include Nordic Signs (1995), Blue-tide (1997), iChickenMoon (1999), which was awarded Best Foreign Title of 2000 in the Photo-Eye Books & Prints Annual Awards, the portfolio al-Madina (2002), which was made in collaboration with Kristoffer Albrecht and Pentti Sammallahti, and the book The Roma Journeys (Steidl 2007), which a.o. has been awarded with the Amilcare Ponchielli Award in 2008, Deutscher Fotobuchpreis (Gold) 2009, the Otto Pankok Promotion Prize, and the David Octavius Hill-medal awarded by Deutsche Fotografsche Akademie in 2009. Joakim lives and works in Berlin.Source: www.joakimeskildsen.com Joakim Eskildsen (born 1971 in Copenhagen) is a Danish art photographer. Eskildsen was a pupil of Rigmor Mydtskov in Copenhagen and went to Finland in 1994 to study photographic book making with Pentti Sammallahti at the University of Art and Design Helsinki. He lives near Copenhagen and has shown some of his works in Europe (including Germany, Denmark, Finland, Sweden, France, England, Italy), China, and South Africa. From 2000-2006, together with the writer Cia Rinne, Eskildsen sought out Roma in various (mainly Eastern European) countries and other ethnic groups in India who are possibly related to the Roma. The fruits of this work have found their way into the book The Roma Journeys, which delivers insight into the life of the Roma by its text and more than 200 photographs. Source: Wikipedia
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