Miscellaneous Photo Books

Marilyn Monroe: A Portrait offers a compelling and deeply nuanced exploration of one of the most iconic women in modern history, moving far beyond the familiar image of the “blonde bombshell” to reveal the complexity, intelligence, and cultural power of Marilyn Monroe. Richly illustrated with extraordinary photographs, artworks, and archival material, this remarkable publication traces how Monroe’s image evolved throughout her lifetime and continued to resonate long after her death, becoming one of the defining visual symbols of the twentieth century.

From intimate collaborations with legendary photographers such as Eve Arnold, Cecil Beaton, Richard Avedon, and Milton Greene to transformative interpretations by artists including Andy Warhol, Pauline Boty, Cindy Sherman, and Marlene Dumas, the book explores the countless ways Monroe has been seen, reinvented, mythologized, and understood. More than simply documenting a Hollywood star, Marilyn Monroe: A Portrait examines the relationship between photography, celebrity, femininity, and power in the modern age.

Born Norma Jeane Mortenson in 1926, Monroe rose from an unstable childhood to become one of the most recognizable faces in global culture. Yet behind the carefully constructed glamour was a woman acutely aware of her own image and determined to shape it herself. The publication highlights Monroe’s active role in crafting her persona, revealing her not merely as a subject before the camera, but as a creative collaborator who understood the emotional and symbolic force of photography better than almost anyone of her era.

Featuring essays and reflections by leading writers, critics, and cultural figures including Lena Dunham, Bonnie Greer, and Griselda Pollock, the book offers fresh perspectives on Monroe’s artistic legacy and enduring influence on contemporary culture. Elegant, insightful, and visually stunning, Marilyn Monroe: A Portrait is both a tribute to a cinematic legend and a fascinating study of how images shape collective memory, desire, and identity across generations.

World Press Photo Yearbook 2026 arrives as both a record of the past year and a reminder of photography’s enduring role in shaping public understanding. Gathering the winning images from the 2025 World Press Photo Awards, the publication presents some of the most urgent and memorable examples of contemporary photojournalism and documentary practice. Produced by the World Press Photo Foundation, the yearbook continues a tradition that has defined international press photography for more than seven decades, offering readers a visual archive of events that shaped the global conversation.

Each year, thousands of submissions from photographers around the world are reviewed across categories including single images, photo stories, and long-term projects. The selected works reflect not only breaking news, but also slower, deeply researched narratives that reveal the complexities behind headlines. Conflict, migration, climate crisis, political unrest, and intimate stories of resilience all appear within its pages, creating a publication that functions as both historical document and emotional testimony. One of the winning photographs appears on the cover, setting the tone for a volume built around images that demand sustained attention.

What distinguishes the yearbook is its ability to move between the immediate and the reflective. A single frame may capture the instant of a decisive event, while a long-term project traces the lasting consequences of social and political change over years. Together, these photographs resist the speed of the modern news cycle, asking viewers to pause and confront realities that often remain distant or abstract. In an era frequently described as “post-factual,” such visual reporting remains essential to democratic discourse and public accountability.

Published alongside the renowned traveling exhibition that brings these works to audiences worldwide, World Press Photo Yearbook 2026 serves as an accessible and lasting companion to that experience. For journalists, students, photographers, and general readers alike, it offers more than a survey of award-winning images; it becomes a time capsule of 2025, preserving moments of crisis, courage, and human connection. As a reference work, it affirms that photography still holds a unique power to inform, challenge, and bear witness when words alone fall short.

The sociological and aesthetic dimensions of attraction are subjected to a rigorous analysis in Sexiness: The Secret of Irresistible Charm. Written by cultural commentator Nils Ketterer, the volume operates as an investigation into sexiness not merely as a biological impulse, but as a potent cultural currency and a tool of social influence. The text categorizes the various manifestations of charm across different historical epochs, moving from the curated glamour of mid-century Hollywood to the decentralized, digital expressions of desire prevalent in the twenty-first century. By synthesizing visual data with narrative inquiry, Ketterer seeks to isolate the specific components—confidence, ambiguity, and self-possession—that elevate an individual from a subject of attraction to a symbol of power.

The archive presented in the book draws on iconic reference points, including the enduring influence of Marilyn Monroe, to illustrate the mechanisms of the "sex symbol." However, the work expands significantly beyond these established tropes to examine how sexuality intersects with shifting social taboos and global cultural norms. The imagery records the subtle rituals of fashion, the performative nature of cinema, and the everyday details that signal allure within diverse societies. Ketterer’s journalistic approach treats these visual cues as data points in a broader study of human behavior, noting how the definition of what is "irresistible" remains in a state of constant flux. This analysis reveals that sexiness is frequently a byproduct of cultural resonance rather than an objective physical standard.

As a multidisciplinary survey, the work also explores the commercialization of desire and its role in shaping consumer habits and media consumption. The photographs function as evidence of how specific aesthetic markers are utilized to project authority and vitality. The volume provides a detached look at the evolving landscape of gender and identity, recording how modern expressions of sexuality often challenge traditional hierarchies. By documenting the vitality of this universal experience with clinical precision, Sexiness provides a definitive historical record of the hidden forces that drive human interaction and societal structure. The result is a comprehensive examination of a magnetic force that continues to define the boundaries of modern culture and personal identity.

The urban landscape of the Japanese capital undergoes a rigorous visual interrogation in Now is Now Tokyo: Street Photography. This volume serves as a comprehensive anthology of contemporary lens-based observations, aggregating the work of diverse practitioners who navigate the city’s dense topographical layers. Tokyo, a metropolis characterized by its high-frequency movement and contrasting architecture, provides a complex environment for the street genre. The curated selection moves beyond the static tropes of neon-lit corridors, focusing instead on the "dynamic essence" of a city that exists in a state of perpetual flux. By synthesizing multiple perspectives into a single volume, the book documents the social and physical infrastructure of Tokyo with a detached, analytical clarity.

The publication highlights the specific aesthetic of Komorebi—the interplay of light and shadow—as well as the rigid social choreographies that define public life in districts like Shinjuku, Shibuya, and Ginza. The photographers involved utilize a range of technical approaches, from high-speed candid captures to long-exposure studies of human density. These images record the fleeting interactions of commuters, the silent geometry of residential backstreets, and the sprawling intersections that facilitate the city’s massive daily circulation. This multifaceted approach reveals a Tokyo that is both highly regulated and surprisingly intimate, capturing the minute details of urban existence that often escape the casual observer.

For collectors and enthusiasts of Japanese aesthetics, the work provides an essential record of the city’s current cultural climate. The text avoids the sentimentality of traditional travelogues, opting for a journalistic survey of how modern Tokyo functions as a living organism. By presenting the "How is How" of the genre, the book analyzes the various methodologies used to interpret the Japanese capital’s unique visual language. The resulting archive serves as a definitive document of the city’s diversity, preserving the present moment of one of the world’s most significant urban centers. It positions the street photograph as a critical tool for understanding the intersection of tradition and technological advancement in the twenty-first century.

Can Love Be a Photograph: 40 Years of Inez & Vinoodh traces the evolution of a partnership that reshapes the visual language of contemporary photography. Over four decades, Inez van Lamsweerde and Vinoodh Matadin cultivate a practice that moves fluidly between fashion, portraiture, and conceptual art, producing images that feel both immediate and disquieting. Their work resists categorization, drawing equally from the polished world of magazines and the more introspective space of artistic inquiry. Throughout, a sense of curiosity and experimentation guides their approach, allowing each image to operate as both surface and question.

Emerging from the Netherlands and establishing an international presence, the duo collaborates with leading designers and publications while maintaining a distinct visual identity. Their photographs often present familiar subjects—faces, bodies, gestures—yet introduce subtle distortions that unsettle the expected. Early explorations with digital manipulation open new possibilities for the medium, but technology remains a means rather than an end. What persists is a sustained attention to the human figure, approached with a sensitivity that reveals vulnerability alongside artifice.

The title itself suggests a central tension within their work: the attempt to capture something as intangible as love within the fixed frame of an image. This question resonates across their photographs, where intimacy and distance coexist. Subjects appear both present and elusive, inviting a prolonged gaze that uncovers layers of emotion and meaning. The influence of broader cultural currents—fashion imagery, celebrity, advertising—intersects with a more reflective examination of identity and perception.

Accompanied by essays from critics and curators, as well as a conversation with Tilda Swinton, the book situates Inez and Vinoodh’s practice within a wider intellectual and artistic context. Can Love Be a Photograph unfolds as both retrospective and meditation, offering a sustained look at a body of work shaped by collaboration, attention, and a persistent desire to see beyond appearances.

The centennial of Marilyn Monroe’s birth on June 1, 2026, serves as the catalyst for The Marilyn Monroe Century, a rigorous examination of the photographic and personal archives of Bruno Bernard. Known professionally as Bernard of Hollywood, the photographer maintained a decades-long proximity to the subject, beginning with their initial meeting when she was still Norma Jeane Mortenson. This volume, authored by Bernard’s grandson Joshua John Miller and Mark A. Fortin, moves beyond standard hagiography to analyze the calculated construction of the Monroe persona. By utilizing previously unreleased diary entries and correspondence, the text documents the transition of an aspiring actress into a global commodity, framed through the lens of a photographer who functioned as both a mentor and a confidant.

Central to the publication is the technical and cultural history of the image Marilyn in White, taken on the Twentieth Century Fox backlot during the filming of The Seven Year Itch. Declared a symbol of the twentieth century by the Museum of Modern Art, the photograph of the billowing white dress over a subway grate remains a primary artifact of American pop culture. The book utilizes a lenticular cover to simulate the motion of this event, emphasizing the performative nature of Monroe’s public image. However, the internal content provides a stark contrast, offering a data-rich look at the "woman behind the icon" through Bernard’s private observations. These records suggest a subject who was acutely aware of the power of her own image and deeply involved in the labor required to maintain it.

The narrative is bolstered by modern perspectives, including a foreword by Rose McGowan and commentary from director Sean Baker, which recontextualize Monroe’s career within contemporary discussions of the film industry and female autonomy. The archive reveals a complex interpersonal dynamic between Bernard and Monroe, characterized by a shared status as industry outsiders. Through the inclusion of unpublished contact sheets and candid snapshots, the book tracks the emotional and professional tolls of fame. It positions Monroe not as a passive figure of tragedy, but as an ambitious architect of her own legacy. As the global community marks her 100th year, this definitive collection stands as a journalistic record of the enduring tension between the private individual and the eternal cinematic myth.

Magnum Streetwise arrives as both a celebration and a re-affirmation of the power of street photography — a volume that invites you to walk, observe and discover anew, alongside some of the most gifted photographers of the last century. This paperback edition gathers work from the archive of the legendary agency Magnum Photos, offering a broad, democratic, and deeply human portrait of life in cities across the world.

The collection encompasses hidden gems and celebrated classics alike, reminding us that street photography is not just about dramatic moments, but subtle details: the glance between strangers, the geometry of sidewalk shadows, an untended corner of a city that reveals something about shifting times. Featured photographers — from Henri Cartier-Bresson, considered a founding master of the genre, to Elliott Erwitt, Bruce Gilden, Martin Parr, Richard Kalvar and many others — have each approached the street as a stage, capturing the everyday with wit, empathy, patience, and sometimes irony.

What makes this book stand out is its scope and inclusivity: it doesn’t just display iconic, world-famous shots. It also unearths lesser-known works, forgotten corners of Magnum’s archive — images that may not have made front pages, but that pulse with quiet life. Through carefully arranged thematic and photographer-focused sections, the book becomes not only a retrospective, but a learning ground: readers can trace the evolution of technique, sensibility and social context across decades and geographies.

Moreover, the interwoven text and anecdotes offer insight into the practice itself: how photographers play with chance, how they wait for a moment that connects a gesture, a light, a setting; how they navigate cities and respond to change. In doing so, Magnum Streetwise reasserts street photography as a living, breathing art — one that reflects the shifting patterns of humanity and urban life.

This volume is an invaluable companion for anyone drawn to the pulse of real life. It invites us to wander again through familiar streets, seeing them not as backdrops, but as theaters of experience — reminding us that every day holds a story, if we have eyes to notice.

Passport Photo Service: An Unexpected Archive of Celebrity Portraits uncovers a remarkable slice of visual history hidden in plain sight. For more than half a century, a modest studio on Oxford Street quietly produced passport photographs for Londoners on the move. Among them were artists, actors, musicians, athletes, and public figures whose faces would later become universally recognizable, yet here appear stripped of spectacle and artifice.

Founded in 1953 by Dave Sharkey and later run with his wife Ann and their son Philip, Passport Photo Service built its reputation on speed, reliability, and discretion. Its famous “Ready in 10 Minutes” promise attracted everyone from tourists to diplomats, while its proximity to the US Embassy made it an essential stop for international travel. The camera never sought glamour. Instead, it delivered something rarer: a moment of direct encounter, where status dissolved and each sitter met the same neutral background and unwavering lens.

The book gathers more than 300 previously unseen portraits made across six decades. The roll call is extraordinary, yet the photographs resist celebrity mythology. Whether capturing a world champion boxer en route to a historic fight or an actor between film roles, the images reveal flashes of vulnerability, confidence, impatience, or quiet humor. These expressions, caught under strict official requirements, feel all the more human for their restraint.

Philip Sharkey’s accompanying anecdotes enrich the archive without overpowering it. His recollections of first encounters, quick exchanges, and unrepeatable moments offer glimpses into a London that has largely disappeared—one of chance meetings, word-of-mouth reputations, and small family businesses that shaped the city’s cultural fabric. Central to his reflections is the idea of the passport photograph as a great equalizer, a ritual where everyone is briefly reduced to the same formal rules.

Designed as an homage to vernacular photography, the book echoes the tactile details of the studio itself, from stamped wallets to utilitarian presentation. In an era dominated by curated self-image, Passport Photo Service celebrates the quiet power of unguarded portraits and reminds us that even the most functional photographs can carry enduring emotional and historical weight.

Exposure: Contemporary Photographers is a vibrant survey of the creative energy shaping contemporary photography today. Curated by Amber Creswell Bell, the book brings together forty artists whose work spans continents, subjects, and approaches, offering a rich mosaic of vision and technique. At its core, the collection explores the decisive moment, the instant when a photograph crystallizes emotion, narrative, and observation, revealing the delicate balance between intention and chance.

The featured photographers approach the medium in remarkably diverse ways. Some, like Leila Jeffreys, immerse the viewer in intimate, often theatrical scenes; others, such as Bill Henson, harness shadow and light to evoke mood and tension. Kara Rosenlund and many others examine identity, environment, and social dynamics through lenses that are both personal and expansive. Across these practices, there is a shared pursuit of resonance—a desire to connect the captured image with the viewer’s own perception and experience, whether through landscape, portraiture, or conceptual experimentation.

The book emphasizes not only the visual outcome but also the process and philosophy behind the work. Artists discuss their approach, reflecting on the choices that shape an image: framing, exposure, gesture, and timing. These insights illuminate the complexity of contemporary photography as a medium capable of conveying subtle cultural nuances, challenging conventions, and provoking thought. Each sequence within the book demonstrates the ways photographers negotiate between spontaneity and deliberation, whimsy and rigor, observation and imagination.

Exposure celebrates photography as a lens through which we can explore the world and ourselves. From striking landscapes to intimate domestic moments, from constructed tableaux to fleeting street encounters, the book captures the energy, diversity, and innovation of contemporary practice. It invites readers to pause, reflect, and engage with the artistry and sensitivity that mark these photographers’ work, reaffirming the enduring power of the image to inspire, question, and illuminate.

Femxphotographers.org: Love offers a layered and quietly radical meditation on intimacy as seen through feminist eyes. This black-and-white publication gathers a wide range of voices who approach love not as a fixed ideal, but as a lived experience shaped by power, vulnerability, memory, and care. Here, love unfolds slowly, resisting spectacle in favor of presence, honesty, and emotional depth.

Across its pages, intimacy appears in many forms: between partners, within families, toward the self, and in moments of longing or loss. Some images are carefully constructed, others fleeting and instinctive, yet all share a commitment to reclaiming the act of looking. By placing womxn and non-binary perspectives at the center, the book gently but firmly disrupts inherited visual conventions, offering alternatives to the dominant narratives that have long framed desire and affection.

Photography in this volume functions as both witness and participant. The camera becomes a space of trust, where subjects are neither idealized nor reduced, but allowed to exist in their complexity. Love is shown as resilient and fragile, political and personal, tender and unresolved. The inclusion of poetry and written reflections deepens this experience, allowing images and words to resonate together, much like memory itself.

As the third publication by femxphotographers.org, Love continues the collective’s commitment to solidarity and shared authorship. Rather than presenting a single curatorial voice, the book embraces multiplicity, honoring differences in culture, generation, identity, and lived reality. This openness gives the work its strength, reinforcing the idea that love cannot be contained within one definition or visual language.

Rooted in feminist practice yet forward-looking in spirit, Femxphotographers.org: Love is both a visual archive and a quiet manifesto. It reminds us that photography, when guided by care and intention, can become a tool for connection rather than consumption. In returning to love as something slow, attentive, and deeply human, the book reclaims intimacy as an act of resistance and a shared ground for imagining more equitable ways of seeing.

Ideas of Africa: Portraiture and Political Imagination invites us to reconsider how portrait photography helped shape a vision of Africa as more than a continent — as a dynamic political and cultural idea. Released just as the exhibition opens at The Museum of Modern Art in New York, the book gathers over one hundred striking photographs by pivotal photographers of the mid-20th century and beyond, capturing Africans and members of the diaspora at moments of transformation, hope, and assertion.

From the studios of Seydou Keïta and Malick Sidibé to the streets of Kinshasa, Bamako or Bobo-Dioulasso, these portraits depict everyday people — musicians, workers, youth, families — with dignity, style, and presence. These are not exoticized snapshots but dignified self-representations, where garments, posture, and ambience are charged with meaning. In these images, personal identity becomes collective testimony — a visual articulation of dignity amid decolonization, societal change, and the rethinking of African identity.

The book does more than archive faces — it explores the photographic portrait as a tool of political imagination. It traces how portraiture helped foster Pan-African solidarity, challenged colonial stereotypes, and offered individuals a way to assert themselves on their own terms. By placing these works side by side with contemporary contributions by artists such as Samuel Fosso, Silvia Rosi or Njideka Akunyili‑Crosby, the book demonstrates how these dialogues between generations still resonate — how portraiture remains a vital medium for expression, memory, and identity.

With essays by scholars and writers accompanying the images, the publication situates the photographs within broader historical and intellectual currents: decolonization, migration, diasporic exchange, and the global civil-rights movement. It asks its readers to see beyond surface aesthetics — to engage with photography as a medium of empowerment, solidarity, and cultural reinvention. This book is a celebration of African creativity and resilience — a tribute to the power of the portrait to transform how Africa is imagined, represented, and lived.

23Everything Is Photograph offers a sweeping and intimate portrait of André Kertész, tracing the life and work of a man whose vision helped define modern photography. Born in Budapest in 1894, Kertész’s journey carried him from the cafés of Jazz Age Paris to the bustling streets of wartime New York, through periods of acclaim, obscurity, and reinvention. This biography presents a detailed exploration of both his personal and professional life, revealing the hardships, triumphs, and enduring curiosity that shaped his art.

Kertész was a pioneer in embracing new technologies and approaches. He was among the first to see the potential of the Leica camera, forever linking the instrument to street photography, and he helped establish the language of subjective photojournalism, producing one of the earliest influential photo essays. Over his career, he captured more than 100,000 images, each marked by a distinctive combination of formal rigor, emotional depth, and subtle humor. His work explores human connection, self-expression, and the mysteries embedded in everyday life, making ordinary moments resonate with extraordinary clarity.

The biography delves into Kertész’s complex personal history, from the traumas of World War I to the shadow of the Holocaust, and from tangled romances to professional rivalries with contemporaries like Brassaï and mentorship of figures like Robert Capa. It illuminates the resilience and adaptability that allowed him to navigate both the glamour and the hardships of the photographic world, including his years working for House & Garden and his later resurgence during the 1960s photo boom.

Through archival research and interviews, the book brings Kertész vividly to life: a man of Old-World charm, occasional mischief, and profound artistic insight. Everything Is Photograph is not only a biography but a meditation on photography itself — a medium capable of narrating identity, exploring perception, and connecting people across time and place. It immerses readers in the aesthetics, culture, and humanism of a lost photographic era, while celebrating the enduring influence of one of the medium’s most innovative and generous visionaries.

A photographic atlas that projects future climate scenarios onto present-day landscapes—turning data into haunting visions of a world transformed.

Atlas of the New World is a visionary photographic project by Giulia Piermartiri and Edoardo Delille that merges documentary rigor with speculative imagination. Projecting future climate scenarios onto present-day landscapes using analog photography techniques, the book creates a compelling visual atlas of a planet in transformation. Each image overlays real places with ghostly visions of the world to come: flooded cities, vanished glaciers, scorched forests. Scientific data meets poetic insight as the work explores six geographies deeply affected by the climate crisis—from the vanishing Maldives to the scorched forests of Russia and California, the disappearing glaciers of Mont Blanc, and the flooded river basins of China.

Accompanied by texts from scientists and writers, the book invites us to see what is not yet visible: a future already seeded in our present. Atlas of the New World is both warning and proposition—a lyrical cartography of climate collapse and an urgent call for imaginative resilience.

Photographing a Modern World: Britain 1900–75, published in hardcover in December 2025, offers an expansive visual account of a nation in the midst of profound transformation. Spanning three quarters of a century, the book brings together nearly 500 news photographs that chart Britain’s passage into modernity, from the age of steam and industry to the cultural shifts of the postwar years. Drawn from the Daily Mail’s historical archive, these images form a vivid record of daily life shaped by innovation, conflict, resilience, and change.

Arranged thematically, the photographs trace how work, housing, leisure, and public life evolved across generations. Early images of machinery and industrial labor sit alongside scenes of suburban expansion, mass entertainment, and emerging youth cultures. Moments of collective trauma and resolve—most notably during World War II—are captured with striking immediacy, revealing how ordinary citizens endured and adapted during extraordinary times. Other chapters reflect optimism and curiosity, from technological breakthroughs to Britain’s fascination with science, aviation, and the Space Race.

The book highlights the role of pioneering press photographers who shaped the visual language of modern journalism. Figures such as Frank Rust and Herbert Mason brought clarity and drama to unfolding events, balancing factual documentation with a strong sense of composition and timing. Their images demonstrate how photography became central to the way news was experienced, offering both information and emotional connection. Each photograph is accompanied by a concise caption, grounding the image in its historical moment while inviting closer reflection.

Opening with an essay by social historian Dominic Sandbrook, Photographing a Modern World: Britain 1900–75 situates these images within a broader narrative of social change. More than a collection of photographs, the book functions as a collective memory, showing how modern Britain was built not only through landmark events, but through the accumulated texture of everyday life. It affirms the enduring power of news photography to define an era and preserve its complexities for future generations.

I Hear Music in the Streets: New York 1969–89 is a vibrant, sprawling portrait of a city and its underground heartbeat — a visual tribute to New York’s music subcultures during two transformative decades. The book gathers snapshots from more than 60 photographers, offering a kaleidoscopic archive of moments when hip-hop, punk, disco, Latin rhythms, street dance, and the spontaneous energy of corners, subways or summer parties converged to create something new.

Organized into eight thematic chapters — from “The Bronx Boys” to “Our Latin Thing,” “The Subways” to “Days of Disco” — the collection maps not only musical evolution, but shifts in identity, styling, community, and cultural expression. Photographs by artists like Arlene Gottfried, Peter Hujar, Susan Meiselas, Martha Cooper, Jamel Shabazz and many others portray a city alive with defiance, creativity, resilience — a metropolis where style, sound and survival intertwined.

There’s urgency in these images — block-party gatherings in the Bronx, break-dancers on summer night sidewalks, disco lights in cramped clubs, street-corner musicians carrying boomboxes as if they carried the weight of a generation. The book evokes a city before gentrification and skyrocketing rents, when public space, subculture and community still found room to breathe and evolve. The photographs resonate with the raw energy of those years: improvisation, hybridity, multicultural exchange and a sense that every street belonged to someone.

Guided by a foreword from music historian Tim Lawrence, the book situates each image in social, cultural and historical context — showing how photography became a tool not just for documentation but for identity, resistance and memory. Far from a sanitized history, it’s a celebration of grit and spontaneity, of people using music and community as survival, protest, joy and art.

I Hear Music in the Streets feels like a time capsule and an anthem: a chronicle of a city in flux, a record of voices who shaped culture from below, and a reminder that music and community often flourish on sidewalks, subway platforms, basements and rooftops — long before the lights of fame and the filters of nostalgia.

The first English-language collection of Takuma Nakahira’s influential writings on photography.

At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira’s essays brim with urgency, relentlessly interrogating photography’s relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira’s essays “both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.”

1195Claude Cahun: Cancelled Confessions (or Disavowals) returns to print as a radical and playful exploration of identity, selfhood, and resistance. Originally published in 1930, this work defies the conventions of the memoir, dismantling the notion of a fixed, singular “I” and reconstructing it in a kaleidoscope of forms: aphorisms, letters, dialogues, fables, dreams, hymns, and proclamations. Through these fragments, Cahun interrogates desire, love, gender, sex, faith, vanity, and fear, creating a literary space that is at once mischievous, profound, and defiant.

In Cancelled Confessions, the instability of self becomes a tool of liberation. Cahun refuses to conform to prescribed identities, instead multiplying and shifting their presentation across text and image. The book mirrors the artist’s famous photographic self-portraits, in which she appears in elaborate costumes, androgynous attire, or masked, often reflecting or doubling herself to question the very notion of coherence in identity. Each page of the memoir is a provocation: a playful yet incisive invitation to reconsider the boundaries imposed by society, art, and the self itself.

This edition thoughtfully recreates the spirit of the original book, enriched with the 1930 preface by Pierre Mac Orlan and contemporary essays by scholar Amelia Groom and translator Susan de Muth. These contextual contributions illuminate Cahun’s prescience, highlighting how her inquiries into gender fluidity, performativity, and defiance of norms resonate with today’s cultural and political conversations. Nearly a century old, the work remains urgent, asserting that resilience requires transforming defeat into power, and that liberation often emerges through imaginative rebellion.

Born in France in 1894, Claude Cahun collaborated closely with Marcel Moore to create a body of work that spans photography, writing, and activism. Celebrated today as a pioneer of queer and feminist expression, Cahun’s art and life reflect audacity, wit, and the courage to challenge oppressive regimes and artistic orthodoxies alike. Cancelled Confessions (or Disavowals) is not only a literary and visual milestone but also a manifesto of imaginative freedom, inviting readers to embrace multiplicity, uncertainty, and the radical potential of the self.

For tastemakers and citizens of the world, this iconic collection features the best of National Geographic’s world-class imagery across more than 250 cutting-edge photographs.

This glorious, large-format photography collection will immerse animal, science, and nature lovers in the unparalleled legacy of National Geographic’s best-in-class imagery. Featuring fan favorites like the Afghan girl and the sunken prow of the Titanic, as well as gems unearthed from the organization’s celebrated archive, THE PHOTOGRAPHS is for anyone passionate about discovering, protecting, and honoring the wonders of the planet.

In these pages, you’ll find dazzling images from every corner of the globe, including magnificent wildlife and human achievements in science, technology, exploration, archaeology, and adventure. Step into the lives of acclaimed National Geographic photographers like Brian Skerry, Anand Varma, and Jodi Cobb, and read interviews with legends and rising stars like Rob Clark, David Doubilet, Erika Larsen, Camille Seaman, and many more.

Both vivid and timeless, THE PHOTOGRAPHS is a must-have for anyone who loves photography, nature, and the human story.

Aviary presents a thought-provoking overview of contemporary bird photography, featuring the work of more than fifty internationally recognized photographers in an enthralling odyssey that is both a visual celebration of the wonders of nature and a stark reminder of its fragility.

Aviary presents the work of more than fifty internationally recognized photographers who explore our complex relationship with birds, questioning how we observe them and respond to their presence―and vice versa. Rather than being organized by field of study or species, Aviary surveys the symbiotic relationship between animals and humans through six thematic chapters imagined as "Acts" in a theatrical pageant.

Photographs of birds feature rarely in the early decades of photography: birds were too fast to be captured in flight and could not be depicted in color, limitations that took many years to rectify. Today, however, with superb technical means at their disposal, photographers have taken to the subject with great enthusiasm, inspired by our everincreasing understanding and appreciation of avian complexity. Taking an eclectic curatorial approach, authors Danaé Panchaud and William A. Ewing weave together photography from the diverse fields of art, documentary, fashion, portraiture, ornithology, and wildlife photography into six "Acts" that propose intriguing new dialogues and visual theater between these different modes of photographic expression. Aviary features over two hundred photographs from leading image-makers including Leila Jeffreys, Sarah Moon, Roger Ballen, Vik Muniz, Tim Flach, Viviane Sassen, Robert Clark, and Nadav Kander, among many others.

An essential, visual study of the relationship―beautiful, complex, and occasionally dark―between humans and birds.

Yves Saint Laurent and Photography offers an intimate and richly layered exploration of one of fashion’s most influential figures through the lens of photography. Spanning more than four decades, the book reveals how Yves Saint Laurent understood the camera not merely as a means of documentation, but as an essential partner in shaping the identity of his work and his era. Photography becomes a language through which his designs achieved permanence, emotion, and myth.

From the early days of his career to the closing of his fashion house in 2002, Saint Laurent engaged in a remarkable dialogue with photographers who defined 20th-century visual culture. The images created by figures such as Richard Avedon, Irving Penn, Helmut Newton, and Sarah Moon transcend seasonal trends, capturing the spirit of a designer who consistently challenged conventions. These photographs do more than present garments; they construct narratives of elegance, rebellion, and modernity that mirror the cultural shifts of their time.

The book traces the evolution of fashion photography alongside Saint Laurent’s own creative journey. Iconic muses—including Audrey Hepburn, Catherine Deneuve, Naomi Campbell, and Kate Moss—appear not as passive models, but as collaborators in a shared vision. Through studio portraits, location shoots, and spontaneous moments, the imagery reflects a tension between structure and freedom that lies at the heart of Saint Laurent’s work.

Beyond the celebrated photographs, the volume also reveals a more private dimension of the couturier. Archival materials and portraits of Saint Laurent himself offer insight into a man acutely aware of his public image, yet deeply introspective. These rare documents anchor the glamour in lived experience, reminding readers that fashion history is inseparable from personal struggle, discipline, and artistic obsession.

Lavishly produced and thoughtfully curated, Yves Saint Laurent and Photography stands as both a tribute and a historical record. It affirms photography’s enduring role in preserving fashion’s legacy, and honors a designer whose vision continues to influence how style, identity, and image intersect in contemporary culture.

Trucks and Tuks explores the vibrant world of decorated vehicles across South Asia, revealing how everyday modes of transport become moving works of art. In this richly illustrated volume, photographer Christopher Herwig turns his lens toward a visual tradition that blends craftsmanship, storytelling and personal expression, transforming roads and highways into open-air galleries.

Across India, Pakistan, Nepal and Sri Lanka, these vehicles carry far more than passengers or cargo. They bear dreams, prayers, aspirations and humor. A truck might feature a majestic eagle rising toward stormy skies, while a tuk tuk may be adorned with shimmering portraits of beloved film stars or painted verses calling for luck and protection. Every motif — from floral garlands to supernatural beings — is chosen with intention, giving each vehicle its own identity and voice.

Herwig spent four years traveling more than 10,000 kilometers to document this kaleidoscopic tradition. His journey reveals not only regional variations in style but also the cultural significance behind each embellishment. In Pakistan’s north, trucks often boast intricate wooden crowns, their curved shapes echoing royal headpieces; in Sri Lanka, tuks may carry devotional symbols alongside contemporary pop culture icons, capturing the joyful coexistence of old and new. Typography, too, plays a central role: hand-painted slogans offer blessings, convey social messages or simply urge fellow drivers to blow their horns.

Yet this exuberant form of folk art stands at a crossroads. Government regulations, coupled with mass-produced decorations, threaten to dull the individuality that once defined these vehicles. Herwig’s project takes on an archival role, preserving a tradition whose future is uncertain.

Trucks and Tuks is not only a photographic survey but also a tribute to the artists, drivers and communities who imbue the region’s roads with color and character. It celebrates the resilience of creativity in everyday life and invites readers to see ordinary vehicles as powerful symbols of cultural heritage.

Family of Migrants mirrors Edward Steichen's 1955 Family of Man exhibition, focusing on migration through 400 global photographs, exploring departure, journey, arrival, family, loss, and love.

The Family of Migrants is inspired by the legendary exhibition The Family of Man, an ode to humanity created by photographer and curator Edward Steichen, that opened at the Museum of Modern Art in New York in 1955. This book features around 200 photographs and will show the most striking photography that tells universal, timeless stories of human existence, such as departure, journey and arrival, and themes like family, loss and love.

Among the hundreds of images are iconic as well as unknown photos by, among many others, James Nachtwey, Margaret Bourke-White, Robert Capa, Imogen Cunningham, Mary Ellen Mark, Steve McCurry, Stephan Vanfleteren, Lewis Hine, Chien-Chi Chang, Abbas Attar, Robert de Hartogh, Wang Fuchun, Dorothea Lange, Ara Gu¨ler, Leonard Freed, Ata Kandó and Ishiuchi Miyako.

An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.

Critical Photojournalism guides readers through a variety of ethical, technical and business skills, plus the mental health, self-care and safety considerations necessary to thrive in the field. Drawing on their extensive industry and teaching experience, the authors provide real-world advice on how to navigate the demands of the profession while addressing the impact that photojournalism has on society and ways that photojournalists can mitigate harm. Consideration is given to understanding and disrupting implicit bias and power structures in newsrooms, as well as issues around access, working in breaking news environments and balancing informed consent with varying media laws around the world. In accessible language, this book highlights the importance of collaboration and community engagement in contemporary photojournalism and encourages students to adopt a decolonial approach to their work. Readers will learn to balance the needs for accuracy and thoughtfulness with the priorities of a global, social-media-engaged audience.

This is a key textbook for those seeking a nuanced introduction to visual journalism and/or a fresh approach to their craft. This book is supported by a website which can be accessed at www.criticalphotojournalism.com. The website includes a full-length bonus chapter on video and photojournalism, interviews with professional visual journalists, further tips and tools, and a glossary of key terms.

Why do some photographers succeed when others fail? It’s often because the successful ones know the Photography Business Basics…

Written with a friendly, conversational tone Photography Business Basics offers easy to read, practical advice using an innovative work-back plan that logically deconstructs a mountain of activities into manageable actions.

You’ll learn how to:
Set your pricing in the simple and most effective way.
Craft your sales funnel and construct a marketing plan based on marketing math.
Use SEO strategies to improve your rankings and discover the only metric that matters.
Plus much more!

Photography Business Basics is a resource for emerging, mid-career, and experienced photographers of all specialties interested in starting or making their own freelance business the best it can be.

‘Chromotherapia. The Feel-Good Color Photography’ offers genuine relief from the black-and-white world. Often disparaged, not always taken seriously, color photography has nevertheless allowed artists to get out their palettes and “paint.” Many have freed themselves from the medium’s documentary status to explore the common roots of the image and the imaginary, flirting with the worlds of Surrealism and Pop.
Famed Italian visual artist and curator Maurizio Cattelan and curator Sam Stourdzé offer a rereading of the history of color photography through the 20th century into the 21st, and through the works of over 20 artists who take us on a journey into vibrant, acidulous worlds. Treat yourself to sunny yellow, azure blue, bright red, bubbly orange and more, straight from the lenses of the biggest names in color photography. Artist include: Yevonde Middleton, Harold Edgerton, Erwin Blumenfeld, Walter Chandoha, William Wegman, Hiro, Guy Bourdin, Alex Prager, Juno Calypso, Adrienne Raquel, Miles Aldridge, Ouka Leele, Hassan Hajjaj, Ruth Ossai, Pierre et Gilles, Sandy Skoglund, Martin Parr, Arnold Odermatt, ‘Toiletpaper’.

Conversations with a chatbot on legends of contemporary photography

Using works from the collection of the Maison Europeenne de la Photographie, Ann Massal (born 1977) engages an artificial intelligence chatbot in a dialogue on photography, asking it about the legacy of photography from the point of view of “the conscience of the world.”

The first title in Aperture’s Vision & Justice Book Series—featuring a collection of award-winning short essays by Maurice Berger that explore the intersections of photography, race, and visual culture. Created and coedited by Drs. Sarah Lewis, Leigh Raiford, and Deborah Willis, the series reexamines and redresses historical narratives of photography, race, and justice.

Race Stories: Essays on the Power of Images examines the transformational role photography plays in shaping ideas and attitudes about race and how photographic images have been instrumental in both perpetuating and combatting racial stereotypes. Written between 2012 and 2019 and first presented as a monthly feature on the New York Times Lens blog, Berger’s incisive essays help readers see a bigger picture about race through storytelling. By directing attention to the most revealing aspects of images, Berger makes complex issues comprehensible, vivid, and engaging. The essays illuminate a range of images, issues, and events: the modern civil rights movement; African American–, Latinx–, Asian American–, and Native American photography; and pivotal moments in the nineteenth and twentieth centuries when race, photography, and visual culture intersected. They also examine the full spectrum of photographic imaging: from amateur to professional pictures, from snapshots to fine art, from mugshots to celebrated icons of photojournalism.

Race Stories collects together Berger’s reader-friendly essays in their breadth and brilliance to encourage a broad range of readers to look at and think about photographs in order to better understand themselves and the diverse world around them.

n November 1936, publisher Henry R. Luce launched Life as a photo-led weekly news magazine with a clear purpose: “To see life; to see the world; to eyewitness great events.” Before readers’ attention was consumed by television, Life served as their window to the world, and by the late 1940s, it was being viewed by 1 in 3 Americans. Jean Harlow was the first movie star to appear on a Life cover in 1937, and from then until 1972 over 200 covers featured Hollywood-related subjects, illustrating the strength of the bond between Life and the film industry.

Matching the splendor of the finest Hollywood production, this two-volume epic blockbuster tells the intertwined story of a magazine and an art form that embodied the pinnacle of American imagination. Meticulously researched and curated, it features over 600 images from the magazine’s archives—well over half previously unseen—and stars icons such as Bette Davis, Elizabeth Taylor, Marlon Brando, Clark Gable, Steve McQueen, Sophia Loren, Alfred Hitchcock, Sidney Poitier, Paul Newman, Jane Fonda, Brigitte Bardot and many more. Life had special access to these celebrities following them on set, to extravagant parties, Oscar nights and at home, providing readers with intimate glimpses of their lives away from the spotlight.

Volume 1 (1936-1950s) covers the Golden Age of Hollywood: dashing leading men, glamorous starlets, powerful studio moguls, and opulent lifestyles. Witness how Life didn’t just indulge fantasy, but also documented the inner workings of the industry and the collective effort that went into creating the illusions on the screen, from screenwriters and composers to publicists and acting coaches. Volume 2 (1950s-1972) focuses on the New Hollywood, in which major studios gradually lost their stronghold, marked by a shift toward independent films, international stars, and a more diverse array of voices and faces. See how Life reported from the sets of classic movies such as The Godfather, Guys and Dolls, and The Ten Commandments;¬ and with the aid of exclusive editorial materials like contact sheets, tear sheets from the stories, and internal editorial notes, we learn how Life planned and framed their innovative photo-essays.

Featuring introductory texts by photography critic Lucy Sante, captions by film historian Justin Humphreys, and over 70 legendary Life photographers such as Alfred Eisenstaedt, Peter Stackpole, Gordon Parks, Lisa Larsen, Margaret Bourke-White, Gjon Mili, and many others, Life. Hollywood is a celebration of the 20th century’s most important photography magazine and the irresistible allure of Hollywood and movie magnificence.

Shining Lights: Black Women in Photography in the 1980s–90s is the first critical anthology of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of British photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication tells a unique story from the dual perspectives of lived experience and historical investigation, authored and researched by one of the period’s most influential photographic artists, Joy Gregory. The pioneering and diverse work created by Black women artists in the UK over the course of these two decades marked an important juncture in both documentary and conceptual practices, including the experimental use of photomontage, self-portraiture, staged imagery, and photography in dialogue with other media. Shining Lights showcases the expertise and evolution of this work, illuminated by ephemera and archival material, new essays and roundtable conversations, foregrounding a variety of individual artistic developments as well as the communities fostered around them. Amongst the fifty-eight photographers included are Maxine Walker, Ingrid Pollard, Claudette Holmes, Roshini Kempadoo, Mohini Chandra, Carole Wright, Joy Gregory, Sutapa Biswas, Maud Sulter, Brenda Agard, Anita McKenzie, Mitra Tabrizian, Poulomi Desai, Virginia Nimarkoh, Jennie Baptiste, Nudrat Afza, Merle Van den Bosch, and Eileen Perrier. This comprehensive publication by Joy Gregory is developed in close collaboration with photography historian and writer Taous Dahmani, and is co-published with Autograph, London.

An exquisite photography book featuring the collaborative work of fashion photographer Tom Kublin and renowned haute couture designer Cristóbal Balenciaga.

The first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristóbal Balenciaga during the fashion house's postwar heyday in Paris.

More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots―including exclusive film footage of Balenciaga himself at work―to striking covers and editorials for high-profile magazines.

Balenciaga – Kublin begins with a foreword by Maria Kublin and continues with a biography by Ana Balda, charting Kublins career, his place in the artistic milieu of the European avant-garde, and his working relationship with Balenciaga. Miren Vives, head of the Cristóbal Balenciaga Museum, also contributes.

Additional texts come from fashion industry professionals who worked with and knew Kublin best: an interview with his partner and muse, the model Katinka Bleeker; memories from the Italian fashion photographer Gian Paolo Barbieri, who began his career as Kublin's assistant in Paris in the 1960s; and a piece by Lydia Slater, editor in chief of Harper's Bazaar UK, who looks back on Kublin's work for the magazine at a pivotal time in its history.

This book honors the successes and innovations of Kublin's career, recording for posterity his contribution to fashion photography and the iconography of the House of Balenciaga.

With a title inspired by a quote from Robert Capa, co-founder of Magnum Agency, 'If your pictures aren’t good enough, you’re not close enough,' Close Enough presents over a hundred works of art created by women. This includes Sabiha Çimen’s explorations of the experiences of young Islamic women in Turkey, Alessandra Sanguinetti’s long-term collaboration with her Argentine cousins Guille and Belinda, Bieke Deporter’s dialogue with Egyptian women from different social, cultural, and religious backgrounds, and Susan Meiselas’ work with women who sought refuge from domestic violence in the UK. The exhibition also features works by Olivia Arthur, Myriam Boulos, Cristina de Middel, Carolyn Drake, Nanna Heitmann, Hannah Price, Lua Ribeira, Cristina Garcia Rodero, and Newsha Tavakolian. The exhibition was curated by the photographers in collaboration with Charlotte Cotton and coincides with the seventy-fifth anniversary of the founding of Magnum Photos.

I’m So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.

Collecting high-quality fine art photography can seem intimidating, but it doesn’t have to be. Learn to fine-tune your senses and empower yourself to make choices you love. This compact, helpful guide will teach you the important elements of building, maintaining, and displaying a photo collection. You’ll also learn where to buy photographs and how to frame, display, and store them. You’ll gain valuable insights regarding print types, editions, appraisals, and more. Whether you’re new to collecting photographs or a seasoned collector, you’ll find easy-to-read, engaging information on these pages.

For the press tour following the record-breaking release of Greta Gerwig’s award-winning, acclaimed Barbie movie, producer and star Margot Robbie and her stylist Andrew Mukamal immersed themselves in some of Barbie’s most iconic outfits and curated vintage pieces, then approached designers, from Giorgio Armani to Donatella Versace, to create looks inspired by the doll-size originals. Many of these looks were not seen as the official Barbie press tour was cut short—so Margot and Andrew worked with renowned fashion photographer Craig McDean to shoot her in the looks exactly as they were curated: Schiaparelli in Los Angeles, Vivienne Westwood in London, vintage Chanel with matching Steamline luggage at the airport, and beyond.
Accompanying McDean’s sumptuous photography are original Barbie dolls from the period, a treasure trove of rare materials from Mattel’s Barbie fashion archives, and the designers’ sketches and Polaroids from fittings, layered into evocative collages by Fabien Baron, who conceived and produced the shoots and art-directed the book. With text by Margot Robbie and Andrew Mukamal, as well as handwritten contributions from the designers behind the looks (from Olivier Rousteing and Michelle Ochs to Manolo Blahnik and Jeremy Scott), this unique book blends the serious chic of high fashion with the serious fun of Barbie world—the dolls, the history, and the style that have captured imaginations for 65 years.

Explore the creation of Denis Villeneuve’s film adaptations of Dune through this evocative fusion of actor Josh Brolin’s sublime writing and cinematographer Greig Fraser’s intimate set photography. During the shooting of Dune: Part One and Dune: Part Two, Greig Fraser went beyond standard unit photography and documented the filming process using still photography on a variety of cameras. This led the cinematographer on an unexpected creative journey that yielded an electrifying gallery of photographs. Meanwhile, Brolin, who plays Warmaster Gurney Halleck in the two films, shares his on-set experience through his vivid, poignant writing. Brolin and Fraser developed a unique bond during production, solidifying a connection that led to this remarkable collaboration that seamlessly juxtaposes the actor’s enthralling writing with the cinematographer’s striking images. An exceptional new way to experience life on the set of the Dune film adaptations, this thrilling ode to the art of filmmaking from two of the most revered artists in the industry is an unmissable publishing event.

Rebel Music is a tribute to one of the greatest legends in world music, Bob Marley. In 1975, Kate Simon first photographed Bob Marley and the Wailers at the Lyceum in London, where the now-legendary live performance of ‘No Woman No Cry’ was recorded. They then collaborated throughout the Seventies, with Simon shooting some of the most intimate, enduring and emblematic images ever taken of Marley, including his iconic Kaya album cover.

Simon captured it all: portraits of the reggae greats of the Seventies, such as Lee ‘Scratch’ Perry, Bunny Wailer and Peter Tosh; the Exodus Tour, on the road with Bob Marley and The Wailers as they performed across Europe; and the One Love Peace Concert, where Bob famously united Jamaica’s opposing political leaders. Ultimately, in 1981, Simon would ride with the funeral cortege from Kingston to St Ann and Bob Marley’s final resting place.

Rebel Music contains over 400 photographs from Simon’s archives, many published here for the first time. Introduced by Patti Smith, with a foreword by Lenny Kravitz and afterword by Keith Richards, a cast of 24 contributors join Simon in sharing the stories behind the images, including ex-Wailers guitarist Junior Marvin and bass player and band leader Aston ‘Family Man’ Barrett; musicians such as Junior Delgado, Steve Jordan, Paul Simonon and Bruce Springsteen; filmmaker Don Letts and producer Danny Sims; and Island Records founder, Chris Blackwell.

The latest and third BOYS! BOYS! BOYS! volume presents new work by more than sixty photographers from thirty countries including China, India, Iran, Poland, and Russia where gay rights are repressed and queer lives are under constant threat.

BOYS! BOYS! BOYS! was founded by The Little Black Gallery and is curated by Ghislain Pascal to promote queer and gay fine art photography, which includes their bi-annual magazine with the same name. The first BOYS! BOYS! BOYS! book was published in 2019, the second volume in 2020, both have sold out. Part of the proceeds of this volume will be donated to charities supporting the LGBTQ+ community and fighting the HIV / AIDS epidemic.

Featured Photographers: AdeY, Johnny Abbate, Alex Avgud, Yves De Brabander, Domenico Cennamo, David Charles Collins, Alexander Courtman, David-Simon Dayan, Alejo Dillor, Ivan Donadio, Diogo Duarte, Michael Epps, Matthew Finley, Stéphane Gizard, Greg Gorman, Ashish Gupta, Jerome Haffner, Babak Haghi, Tim Hailand, Brice Hardelin, Florian Hetz, Serge Le Hidalgo, Raj Kamal, Matheus Katayama, Dmitry Komissarenko, Richard Kranzin, Leo Maki, Krzysztof Marchlak, Paul McDonald, Juan Antonio Papagni Meca, Charles Moriarty, Bert Van Pelt, Sebastian Perinotti, Alessandro Pollio, Xavier Samre, Michael Sondergaard, Tyler Udall, Ruben van Schalm, Luis Venegas, Gerardo Vizmanos, Shen Wei et al.

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma.

The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie.

Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, BOB DYLAN: MIXING UP THE MEDICINE is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well.

Edited by Mark Davidson and Parker Fishel, BOB DYLAN: MIXING UP THE MEDICINE focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day.

The centerpiece of BOB DYLAN: MIXING UP THE MEDICINE is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive.

With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own.

BOB DYLAN: MIXING UP THE MEDICINE is an unprecedented glimpse into the creative life of one of America’s most groundbreaking, influential and enduring artists.

Award-winning photographs and stories from the 66th annual World Press Photo Contest
Since 1955, the annual World Press Photo Contest has set the standard in visual journalism. The 2023 Yearbook showcases the most striking press photographs and compelling reports from 2022, carefully selected from thousands of entries by six regional and one global jury of acclaimed independent professionals.
Providing a diversity of perspectives from all over the world, the awarded works bear witness to the events that shaped this past year and document in long-term projects the ongoing issues we face. Recognizing the importance of photojournalism and documentary photography at a time when truth is so contested, the awarded images share courageous stories and present invaluable insight―from war zones, the struggle for civil rights and political empowerment to the visible effects of the climate crisis, which were felt in 2022 more acutely than ever.

The Eye Mama book is a photographic portfolio showcasing the mama narrative and the mama gaze, what female and non-binary photographers see when they look at, and into the home.
Based on the Eye Mama Project, a photography platform sharing a curated feed by photographers worldwide who identify as mamas, the Eye Mama book brings together more than 150 images to render what is so often invisible―caregiving, mothering, family and the post-motherhood self― visible.
Eye mama was created by BAFTA-nominated filmmaker and photographer Karni Arieli during the pandemic, when everyone around the world was in lockdown and spending more time in the home, often consumed by caregiving. The visual movement centres around the “mama gaze”, an introspective look at home and care by female and non-binary visual artists.
This iconic book of photographs brings together the images from this movement, experiencing the light and dark of care and parenthood, the beauty of close-up details, love and hardship, and most importantly, the personal poetic truths of these mamas and artists.

The power of photographylies in its ability to ignite emotions across barriers of language and culture. This selection of iconic images, compiled by pioneering collector and gallerist Peter Fetterman, celebrates the photograph's unique capacity for sensibility.

Peter has been championing the photographic arts for over 30 years. He runs what is arguably the most important commercial photography gallery in the world. During the long months of lockdown, Peter ‘exhibited' one photograph per day, accompanied by inspirational text, quotes and poetry. This digital collection struck a chord with followers from around the world. The Power of Photography presents 120 outstanding images from the series, along with Peter's insightful words.

This carefully curated selection offers an inspiring overview of the medium while paying homage to masters of the art. From the bizarre Boschian fantasies of Melvin Sokolsky to the haunting humanity of Ansel Adams's family portraits; from Miho Kajioka's interpretation of traditional Japanese aesthetics of to the joyful everyday scenes of Evelyn Hofer; from rare interior shots by famed nude photographer Ruth Bernhard to Bruce Davidson's wistful depiction of young men playing ballgames on a street; this book gathers some of the most unique and heartening photographs from the 20th century. Each image is a time capsule, offering us a glimpse into days gone past. Yet each photograph also speaks of tranquillity, peace, and hope for the future.

We live in turbulent times, which arouses a longing to pare down to the essentials in many people. The trend towards minimalism is reflected in the worlds of home living, environmental awareness, and mindfulness, to be sure, but it is also reflected in art and photography. The minimalist photographer’s eye directs the viewer’s gaze to the aesthetics of the ordinary, transforming them into something extraordinary, something inspiring. The resulting photographs always use clean lines, often arranged in geometric compositions. Minimalist artists such as Maria Svarbova, Maarten Rots, Matthieu Venot, and Natalie Christensen borrow their motifs from everyday life. They can be schematic depictions of topography, or purely two-dimensional, abstract compositions. Sometimes they are detailed, sometimes large-scale. The point is always reduction.

Postcards of a nation embracing a new democratic technology.

The ubiquity of photography and social media today makes it hard to imagine a time when it was not possible for ordinary people to take their own pictures and send them with short messages over long distances. But it was revolutionary when the Eastman Kodak Company, in 1903, unveiled a new postcard camera that produced a postcard-size negative that could print directly onto a blank card. Suddenly almost anyone, amateurs and entrepreneurial photographers alike, could take a picture―of neighbors at home and at work, local celebrations, newsworthy disasters, sightseeing trips―and turn it into a postcard.

This book captures this moment in the history of communications―from around 1900 to 1930―through a generous selection of what came to be known as “real photo postcards” from the extensive Leonard A. Lauder Postcard Archive. As the formality of earlier photography falls away, these postcards remind us that the past was occupied by people with distinct and individual stories, dramatic, humorous, puzzling and surprising.

How have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation.

Spanning more than 100 years of photography, the works in Our Selves range from a turn-of-the-century photograph of racially segregated education in the United States, by Frances Benjamin Johnston, to a contemporary portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero.

As the title of this volume suggests, Our Selves affirms the creative and political agency of women artists. A critical essay by curator Roxana Marcoci asks the question “What is a Feminist Picture?” and reconsiders the art-historical canon through works by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by emerging scholars explore themes such as identity and gender, the relationship between educational systems and power, and the ways in which women artists have reframed our received ideas about womanhood.

Published in conjunction with a groundbreaking exhibition of photographs by women artists―drawn exclusively from MoMA's collection, thanks to a transformative gift of photographs from Helen Kornblum in 2021―this richly illustrated catalog features more than 100 color and black-and-white plates. As we continue to aspire to equity and diversity, Our Selves contributes vital insights into figures too often relegated to the margins of our cultural imagination.

The Polaroid Corporation’s photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff. The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph.
Features: more than 250 works from the Polaroid Collections an essay by Polaroid’s Barbara Hitchcock on the beginnings of instant photography and the collection’s history a chapter featuring the various types of Polaroid cameras

In the summer of 1971, Michael Lesy and a friend found most of the snapshots in Snapshots 1971–77 in a dumpster behind a gigantic photo-processing plant in San Francisco. The photos were in the trash because the machines that printed them made them so fast — duplicates, triplicates, quadruplicates — that the people on the processing line couldn't stop them. Week after week, Lesy took home thousands of snapshots from the dumpster. He studied them as if they were archeological evidence. By the end of the summer, he'd formed his own collection of images of American life. He took that collection with him when he returned to Wisconsin to finish his graduate work in American history. His understanding of the snapshots from California as reflections of the troubled state of American society influenced the PhD research he was doing in Wisconsin - research that became the American classic Wisconsin Death Trip (1973). Over the next six years, Lesy added to his collection of California snapshots with hundreds of snapshots that had been left unclaimed and then discarded by a photo processor in Cleveland. While Lesy looked through other people's lives in pictures, the world was coming apart at the seams. The Vietnam War, the murderous rampage of the Manson Family, and the Attica State Prison uprising filled news headlines — and the general public carried on their lives, with hope and abandon and everything in between: chaos, cruelty, familial bonds and breaks, materialism, lawlessness, unwitting humor. Lesy's collection of snapshots from the 1970s is a time capsule of things familiar and alien. Now, fifty years later, everything and nothing about our lives has changed. In Wisconsin Death Trip Lesy pulled back the curtain of "the good old days" to reveal the stark reality of American life from 1890 to 1910. The anonymous images in Snapshots 1971-77 serve as prophesies of present-day broken dreams, toils, and tribulations.

1406In this fully revised and greatly expanded second edition of The Essence of Photography, world-renowned photographer and teacher Bruce Barnbaum draws upon 50 years of experience and observation to teach the art of photographic seeing and creativity.

There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully.

In this revised and expanded second edition of The Essence of Photography, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from 50 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping stones that will lead you to your own heightened ability to see and be creative.

Magnum Dogs brings together a brilliantly diverse and entertaining selection of images that showcase man's best friend, through the visual wit and skill of Magnum's photographers. This collection features some 180 photographs of dogs from across the world-and highlights the depth of their relationships with humans. The book is organized into five thematic chapters-"Streetwise," "Best in Show," "It's a Dog's Life," "At the Beach," and "Behind the Scenes." These encounters include immaculately coiffed showdogs captured in wryly observed photography from the likes of Martin Parr and Harry Gruyaert as well as privileged, intimate glimpses of Hollywood stars alongside their trusted, four-legged confidants, as seen through the lenses of Eve Arnold and Dennis Stock.

Since the Magnum photo agency was founded eight decades ago, dogs have found their way into the collection's most captivating images. Whether depicting pampered pooches lounging in Parisian apartments or beloved family dogs, these photos convey affection, humor, and insight into the universal human bond with canines.

Each of the women in this series stepped out of the bounds of physical and social expectations to pursue her personal vision through photography. Some were fortunate to have come from wealthy families who fostered their interests. Others had to make their way by supporting themselves, or they found encouragement from other, more established photographers. Many chose to avoid or leave behind the comforts of married life at a time when marriage provided the primary source of financial security for a woman. Each of them surmounted the challenges they encountered in order to pursue their dreams. I hope their true stories inspire you, and I invite you to continue documenting and recording whatever is most important in your life through the ever-evolving tool of photography, just as these women did before you.

This provocative book of photography offers bold new insight into the lives of the world's largest mammals, along with their complex societies. In these pages, we learn that whales share an amazing ability to learn and adapt to opportunities, from specialized feeding strategies to parenting techniques. There is also evidence of deeper, cultural elements of whale identity, from unique dialects to matrilineal societies to organized social customs like singing contests. Featuring the arresting underwater images of Brian Skerry, who has explored and documented oceans for over four decades, this book will document these alluring creatures in all their glory--and demonstrate how these majestic creatures can teach us about ourselves and our planet.

A glorious new volume of Sartore's signature animal portraits, this time highlighting the fascinating shapes, patterns, and expressions of animals both familiar and little known. Joel Sartore, on a mission to photograph all the animal species in human care, now delights us with more photographs, this time selected to represent the amazing diversity of the world's animals.

The book's four chapters -- Pattern, Shape, Extra, and Personality -- invite us to revel in these photographs, many cleverly paired into amusing and often surprising comparisons, like the catfish and the mouse with the same stripes down their backs, the tarantula and the poison dart frog both cobalt blue, or the tiny lizard and the weighty ox both sporting pointed horns.

Discover the world's ocean--from tides and currents to the creatures living in it to the impact it has on our lives, whether we know it or not--in this richly illustrated overview of the life force that defines and sustains our planet, written by world-renowned oceanographer Sylvia Earle.

Everything you want to know about the ocean can be found inside these beautiful and dynamic pages. National Geographic Ocean unveils the power and significance of our planet's watery essence: the fundamental importance of the ocean in shaping Earth's climate and chemistry as well as its vital role in supporting a multitude of life-forms, including our own human race.

World-renowned oceanographer and National Geographic Explorer in Residence Sylvia Earle--affectionately called "Her Deepness"--guides readers with her lyrical style and inspiring wisdom, describing the evolution, beauty, and impact of our ocean; the challenges it faces, such as climate change, plastic, and overfishing; and the myriad ways we can help protect it.

This comprehensive reference explains the fundamental science of the ocean--from plate tectonics to seawater makeup, including a fascinating illustrated guide to marine life, from sponges, kelp, and zooplankton to whales, sharks, and sea turtles. More than 100 maps and diagrams, including seafloor and political maps of all Earth's seas and oceans, elucidate Dr. Earle's authoritative text.

Now in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing.

Individual chapters cover:

Key debates in photographic theory and history
Documentary photography and photojournalism
Personal and popular photography
Photography and the human body
Photography and commodity culture
Photography as art.

This revised and updated edition includes new case studies on topics such as: Black Lives Matter and the racialised body; the #MeToo movement; materialism and embodiment; nation branding; and an extended critical discussion of landscape as genre.

Illustrated with over 100 colour and black and white photographs, it features work from Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Höch, Mari Katayama, Sant Khalsa, Karen Knorr, Dorothea Lange, Susan Meiselas, Lee Miller, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall.

A fully updated resource information, including guides to public archives and useful websites, full glossary of terms and a comprehensive bibliography, plus additional resources at routledgetextbooks.com make this an ideal introduction to the field.

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images.

Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.

An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world

During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art―including photography.

This groundbreaking, richly illustrated book looks at those “new women” who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s. Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism.

Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.

Typical warzone coverage has two focuses. The fighters, predominantly young men; and the victims - everyone else. This book calls this familiar narrative into question. Without glamorizing or sanitizing the harsh realities of our world, it presents the endurance and iron will of women in situations of war, poverty and hardship.

Throughout his career, award winning photographer Tom Stoddart has shown us the remarkable resilience of all sorts of people from across the world. With Extraordinary Women, he hones his focus on the female perspective. His photojournalistic approach travels through the recent decades, with images displaying courage and freedom, the working lives of everyday women and the frontline of war.

Each photo serves as a testament to the agency and strength of those who are so often portrayed as vulnerable and helpless. Tom Stoddart has built a reputation for compelling work, and this collection is especially remarkable for its uncompromising celebration of humanity.

Imagining Everyday Life: Engagements with Vernacular Photography surveys the expansive field of vernacular photography, the vast archive of utilitarian images created for bureaucratic structures, commercial usage and personal commemoration (as opposed to aesthetic purposes). As a crucial extension of its ongoing investigation of vernacular photography, the Walther Collection has collaborated with key scholars and critical thinkers in the history of photography, women's studies, queer theory, Africana studies and curatorial practice to interrogate vernacular's theoretical limits, as well as to conduct case studies of a striking array of objects and images, many from the collection's holdings.

Cabinet cards were America's main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 6½ x 4¼ inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends.

The cards reinforced middle-class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emotionally connected with those portrayed. The experience even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards forecast the snapshot and today's ubiquitous photo sharing.

Organized by senior curator John Rohrbach, Acting Out is the first ever in-depth examination of the cabinet card phenomena. Full-color plates include over 100 cards at full size, providing a highly entertaining collection of these early versions of the selfie and ultimately demonstrating how cabinet cards made photography modern.

Recover the stories of long-overlooked American women who, at a time when women rarely worked outside the home, became commercial photographers and shaped the new, challenging medium. Covering two generations of photographers ranging from New York City to California's mining districts, this study goes beyond a broad survey and explores individual careers through primary sources and new materials. Profiles of the photographers animate their careers by exploring how they began, the details of running their own studios, and their visual output. The featured photos vary in form—daguerreotype, tintype, carte de visite, and more—and subject, including Civil War portraits, postmortem photography, and landscape photography. This welcome resource fills in gaps in photographic, American, and women's history and convincingly lays out the parallels between the growth of photography as an available medium and the late-19th-century women's movement.

America the Beautiful showcases the stunning spaces closest to our nation's heart--from the woods in the Great Appalachian Valley that Davy Crockett once called home to the breathtaking sweep of California's Big Sur coast to the wilds of Alaska. It also celebrates the people who have made this country what it is, featuring a wide range of images including the Arikara Nation in the early 1900s and scientists preparing for travel to Mars on a Hawaiian island. Culled from National Geographic's vaunted photo archives, spanning a period of more than 130 years, this provocative collection depicts the splendor of this great nation as only National Geographic can, with a dramatic combination of modern and historical imagery--from the creation of architectural icons like the Golden Gate Bridge and Lady Liberty to the last of the country's wild places preserved in our national parks. With a structure inspired by the original song "America the Beautiful," this book recognizes what makes our nation great, region by region. And all 50 states and six territories of the U.S. are honored with 50 words from celebrities, historians, activists, conservationists, and politicians who call America home. Profound and inspiring, this is a book for everyone who has ever marveled at the beauty of the United States.

Curated by renowned London-based curator, Mark Sealy MBE, the FotoFest Biennial 2020, African Cosmologies: Photography, Time, and the Other brings together over 30 artists from around the globe whose works challenge traditional notions of Blackness and transnational histories in relation to concepts of liberty, rights, and representation. Taking its cues from John Coltrane's avant-garde jazz oeuvre, wherein formal modernisms of the past are made complex by radical imagination and black-futurity, this presentation of diverse ideas, artistic approaches, and material histories proposes a cosmological exploration of Africa and the contemporary African diaspora; one that defies easy categorization and spatial and temporal boundaries. In their unique practices, the featured artists turn an eye to social, cultural, and political conditions that inform and influence concepts of representation as they pertain to image production and circulation in Africa and beyond. These artists question the ways in which subjectivity is constructed and deconstructed by the camera, and in the process, reveal legacies of resistance by those who defy traditional ideas of sexual, racial, gender-based, and other marginalized identities. Mark Sealy writes, "Photography for those locked out of the means of image production becomes an impossible barrier to the right to full and equal human recognition. Especially if existence alone is an act of survival." The FotoFest Biennial 2020 takes place from March 8 – April 19, 2020 in Houston TX.

A vibrant photographic anthology that presents the work of a generation of image makers who are forging new visions of Africa.

Africa State of Mind gathers together the work of an emergent generation of photographers from across the continent, exploring Africa as a psychological space as much as a geographical one. Both a summation of new photographic practice from the last decade and a compelling survey of the ways in which contemporary African photographers are engaging with ideas of "Africanness," Africa State of Mind is a timely collection of those photographers seeking to capture the experience of what it means to "be African."

Presented in four thematic sections―"Hybrid Cities," "Inner Landscapes," "Zones of Freedom," and "Myth and Memory"―each part presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities of the continent, turning the continent's history into the source of resonant new myths, and exploring questions of gender, sexuality, and identity.

With over 300 photographs by more than fifty photographers, Africa State of Mind is a mesmerizing survey of the most dynamic scenes in contemporary photography and an introduction to the creative figures making them.

When battlefield prowess and political manipulation are not enough to achieve peace through victory, we summon our best and brightest to negotiate an end; we celebrate peace settlements; and we give prizes, if not to victors, then to visionaries. We exalt peace as a human achievement, and justly so. But the reality of peace is flawed. The rewards of peace are elusive for the men and women who live in the post-conflict societies of our time. Why is it so difficult to make a good peace when it is so easy to imagine? That is the question behind Imagine: Reflections on Peace.
In this stunning collection, photographic essays make grippingly palpable the stakes during war and peace. Samantha Power, former US Ambassador to the United Nations, Justice Richard Goldstone, ICTY prosecutor, and Jonathan Powell, chief negotiator for the Northern Ireland Good Friday agreement, are joined by world-renown writers Jon Lee Anderson, Philip Gourevitch, Jon Swain, Robin Wright, Anthony Loyd and Martin Fletcher in revealing the complexities of redemption and rebuilding in Bosnia and Herzegovina, Cambodia, Colombia, Lebanon, Northern Ireland, and Rwanda. We hear first person accounts of survival and the search for inner peace that bring the big picture to the personal. With added insights from scholars and practitioners, the book offers a rare and fascinating glimpse into the unvarnished story of peace and a window into what it takes for societies and individuals to move forward after unspeakable brutality.

Art of any medium holds the capacity to connect the dots of an idea, or translate and re-translate perceptions, opening visual doors for a wider audience. This stunning collection of 110 California-based photographers reveals a shared appreciation and alignment for all that makes the west coast state the storytelling, dream-holding place that it is. Their images are as varied stylistically as the state is geographically, and reflect the people, places, and personality that help define California.
The book is not a compilation of only one type of photographer, or of only iconic California photographers, and is not meant to be an encyclopedic collection as such. Rather, the selection of photographers mirrors some of the project's essence at conception: together they represent a particular time and place of photographers in the canon of California photography, each looking outward at the land, sky, and people that distinguish California, each photographer finding moments to pause and in doing so, to celebrate.

Two Women in Their Time The Belarus Free Theatre and the Art of Resistance By MISHA FRIEDMAN and MASHA GESSEN A collaboration between the National Book Award-winning journalist and the prize-winning photographer on the queer-resistance theater troupe In the fall of 2017, the internationally acclaimed underground theater troupe Belarus Free Theatre took New York by storm for a production of their harrowing anti-torture, anti-Putin play, Burning Doors. They were joined by Maria Alyokhina, a member of Russian punk group Pussy Riot, who made international headlines when they were imprisoned for staging an anti-Putin performance in a Moscow cathedral. The play met with enthusiastic acclaim from critics. Ben Brantley, The New York Times wrote: No matter what the laws of physics decree, there is untold and explosive energy in resistance. Or such is the evidence of 'Burning Doors,' the Belarus Free Theater's bruising exploration of the dynamics of resistance -- the kind that occurs in the intersection of art and politics. Sara Holden, New York Magazine praised it as a smart, smoldering, physically brutal piece of theater. In Two Women in Their Time: The Belarus Free Theatre and the Art of Resistance (The New Press, October 2020), award-winning documentary photographer Misha Friedman and New Yorker reporter Masha Gessen take us backstage, giving us an intimate look at this fiercely creative drama troupe that cannot officially perform in its homeland, which remains a dictatorship in all but name. The result is an astonishing series of photos documenting the group's productions in New York and Gessen and Friedman's visit to Minsk to meet Svetlana Sugako and Nadezhda Brodskaya, the young lesbian couple who keep the Belarus Free Theatre running. The two women live a life in the borderlands-between underground and public, between the closet and being out, in a country where same-sex sexual activity is legal yet remains taboo. Their work proves that queerness will always be dangerous to autocracy.

In Last West, poet Tess Taylor follows Dorothea Lange's winding paths across California during the Great Depression and in its immediate aftermath. On these journeys, Lange photographed migrant laborers, Dust Bowl refugees, tent cities and Japanese American internment camps. Taylor's hybrid text collages lyric and oral histories against Lange's own journals and notebook fragments, framing the ways social and ecological injustices of the past rhyme eerily with those of the present. The result is a stunning meditation on movement, landscape and place.

In 1973, John Szarkowski, the revered director of photography at the Museum of Modern Art, New York, published his classic volume Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, offering a wide-ranging and accessible history of photography and an engaging primer.
Now, American photographer and educator Stephen Frailey has borrowed Szarkowski's concept and format for his new book, Looking at Photography: 100 great images and a page of text for each. Frailey picks up where Szarkowski left off, updating the project to take stock of significant photographs from the early 1980s to the present day. Through a focused discussion on each individual work, Frailey articulates the themes and emerging sensibility of contemporary photography.
Artists featured in this volume include Tina Barney, Jeff Wall, Steven Meisel, Nan Goldin, Helmut Newton, Martin Parr, Tim Walker and Wolfgang Tillmans, among others.

National Geographic's flagship Atlas of the World, now in its 11th edition, provides authoritative maps of every country, ocean, and region of the world, as well as thematic maps and accompanying graphics showing important population, environmental, and economic patterns. Organized by continent and reflecting today's political boundaries and identities, this authoritative atlas is an indispensable reference for schools and libraries, as well as the latest resource for home browsing and study. A thematically organized opening section uses current data to visualize urgent concerns, such as Earth's last wild places, changing freshwater availability, human migration and refugee movement, and human rights conditions globally. The back of the book contains basic facts and flags of every country, as well as a comprehensive index cross-referencing more than 150,000 place names. A thought-provoking foreword by Alexander M. Tait, The Geographer of National Geographic, begins the book.

The first book of its kind, this stunning atlas showcases America's spectacular park system from coast to coast, richly illustrated with an inspiring and informative collection of maps, graphics, and photographs.

From the white sand beaches of Dry Tortugas to the snowy peaks of Denali, this captivating book combines authoritative park maps with hundreds of graphics and photographs to tell the stories of America's sixty one beloved national parks. Former ranger and author Jonathan Waterman introduces readers to the country's scenic reserves and highlights the extraordinary features that distinguish each: magnificent landmarks, thriving ecosystems, representative wildlife, fascinating histories, and more. With striking imagery and state-of-the-art graphics reflecting details of wildlife, climate, culture, archaeology, recreation, and more, this lush reference provides an up-close look at what makes these lands so special--and so uniquely American. A heartfelt foreword from National Geographic CEO Gary Knell reminds us how important these lands are to our lives and our national pride.

Joel Sartore's quest to photograph all the animal species under human care celebrates its 15th year with this glorious and heartwrenching collection of photographs. The animals featured in these pages are either destined for extinction or already extinct in the wild but still alive today, thanks to dedication of a heroic group committed to their continued survival. From the majestic Sumatran rhinoceros to the tiny Salt Creek tiger beetle, Sartore's photographs bring us eye to eye with the kaleidoscopic diversity of shapes, colors, personalities, and attitudes of the animal world.

In these vivid pages, Sartore singles out the species most likely to disappear in the next decades, as well as some that have already been lost. Alongside these indelible images are the words of scientists and conservationists who are working to protect and restore populations of endangered species. With Sartore's distinctive portrait photography, he invites us to look closer--and to care more.

Master launch photographer Ben Cooper captures readers' favorite subjects in a new light. Rather than presenting the standard “rocket lifting off the launch pad” images, he provides fresh perspectives. In addition to providing text about manned and unmanned crafts that will pique the interest of shuttle enthusiasts and newcomers alike, he shares wide-angle captures, night photographs, images shot from seldom-seen angles, and more. Readers will marvel over detailed photos of the shuttle before and after retirement, and juxtaposed with nature (Cape Canaveral's launch pages are surrounded by a national wildlife refuge), behind-the-scenes shots, images of the crafts rolling to the pad, and launching and landing too. Photographs of unmanned rockets, such as United Launch Alliance Delta II, Delta IV, and Atlas V rockets, which have been launching for a long time, plus the new era SpaceX, Falcon 9, and Falcon Heavy rockets, will please readers young and old.

Over the course of the 20th century, photography evolved as an art form while serving as an eyewitness to social, cultural and political change. This book presents more than 80 significant images-many from unique vintage prints-that came to define their times, and invites us to take a fresh look at celebrated photographs by such masters of the medium as Berenice Abbott, Margaret Bourke-White, Robert Capa, Henri Cartier-Bresson, Walker Evans, Robert Frank, Consuelo Kanaga, Dorothea Lange, Gordon Parks and Edward Steichen.

Drawing on the unparalleled Howard Greenberg Collection-446 photographs recently acquired by the Museum of Fine Arts, Boston-Viewpoints brings to vivid life the transformative power of photography, and invites the reader into a collection assembled with a connoisseur's eye by a former photographer who is also a gallery dealer and a strong advocate for artists.

As feminism gained momentum in 1970s America, three photographers―Abigail Heyman, Eve Arnold and Susan Meiselas―published massively influential photobooks informed by the movement. The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's The Unretouched Woman (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas' Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States.

In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis?
Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues.
Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.

Pictures with Purpose, the seventh volume in the Double Exposure series, explores images from the NMAAHC's collection of nineteenth and early twentieth-century photography that includes daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet cards, cyanotypes, stereographs, and other early photographic forms. The volume looks at how early photographs of and by African Americans were circulated and used, and considers their meaning, for the sitter, for the photographer, and for the owner of the photograph. Particularly significant is how African Americans used photography to shape their image within and beyond their communities.

Masters of Street Photography explores the craft and creative secrets of 16 leading lights of the genre. Through probing Q&A style interviews, beautifully reproduced images, captions telling the story of each picture, and detailed technical information, the reader is given an insight into the photographers' working practices, from their career paths and inspirations, to the equipment, techniques, tropes and tricks they employ to create their breathtaking and visionary works. The result is a book that combines visual inspiration with tried and tested "street smart" advice from leading professionals, providing everything the aspiring street photographer needs to create their own distinctive urban portfolio. Contributors include The Bragdon Brothers, Melissa Breyer, Giacomo Brunelli, Paul Burgess, Sally Davies, George Georgiou, Ash Shinya Kawaoto, Jay Maisel, Jesse Marlow, Dimitri Mellos, Rui Palha, Ed Peters, Alan Schaller, Marina Sersale, Alexey Titarenko, and Martin U Waltz.

In The New Black Vanguard: Photography between Art and Fashion, curator and critic Antwaun Sargent addresses a radical transformation taking place in fashion and art today. The featuring of the Black figure and Black runway and cover models in the media and art has been one marker of increasingly inclusive fashion and art communities. More critically, however, the contemporary visual vocabulary around beauty and the body has been reinfused with new vitality and substance thanks to an increase in powerful images authored by an international community of Black photographers. In a richly illustrated essay, Sargent opens up the conversation around the role of the Black body in the marketplace; the cross-pollination between art, fashion, and culture in constructing an image; and the institutional barriers that have historically been an impediment to Black photographers participating more fully in the fashion (and art) industries.

Joel Sartore's quest to photograph all the animal species under human care celebrates its 15th year with this glorious and heartwrenching collection of photographs. The animals featured in these pages are either destined for extinction or already extinct in the wild but still alive today, thanks to dedication of a heroic group committed to their continued survival. From the majestic Sumatran rhinoceros to the tiny Salt Creek tiger beetle, Sartore's photographs bring us eye to eye with the kaleidoscopic diversity of shapes, colors, personalities, and attitudes of the animal world.

50 years ago, people used 35 mm cameras like we use smartphones in the age of Instagram. They photographed what they ate, their holidays, and family reunions. Imagining what prompted a stranger to press the shutter decades ago is the purpose behind Lee Shulman's Anonymous Project, which curates 300 anonymous images from his collection of 700,000+ Kodachrome slides. The places, dates, and people may be unknown, but the stories in these snapshots are universally familiar.

n celebration of the world’s favorite animal, we bring you over 400 photographs of or about dogs. With pictures from the 19th century to today, the collection includes works by Man Ray, Eric Fischl, Wolfgang Tillmans, Donna Ruskin, Fatima NeJame, Vincent Versace, and of course Elliott Erwitt and William Wegman. Together, their pictures, unique in style but united in canine affection, are testimony if ever there was one that dogs are not only best friends, but also pure photographic inspiration.

Forget #dogsofinstagram, this is real canine art, showing how the camera has been key witness to dogs in all their diversity, character, and friendship, from pensive pooch portraits to four-pawed action shots. As intellectually as it is visually stimulating, the book includes captivating essays tracing the presence of dogs in the history of photography and their relationship with humans across the decades.

This thorough and accessible introduction to the greatest women photographers from the 19th century to today features the most important works of 55 artists, along with in-depth biographical and critical assessments. Since the inception of photography as an art form nearly 200 years ago, women have played an important role in the development of the genre, often pushing boundaries and defying social convention. This comprehensive volume features 55 of the most important women photographers. Each artist is profiled in spreads featuring splendid reproductions of key works and an in-depth overview of her career and contributions to the art of photography. Biographical information and a contextual essay focusing on the impact of women in the history of the medium makes this an excellent illustrated reference.

This elegantly packaged celebration of birds from around the world unites incredible animal portraits from Joel Sartore's distinguished National Geographic Photo Ark project with inspiring text by up-and-coming birder Noah Strycker. It includes hundreds of species, from tiny finches to charismatic eagles; brilliant toucans, intricate birds of paradise, and perennial favorites such as parrots, hummingbirds, and owls also make colorful appearances. Everyone who cares about birds--from the family with a bird feeder outside the kitchen window to the serious birder with a life list of thousands--will flock to this distinctive and uplifting book.

An exquisite photo collection showcasing awe-inducing moments from around the world, including the aurora borealis, cities made of neon lights, a great wildebeest migration, a contortionist on display--and more.

In life, there are certain sights that are as beautiful as they are unforgettable--from a majestic supercell to the secrets of a deep blue ice cave to the world's largest library. These fascinating spectacles shock us in their diversity, their complexity, and their epic scale, bringing us the miraculous beauty of our planet. Featuring more than 200 color images, including acclaimed photography from the National Geographic Image Collection, this volume presents a dazzling array of natural and manmade wonders, unusual phenomena, and amusing curiosities. Each page will enlighten and inspire, presenting our world at its best.

In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable-not just aesthetically but also technically and conceptually-in a fashion photograph.

The lush and unique photography in this book represents National Geographic's Photo Ark, a major initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals-especially those that are endangered. His powerful message, conveyed with humor, compassion, and art: to know these animals is to save them.

Sartore is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. With a goal of photographing every animal in captivity in the world, he has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the eloquent prose of veteran wildlife writer Douglas Chadwick, and an inspiring foreword from Harrison Ford, this book presents a thought-provoking argument for saving all the species of our planet.

Get closer to the beauty and power of sharks with award-winning National Geographic photographer Brian Skerry as he illustrates their remarkable evolutionary adaptations and their huge importance to marine ecosystems around the world.

For decades, acclaimed underwater photographer Brian Skerry has braved ocean depths and the jaws of predatory giants to capture the most remarkable photographs of sharks around the world. In this collection of the best of those pictures, Skerry draws on his growing personal respect for these animals to share intimate stories of their impact. Focusing on four key species-great white, whitetip, tiger, and mako sharks-Skerry's photographs span from his early work, photographing them from cages, to his recent unencumbered scuba dives. With additional text by top National Geographic writers, Skerry's images and stories encourage a change in attitude toward these top predators, ultimately showing how they are the keys to the healthy balance of nature underwater.

1155The best of Harry Benson's era-defining Beatles portfolio, capturing the Liverpudlian quartet on the road, performing, and coming to terms with skyrocketing fame. From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, Benson's pictures show intimate glimpses of George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.

In this stunning updated edition of the successful Vogue: The Covers, Vogue continues to pay tribute to its tradition of beauty and excellence with a compilation of even more spectacular cover art. In addition to featur­ing classic covers from the magazine's 125-year history, this updated edition features every cover since 2010, with each cover displaying the magazine's cutting-edge takes on style, fashion, and culture. Unforgettable new covers feature such celebrated subjects as Michelle Obama, Kim and Kanye, Lena Dunham, and more. This lavish, beautifully illustrated book even includes five new frameable Vogue cover prints that can be removed from the back of the book. Vogue: The Covers (Updated Edition) is a must-have for every fashion lover and collector.

Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world's most iconic images. Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members' estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum's latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa's Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by René Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden.

America’s first fashion magazine, Harper’s Bazaar has showcased the visions of legendary editors, photographers, and stylists and featured the works of noted writers since 1867. From its beginnings as a broadsheet aimed at the rising leisure class, the publication has since transformed into a magazine devoted to examining the lives of women through the lens of fashion. In celebration of the magazine’s 150th anniversary in 2017, Harper’s Bazaar: 150 Years captures the greats who have shaped the magazine over these decades.

Fashion photography captures our desires and fantasies about how we present ourselves to the world, while reflecting the changing values of our culture and society. Fashion Photography: The Story in 180 Pictures explores the profound influence that fashion photography has had on us over the past eight decades, presenting its evolution as a language, and a genre, while showcasing some of its most glamorous moments. Featuring work by every important fashion photographer of the past, alongside those shaping contemporary taste today―including Richard Avedon, Horst P. Horst, William Klein, Helmut Newton, Guy Bourdin, Steven Meisel, Corinne Day, and Juergen Teller, to name a few―fashion chronicler Eugénie Shinkle reveals illuminating moments in the story of fashion and photography, while sketching the bigger picture. She charts how fashion photography flourished with the rise of illustrated magazines, how influential art directors collaborated with photographers to shape epochs of style, and how generations of fashion photographers have built upon each other’s ideas to expand this genre. An object of exquisite beauty in its own right, this book serves as an accessible primer to the story of fashion photography, for everyone engaged by this compelling subject.

1406This is an updated and newly revised edition of the classic book The Art of Photography: An Approach to Personal Expression. Originally published in 1994 and first revised in 2010, The Art of Photography has sold well over 100,000 copies and has firmly established itself as the most readable, understandable, and complete textbook on photography. Featuring nearly 200 beautiful photographs in both black-and-white and color, as well as numerous charts, graphs, and tables, this book presents the world of photography to beginner, intermediate, and advanced photographers who seek to make a personal statement through the medium of photography.

Without talking down to anyone or talking over anyone's head, renowned photographer, teacher, and author Bruce Barnbaum presents how-to techniques for both traditional and digital approaches. In this newest edition of the book, Barnbaum has included many new images and has completely revised the text, with particular focus on two crucial chapters covering digital photography: he revised a chapter covering the digital zone system, and includes a brand-new chapter on image adjustments using digital tools. There is also a new chapter discussing the concepts of “art versus technique” and “traditional versus digital” approaches to photography. Throughout the book, Barnbaum goes well beyond the technical, as he delves deeply into the philosophical, expressive, and creative aspects of photography so often avoided in other books.

Experience the beauty of Laos with a hardcover, 112-page book of photographs and texts by: Adri Berger, Monica Denevan, Kenro Izu, Yumiko Izu, Michael Kenna, and John McDermott.8.5 x 11 inches, published by Nazraeli Press and Friends Without A Border. All proceeds benefit Lao Friends Hospital for Children.

931Jean-Christophe Béchet retraces here a subjective history of photography and claims its influences: from Eugène Atget to Stéphane Couturier, via Robert Frank, August Sander or Diane Arbus, the great photographers of our time are a major source of inspiration. Text in French.

Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian.

Musicians and designers have also sifted through photography's rich history for powerful photographs to match and keep company with the music enclosed within: Anders Peterson's classic Café Leibnitz portrait of a man nestled into a partner, stands in for Tom Waits on the cover of Swordfishtrombones; Big Star and Alex Chilton push the listener into a corner with William Eggleston's Red Ceiling on their album Radio City; Rage Against the Machine goes for the jugular with the anonymous Vietnam War photo of the self-immolation of a Buddhist monk. Iconic images like the Abbey Road crosswalk are deeply inscribed in our collective memory, but we know few details about the photographer of the image. All of these-and more-are included in this compendium of electrifying images and the albums they grace. Total Records reveals the artists behind some of the most striking images on vinyl sleeves and takes us on a journey through the cultural history of the twentieth century.

Using rarely accessed photographic archives and private collections, inspired by her family history, Nichelle Gainer has unearthed a revealing treasure trove of historic photographs of famous actors, dancers, writers and entertainers who worked in the 20th-century entertainment business, but who rarely appeared in the same publications as their white counterparts. Alongside the familiar images and stories of renowned performers such as Eartha Kitt, Lena Horne and Aretha Franklin are those of less well-remembered figures such as Bricktop, Pearl Primus, Diana Sands and many, many more. Vintage Black Glamour is a unique, sumptuous and revealing celebration of the lives and indomitable spirit of Black women of a previous era. Although talented, successful and ground-breaking, many of the women in these pages were ignored by mainstream media, but their life's work and attitude stand as inspiration for us still, today. With its stunning photographs and insightful biographies, this book is a hugely important addition to Black history archives.

Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to 'fix a shadow' on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions.

Thousands of successful photographers have trusted Photographer's Market as a resource for growing their businesses. This edition contains the most comprehensive and up-to-date market contacts for working photographers today: magazines, book publishers, greeting card companies, stock agencies, advertising firms, contests and more.

From blogs to Instagram and photo-zines to contact sheets: how 43 photographers approach their work. Find out how Alec Soth constructs his projects, why Trent Parke relies on old-fashioned Polaroids and hand-made books, and how forty-one other photographers experiment with new and old technologies, turn their photo-diaries into exhibitions, and attract audiences of millions via online platforms. This book celebrates the creative processes of the modern photographic era, in which blogs and Instagram streams function alongside analog albums and contact sheets, and the traditional notebook takes the form of Polaroid studies, smartphone pictures, found photography, experimental image-making, and self-published photo-zines. Each photographer presents his or her sketchbook: several pages of images that convey his or her working methods and thought processes. These intimate, oneoff presentations are accompanied by engaging interviews that reveal how the simple act of pressing a shutter can capture and express a fully realized personal vision. Three essays by the authors explore subjects at the cutting edge of contemporary practice. Designed to satisfy the most demanding of image junkies, this is an indispensable resource for anyone with an interest in photography or the creative process.

Issue Three: The United States (2003-2013) is a composition of new American photographs taken over the last 10 years. It features the work of photographers like Bryan Schutmaat, Ilona Szwarc, Daniel Shea, Vanessa Winship, Lucas Foglia and over 100 more. Printed at Shapco, Minneapolis, 216 pages.

Amelia is 14 years old. In many ways, she is your average American teenager: since she was three years old, she has been her mother's muse, and the subject of her photographs. However, not every mom is a world-class photographer with a predilection for photographing animals. And it's not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees and endless dogs, cats, and other animals--portraits that hang in the collections of major art museums around the world. Amelia and the Animals is Robin Schwartz's second monograph featuring this collaborative series dedicated to documenting her and Amelia's adventures among the animals. As Schwartz puts it, "Photography is a means for Amelia to meet animals. Until recently, she took these opportunities for granted. She didn't realize how unusual her encounters were until everyone started to tell her how lucky she was to meet so many animals." Nonetheless, these images are more than documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared mother-daughter journey into invented worlds.

"We were lucky enough to work with some of the greatest photographers in the world who captured many magical moments of our career. This volume brings together some incredible pictures spanning the past fifty years."
Mick Jagger

After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, "Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture." Many photographers purposefully embarked on journeys across the U.S. in order to create work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany's introduction to the genre and 18 chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts. This volume highlights some of the most important bodies of work made on the road, from The Americans to the present day.

This homage to Paris by the great Magnum photographers reveals a multifaceted portrait of the city’s effervescent character in 350 photographs. By documenting the everyday workings of the city, Magnum’s photographers capture the essence of Parisian life. Their photographs show the city as it lives and breathes—from fashion shows to underground jazz clubs, from the bustling metro to outdoor cafés, and from the Art Deco Fouquet’s hotel to the working-class Goutte d’Or neighborhood. Even celebrities appear as ordinary citizens encountered in their own milieu—from former President François Mitterrand to novelist Marguerite Duras, singer Edith Piaf to actress Catherine Deneuve, fashion designer Christian Dior to artist Giacometti. The city’s rich history and traditions are inherent in images depicting the bravery of an unknown female resistance fighter, the exuberant joy upon the Liberation of Paris, the eroticism of burlesque dancers, or the excitement of the final lap of the Tour de France. Crusty baguettes, buttery escargot, glasses of wine, and abundant butcher cases attest to the gastronomic pleasures of the city, and all of the monuments—the Eiffel Tower, Arc de Triomphe, Notre-Dame—appear like cast members at curtain call. This book celebrates the myriad aspects of Paris in a volume as captivating for the lifelong Parisian as it is for the armchair traveler.

Bringing together a group of stylistically diverse but similarly adventurous and innovative artists, this book explores the intense creative experimentation in photography that has occurred since the 1970s. Few people ask, "What is a painting? A drawing? A sculpture?" But the medium of photography, especially since the 1970s, has been constantly changing as technological developments allow for endless experimentation--until the very definition of a photograph becomes ripe for debate. Beginning with the waning days of conceptual art, this book presents a wide variety of artists--among them James Welling, Christopher Williams, Marco Breuer, Alison Rossiter, Sigmar Polke, and Gerhard Richter--who have reconsidered and reinvented the role of light, color, composition, materiality, and subject in the art of photography. Brought together for the first time in book form, these individuals have found new ways of implementing both analog and digital technology, in many cases creating hybrid works that open up new possibilities for today's artists. Filled with brilliant color reproductions, this volume not only traces the many strands of experimentation that have developed out of conceptual art, but also encourages dialogue on the continuing experimentation that is occurring as photography continues to evolve within the analog and digital worlds.

On the occasion of Blondie’s fortieth anniversary, Chris Stein shares his iconic and mostly unpublished photographs of Debbie Harry and the cool creatures of the ’70s and ’80s New York rock scene. While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

n August 1993, when Nirvana was in New York to perform at the legendary Roseland Ballroom, Jesse Frohman photographed them for the London Observer’s Sunday magazine—the last formal photo shoot in which Cobain participated before he committed suicide on April 5th, 1994.
Over the course of ninety photographs, Cobain seems an almost feral creature, by turns gentle, playful, defiant, suffering, or absorbed in his music. There’s a diverse range of shots of Cobain with fellow band members Krist Novoselic and Dave Grohl and on his own, posing, performing, and greeting fans. Jon Savage’s original interview, which appeared with Frohman’s photographs in the Observer is also reproduced, giving us Cobain in his own words. The book is a touching tribute to Cobain twenty years after his tragic demise, and following Nirvana’s recent induction in to the Rock and Roll Hall of Fame. 90 illustrations, 25 in color

58With a kindness and a disarming simplicity, Salgado rebuilds its path, exposes his beliefs, makes us sharers of his emotions. It turns out that his talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity. In the book the photographer tells us the story of his most famous reportages.

Eastman Kodak, the company which pioneered so much in photography from the 1880s through the 1960s, could have owned digital imaging; the very first electronic camera was born in one of Kodak's labs. Instead, they missed that boat, going into a tailspin that resulted in their eventual bankruptcy. Tied to that economic engine, the fortunes of Rochester, New York, the archetypal company town where Kodak had its headquarters, fell as "Big Yellow" collapsed. Catherine Leutenegger's attentive, deadpan studies of Rochester today explore the face of a city once central to photography but now irrelevant and adrift.

The Prix Pictet has rapidly established itself as the world's leading prize in photography and sustainability. The award aims to uncover outstanding photography that confronts the most pressing social and environmental challenges of today. The theme of the fifth cycle and this volume is "Consumption." Consumption is a multi-faceted theme, rich with creative potential. We are all consumers. We have invented new forms of building, industrial production, farming, and energy. We have emptied the seas and ravaged the land in our relentless drive to satisfy our unquenchable desires. We have sustained this through the sometimes thoughtless exploitation of the world's poorest people. This book will showcase photographs of high artistic quality that also bear powerful messages about global sustainability.

118Jeff Brouws and Wendy Burton have been collecting vernacular railroad photographs for many years, poring through disorganized boxes of snapshots at train shows and swap meets. With a keen editorial eye they have sought out the unusual, the lyrical, the pastoral, and the urban, ultimately assembling a collection that includes railroad landscapes, locomotives, bridges, and people primarily during the age of steam. This fascinating assemblage will appeal to fans of vernacular photography and rail fans alike. It is accompanied by an essay that includes a brief discussion of the aesthetic evolution of railroad photography in the early to mid-twentieth century and the phenomenon of the International Engine Picture Club, which acted as a clearing house and swapping mechanism for rail fans. 250 duotone photographs.

Find out who's making their mark in a new century--and era--of fashion photography. The 21st century has brought about seismic changes in photography, technology, fashion, and art. At the nexus of these exciting movements is a group of fashion photographers who are breaking ground in a variety of ways, including cultural referencing, digital imaging, photo manipulation, and the use of new media. This stunningly illustrated book profiles more than 30 artists from around the world through exclusive interviews, commentary, and beautiful images. From Nick Knight's paint-soaked portrait of Lady Gaga to Mikes Aldridge's dark surrealism to Alice Hawkins's explorations of body image through satire, new fashion portraiture is challenging conventional ideas of beauty by confronting us with the unexpected. Throughout the book, these photographers explore new avenues previously off-limits in the world of couture, opening the art of fashion photography to thrilling possibilities.

Ping Pong Conversations is a long, friendly conversation between Alec Soth, one of the most prominent artist of this time, and the Italian curator and critic Francesco Zanot. Analyzing his most famous photographs as well as others that have been published or are virtually unknown, Soth reflects upon his career as a photographer. Each picture gives rise to a charter of its own, an original thought or reflection. Storytelling and the use of color and black and white, staged and candid approaches, and personal and political issues are just a few of the many arguments that the American photographer discusses with Francesco Zanot, resulting in a combination of words and images that constitutes both a complex examination of Alec Soth's work and a manual on that reading of photography itself. Soth’s images are shuffled together here to form new sequences: tracing the threads of memories, addressing cultural issues and references, and thus creating unforeseen and unforeseeable connections.

118In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these "small books" were sought after, collected, and loved by Ruscha's fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha's have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes. These small books revisit, imitate, honor, and parody Ruscha in form, content, and title. Some rephotograph his subjects: Thirtyfour Parking Lots, Forty Years Later. Some offer a humorous variation: Various Unbaked Cookies (which concludes, as did Ruscha's Various Small Fires, with a glass of milk), Twentynine Palms (twenty-nine photographs of palm-readers' signs). Some say something different: None of the Buildings on Sunset Strip. Some reach for a connection with Ruscha himself: 17 Parked Cars in Various Parking Lots Along Pacific Coast Highway Between My House and Ed Ruscha's. With his books, Ruscha expanded the artist's field of permissible subjects, approaches, and methods. With VARIOUS SMALL BOOKS, various artists pay tribute to Ed Ruscha and extend the legacy of his books.

In Bending the Frame, Fred Ritchin--Professor of Photography & Imaging at New York University's Tisch School of the Arts, and author of After Photography--examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates. Is visual journalism even effective at all, given the ease with which so many of us can simply record events? And how can the impact of iconic images from the Civil Rights Movement or the Vietnam War be compared to, say, the consequences of leaked images from Abu Ghraib? Do changes in strategy imply changes in accountability and responsibility for visual journalism as a whole? Ritchin intends his discussion--which ranges across new media but also includes uses of video as well as a wide range of books and exhibitions--to provide critical tools with which to approach the various efforts of today's visual (and "citizen") journalists and documentary photographers. He also examines the historical uses of photography and related media to inspire social change, the better to pose the critical question that lies at the heart of his book: How can images promote new thinking and make a difference in the world?

Photographic Visions: Inspiring Images and How They Were Made is a treasure trove of world-class photography that will motivate photographers of all levels. To create this volume, the curators of the online gallery 1x.com selected 95 stunning images from the thousands of amazing images found on their website. The images in the book are by previously unknown photographers from across the globe.

What is the difference between a good picture and a great one? In this fully revised edition of the classic bestseller The Art of Photographing Nature, master photographer Art Wolfe and former Audubon photo editor Martha Hill team up to explain the art of composing images of enduring beauty. Against a backdrop of more than 250 photographs of nature, wildlife, and landscapes, they share insights and advice about what works and what doesn’t, and how small changes can take an image from ordinary to extraordinary. Throughout, all-new tips from digital imaging expert Tim Grey show readers how to make the most of digital technology, whether by choosing the right color space, understanding sensor size, or removing distracting elements in post-processing. The result is an invaluable collection of expert advice updated for the modern age.

When you look at an image, what do you see and feel? What do you want your audience to see and feel when they view your work? In today's digital age, it has become all too easy to randomly click away, without really focusing on what exactly it is that you are trying to capture in your shot. For over fifteen years, Professor Richard Zakia has been helping thousands of photographers hone in on their creative vision through the inspirational, informative text and images included in his classic book, Perception and Imaging. In this updated fourth edition, Professor Zakia continues to share his wisdom in what is so much more than a step-by-step, technical photography instruction manual. Instead, it explores the fundamental act of photography - in other words, seeing - through a combination of technique, history, visual perception, philosophy, and psychology. Photographers of all levels will benefit from the information in this book, because it will help you to think more clearly about what it is that you want to convey in your images, no matter what level you are at in terms of technical skill.

Apple's latest iPad tablet has been an incredible success and generated a lot of interest from photographers soon after it was released. Instead of hauling a laptop along on vacation or to a photo shoot, a photographer can bring the lightweight iPad and take advantage of its large screen, third-party software, and online access. The iPad is great for reviewing photos on-site using something other than a camera's small LCD, editing photos, presenting a photographer's portfolio, and more. This fully updated 2nd edition of the iPad for Photographers will help novice, intermediate, and pro shooters to: • Get photos onto the iPad. Import using the camera connection kit. • Take photos with the iPad. • Back up photos. Copying photos from memory cards; using iCloud Photo • Stream as online backup; uploading files to Dropbox; and so on. • Organize your photos. • Rate photos and assign tags in the field--instead of waiting until you get home! • Edit photos on the iPad. • Share photos with others: iCloud Photo Stream, play on an Apple TV, and more. • Create your portfolio. Use portfolio software to give impressive presentations to prospective clients. Great for wedding photographers meeting people face to face, for example. • Video. Edit clips in iMovie, create slideshows, rough cuts, and more. In addition, photographers will learn other clever uses for their iPad, such as triggering the shutter using an iPad; using the screen as a fill flash; storing PDFs of camera manuals, books, etc.; and much more!