Nadav Kander

Biography:
Nationality: Israeli | Born: 1961
Nadav Kander is a London based photographer, artist and director, internationally renowned for his portraiture and landscapes. His work forms part of the public collection at the National Portrait Gallery and the Victoria and Albert Museum in London. Kander's work is also exhibited in numerous international galleries and museums. Kander was born in tel Aviv, tal aviv. His father flew Boeing 707s for El-Al but when he lost his eye for medical reasons he was unable to carry on flying. His parents decided to start again in South Africa and moved to Johannesburg in 1963. Kander began taking pictures when he was 13 on a Pentax camera and later when drafted into the South African Air Force, worked in a darkroom printing aerial photographs. He moved to London in 1986, where he still resides with his wife Nicole and their three children. Kander's most celebrated images include Diver, Salt Lake, Utah 1997, in which a lone women peers out into the vast lake, and his 2009 portrait of Barack Obama photographed for The New York Times Magazine as a cover feature. Diver, Salt Lake, Utah, 1997 was also the cover image for Kander's Monograph Beauty's Nothing. On 18 January 2009 Nadav Kander had 52 full page colour portraits published in one issue of The New York Times Magazine. These portraits (from a series titled Obama's People) were of the people surrounding President Barack Obama, from Joe Biden (Vice President) to Eugene Kang (Special Assistant to The President). The same issue also included a series of cityscapes of Washington DC also taken by Kander. This is the largest portfolio of work by the same photographer The New York Times Magazine has ever showcased in one single issue.
Source Wikipedia
Selected Work:
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Selected Video:
Selected Books:
Dust
Author: Nadav Kander, Will Self
Publisher: Hatje Cantz
Year: 2014 - Pages: 128
Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today's most successful photographers. Upon learning of the existence of two "closed" cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.
Bodies: 6 Women, 1 Man
Author: Nadav Kander
Publisher: Hatje Cantz
Year: 2013 - Pages: 104
Nadav Kander (born 1961) is an Israeli-born, London-based artist, director and photographer, internationally renowned for his landscapes and portraiture. His latest photographic series, Bodies, consists of nudes painted white against a black backdrop, their faces tuned away from the viewer. Accessories are minimal, as is the aesthetic; yet, at the same time, the arrangement makes the sitters' mostly voluptuous bodies seem baroque. Despite the abundance of flesh on display, however, the images lack a superficial sense of the erotic; the white makeup and lack of eye contact function as barriers, and the massiveness of the limbs recalls the work of Hans Bellmer and Lucian Freud. Like Bellmer and Freud, Kander presents us with a simulacrum of sensuality, questioning our images of the human body as well as the concept of beauty itself.
Nadav Kander
Author: Nadav Kander
Publisher: Stern Portfolios
Year: 2012 - Pages: 96
Nadav Kander's work is a varied interplay of influences. His restrained and articulate compositions have a clarity and calm that draw the viewer into zen-like states. The London-based photographer's exceptional talent has been rewarded with major success, and his work is featured in the Sunday Times Magazine, Rolling Stone, and Esquire among other publications. His unique skill is especially manifest in his spare and muted landscapes and his straight portraits. The Yangtze, The Long River work was awarded the second Prix Pictet. His Obama's People feature--which he created for The New York Times Magazine in 2009 -- have a haunting complexity few contemporary photographers could equal.
Yangtze, The Long River
Author: Nadav Kander, Jean Paul Tchang
Publisher: Hatje Cantz
Year: 2010 - Pages: 188
The Yangtze river flows 4,100 miles across China, traveling from its furthest westerly point in the Qinghai province to Shanghai in the east. The river is embedded in the consciousness of the Chinese, and plays a significant role in both the spiritual and physical life of the people. Using the river as a metaphor for constant change, Nadav Kander (born 1961) has photographed the landscape and people along its banks from mouth to source. "After several trips to different parts of the river, it became clear that what I was responding to and how I felt whilst being in China was permeating into my pictures," he records; "a formalness and unease, a country that feels both at the beginning of a new era and at odds with itself."
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