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Edouard Boubat
Edouard Boubat

Edouard Boubat

Country: France
Birth: 1923 | Death: 1999

Edouard Boubat (September 13, 1923, Paris, France – June 30, 1999, Paris) was a French art photographer. Boubat was born in Montmartre, Paris. He studied typography and graphic arts at the Ecole Estienne, and then worked for a printing company before becoming a photographer after WWII. He took his first photograph in 1946 and was awarded the Kodak Prize the following year. Afterwards he travelled the world for the magazine Réalités. The French poet Jacques Prévert called him a "Peace Correspondent." His son Bernard is also a photographer.

Source: Wikipedia


Edouard Boubat was born in Montmartre, Paris in 1923. He studied typography and graphic arts at the Ecole Estienne. Edouard Boubat's interest in photography began after World War II. Public collections that hold his work include Fondation Cartier pour l'art contemporain, Paris, Los Angeles County Museum of Art, and The Minneapolis Institute of Arts.

Source: Jackson Fine Art


Édouard Boubat, France’s most famous romantic photographer, was born in Paris on September 13, 1923. He grew up on the Rue Cyrano-de-Bergerac, Montmartre. As the son of an army chef, he heard many tales of the Great War, in which his father served as a cook on the front lines and was wounded three times. In 1938, Boubat attended the École Estienne, where he studied to become a photo-engraver, but in 1943, he was called up to serve two years of compulsory labour in a factory in Leipzig, Germany. Upon his return to Paris in 1946, Boubat sold his six-volume dictionary to fund the purchase of his first camera, a 6x6 Rolleicord.

Boubat's approach to photography was deeply affected by World War II: "Because I know war… because I know the horror, I don’t want to add to it... After the war, we felt the need to celebrate life, and for me photography was the means to achieve this." Spanning a 50 year career, Boubat's photographs do just that. They celebrate the beauty, simplicity, and little things in life. His first professional photograph was taken in the Jardin du Luxembourg in 1946, “Little Girl with Dead Leaves,” a charming and magical shot. The following year, at the age of 24, Boubat exhibited the picture at the Salon International de la Photographie organized by the Bibliothèque Nationale de France, and was awarded the Kodak Prize. It was an amazing start to his career. The same year that he bought the Rolleicord Boubat met his future wife, Lella, of whom he took some of the most beautiful and emblematic photographs of the 20th century.

In 1950, Boubat’s work was initially published by the Swiss magazine Caméra. Soon after, he became acquainted with the artistic director of the French magazine Realités. From then on, Boubat traveled the world for the prestigious magazine. His assignments often took him to poor and desolate regions, but Boubat still managed to capture only love and beauty. His special gift as a photojournalist was finding the common thread that linked the everyday life of people everywhere. For Boubat, photography meant meeting his fellow man. He loved to photograph humanity; his images bear witness to the specific relationship he had with his subjects, on which he commented: "We are living photographs. Photography reveals the images within us."

In 1968, Boubat left Realités magazine, but continued to work on an independent basis. He tirelessly sought to bring the emotion and beauty of life to our gaze. Considered an heir of Henri Cartier-Bresson’s “decisive moment” photography, Boubat had a rare talent for capturing those fleeting, magical moments that can only be immortalized by the confident eye of a true master. Boubat died in 1999 in Paris, leaving behind a remarkable collection of photography, on which he often philosophized: "Over a lifetime I have noticed that everything is woven together by chance encounters and special moments," he said. "A photograph gives you a deep insight into a moment, it recalls a whole world."

Source: Duncan Miller Gallery

 

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Judith Joy Ross
United States
1946
Judith Joy Ross (born 1946) is an American portrait photographer born in Hazleton, Pennsylvania in 1946. She graduated from the Moore College of Art in 1968 and earned a master's degree in photography in 1970 from the Institute of Design at the Illinois Institute of Technology in Chicago, where she studied with Aaron Siskind. Since the early 1980s, Ross has photographed a cross-section of the American population, especially people in eastern Pennsylvania where she was born and raised. Ross uses an 8×10 inch view camera mounted on a tripod and her portraits are made on printing out paper by contact, a process by which a print is made by placing a negative directly onto photographic paper, and then exposing it to sunlight for a few minutes to a few hours. Her photographic antecedents include the German August Sander and the American Diane Arbus. Her series include pictures of children at Eurana Park in Weatherly, Pennsylvania (1982), visitors to the Vietnam Veterans Memorial in Washington D.C. (1983–1984), members of the United States Congress and their aides in their Washington offices (1986–1987), laborers, people at shopping malls, and children at play near her home in Bethlehem, Pennsylvania. She has also photographed immigrants in New York City and Paris, and was commissioned by the San Francisco Museum of Modern Art to photograph tech workers in Silicon Valley, California. One of her major projects, pictures made from 1992 to 1994 in Hazleton public schools she had attended in the 1950s and 1960s, was published by the Yale University Art Gallery in 2006 as Portraits of the Hazleton Public Schools. Ross has been awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation (1985), a city of Easton, Pennsylvania Council on the Arts Grant (1988), the Charles Pratt Memorial Award of $25,000 (1992), and the Andrea Frank Foundation Award (1998). Monographs and exhibition catalogs of her work have been published internationally. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war". John Szarkowski at the Museum of Modern Art in New York selected Ross' work for the first exhibition in the New Photography series. In 2011, Die Photographische Sammlung in Cologne organized a retrospective exhibition of Ross's work which traveled to the Kunstmuseum Kloster in Madeburg and the Foundation A Stichting, Brussels.Source: Wikipedia Since the early 1980s, the American photographer Judith Joy Ross has dedicated her work to the medium of portraiture. She is best known for her sensitive, deeply personal, yet authentic portraits of various groups of people at the center of American society: school children and teachers, soldiers, visitors to the Vietnam Veterans Memorial in Washington D.C. and U.S. Congress members of the Republican and Democratic parties. The photographs, which Ross contextualizes by arranging them in series, offer both an aesthetic and a humanitarian approach to photography. Judith Joy Ross’s work shows references to photographers like August Sander, Eugène Atget, Walker Evans or Diane Arbus in her documentary style and her use of technical equipment. She photographs with an 8x10 inch view camera, which due to long exposure times and the need to set up a tripod forces her to concentrate on her subjects and does not allow for snapshots. The subjects are usually strangers to the photographer and so the photograph itself becomes an intense encounter. August Sander is often mentioned as a major influence. Both, Ross and Sander focus on facial expressions, gestures and posture of their subjects. However, while Sander’s famous photographs from the series People of the 20th Century is staged and aims at categorizing certain social groups, Ross does not give directions to her subjects and thus achieves an immediacy that characterizes her approach and style. It makes the viewer think about the inner reality of the person by using their own social experience in order to relate to the people she portraits, thus stressing the individuality of each subject over their association with a specific group. Judith Joy Ross describes her intention as follows: “The world outside oneself is bigger than ones idea of it. One tries to align oneself with that bigger world in making a picture”.Source: Galerie Thomas Zander At present, Ross is suffering from an eye problem following pre-pandemic surgery that has left her with double vision. “I can photograph,” she say, “but it’s hard to take a walk.” One senses that photography gave her a way to be in the world. “I’m just interested in people, but I don’t want to get too close to them,” she says. “I keep them at arm’s length with the camera. It’s like a magic charm. It’s such an intense pleasure to photograph strangers because, in that moment, you can see them in such an intimate way. It’s kind of crazy, but I love some of those people even though I have never seen them again.”Source: The Guardian
Zied Ben Romdhane
Zied Ben Romdhane (b. 1981, Tunisia) started his career as a commercial photographer. In 2011 he switched to documentary photography and photojournalism. His work has been featured in The New York Times and The Washington Post His recent exhibitions include Views of Tunisia (Arles 2013), After the Revolution (White Box, NY 2013), and Zones d’Attente (Clark House, Bombay 2013), Kushti (Maison de la Tunisie, Paris 2013), Fotofest Biennial in Houston Center for Photography (Houston , USA 2014), Sahel (1×1 Gallery, Dubai 2014), Trace (MUCEM, Marseille 2015) , Afrotopia African biennale of photography (Bamako , Mali 2017), and the Biennale of the photographs of the contemporary Arab world (France , Paris 2017). Romdhane published his first book West of Life in 2018 with Red Hook Editions. Prizes and awards include, selection for the Prize 6X6 Global Talent Program 2018 with World Press Photo Foundation, participant of Joop swart masterclass with World Press Photo, winner of the POPCAP award (Africa Image, Basel, 2015). He is the Director of Photography of Fallega (2011), a documentary film about the Arab Spring in Tunisia. Ben Romdhane was a participant in World Press Photo’s 2013 Reporting Change initiative, member of the collective “Rawiya” and “Native”. Zied Ben Romdhane joined Magnum as a nominee in 2019.Source: Magnum Photos “Zied is a documentary photographer who is using aesthetics in a tasteful way to invite the audience to his stories. His work is not pushing facts but instead he uses careful compositions that leaves room for the viewer to reflect on the images and their content.” - Rebecca Simons, Finland, independent curator, editor, educator and 6x6 nominator. Zied Ben Romdhane is a Tunisian photographer. He won the POPCAP award in 2015, and his work has been featured in Irada and Dégage. He is the Director of Photography of Fallega (2011), a documentary film about the Arab Spring in Tunisia. Romdhane was also a participant in World Press Photo’s 2013 Reporting Change initiative.Source: World Press Photo
Candida Höfer
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1944
In the realm of contemporary photography, Candida Höfer stands as a luminary, renowned for her captivating exploration of architectural spaces. Born on June 28, 1944, in Eberswalde, Germany, Höfer's journey into the realm of imagery commenced at the renowned Kunstakademie Düsseldorf, where she studied under the tutelage of influential photographers such as Bernd and Hilla Becher. It was within this environment that Höfer's distinctive style began to take shape, influenced by the meticulous attention to detail and structural composition instilled by her mentors. Throughout her career, Höfer's work has been characterized by an unwavering dedication to capturing the essence of spaces. Her photographs transcend mere documentation, evoking a profound sense of contemplation and introspection within the viewer. Through her lens, mundane environments are transformed into captivating scenes, inviting exploration of the intricate interplay between form, function, and human presence. One of Höfer's most notable series, "Interiors," delves into the architectural heritage of culturally significant spaces such as libraries, museums, and theaters. Through meticulous composition and masterful use of light, she imbues these environments with a sense of solemn grandeur, inviting viewers to immerse themselves in the rich tapestry of history and culture encapsulated within each frame. Höfer's oeuvre extends beyond the boundaries of her native Germany, encompassing a diverse array of global locales. From the opulent halls of Versailles to the austere corridors of contemporary office buildings, her photographs offer a poignant commentary on the universal themes of human existence, identity, and collective memory. In addition to her solo exhibitions, Höfer's work has been featured in prestigious institutions and galleries worldwide, solidifying her status as one of the most influential photographers of her generation. Awards and accolades, including the prestigious Erasmus Prize in 2010, further underscore the profound impact of her contributions to the world of photography. Beyond her artistic achievements, Höfer's legacy also resides in her role as a mentor and educator, inspiring countless aspiring photographers to push the boundaries of their creativity and develop a deeper appreciation for the nuances of visual storytelling. As Candida Höfer continues to navigate the ever-evolving landscape of contemporary photography, her unwavering commitment to capturing the essence of spaces ensures that her work will endure as a timeless testament to the beauty and complexity of the built environment.
Arnold Newman
United States
1918 | † 2006
Arnold Abner Newman was an American photographer, noted for his "environmental portraits" of artists and politicians. He was also known for his carefully composed abstract still-life images. Born in Manhattan, Newman grew up in Atlantic City, New Jersey, and later moved to Miami Beach, Florida. In 1936, he studied painting and drawing at the University of Miami. Unable to afford to continue after two years, he moved to Philadelphia to work for a studio, making 49-cent portraits in 1938. Newman returned to Florida in 1942 to manage a portrait studio in West Palm Beach. Three years later, he opened his own business in Miami Beach. In 1946, Newman relocated to New York, opened Arnold Newman Studios and worked as a freelance photographer for Fortune, LIFE, and Newsweek. Though never a member, Newman frequented the Photo League during the 1940s. Newman found his vision in the empathy he felt for artists and their work. Although he photographed many personalities—Marlene Dietrich, John F. 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A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene. Newman's best-known images were in black and white, although he often photographed in color. His 1946 black and white portrait of Stravinsky seated at a grand piano became his signature image, even though it was rejected by Harper's Bazaar, the magazine that gave the assignment to Newman. He was one of the few photographers allowed to make a portrait of the famously camera-shy Henri Cartier-Bresson. Among Newman's best-known color images is an eerie portrait from 1963 that shows former Nazi industrialist and minister of armament Alfried Krupp in one of Krupp's factories. Newman admits his personal feelings influenced his portrayal of Krupp. On December 19, 2005, Newman made his last formal portrait of director James (Jimmy) Burrows at the NBC studio on the Saturday Night Live stage. This session was particularly special for Newman because he had photographed Jimmy's father Abe Burrows several times.Source: Wikipedia Arnold Newman (1918-2006) is acknowledged as one of the great masters of the 20th and 21st century and his work has changed portraiture. 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He received many major awards by the leading professional organizations in the U.S. and abroad including the American Society of Media Photographers, The International Center of Photography, The Lucie Award, The Royal Photographic Society Centenary Award as well as France’s “Commander of the Order of Arts and Letters.” In 2005, Photo District News named Newman as one of the 25 most influential living photographers. In 2006, Newman was awarded The Gold Medal for Photography by The National Arts Club. He is the recipient of nine honorary doctorates and has lectured and conducted workshops throughout the country and the world. Arnold Newman died on June 6, 2006 in New York City. He was 88 years old.Source: arnoldnewman.com Arnold Newman is widely renowned for pioneering and popularizing the environmental portrait. With his method of portraiture, he placed his sitters in surroundings representative of their professions, aiming to capture the essence of an individual’s life and work. Though this approach is commonplace today, his technique was highly unconventional in the 1930s when began shooting his subjects as such. He is also known for his carefully composed, abstract still lifes.Source: Howard Greenberg Gallery "We do not take pictures with our cameras, but with our hearts and minds,” so said Arnold Newman, one of the world's best-known and most admired photographers to have ever lived. Known for his “environmental portraits” of artists and politicians, he captured the essence of his subjects by showing them in their natural surroundings. As he said, “I didn't just want to make a photograph with some things in the background. The surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it had to be an interesting photograph. Just to simply do a portrait of a famous person doesn't mean a thing.” Newman was a master at composition and was meticulous about his work. He even used a large-format camera and tripod to ensure that every detail of a scene was recorded. His signature image, the one most will remember him by, is the last one in this post. It's a beautiful, black and white portrait of Russian Composer Igor Stravinsky seated at a grand piano. Look closely and you'll notice that the piano was strategically silhouetted against a blank wall, creating an illusion that the lid is an abstract musical note.Source: My Modern Met
Meg McKenzie Ryan
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Mette Lampcov
Denmark
1968
Mette Lampcov is a freelance documentary photographer from Denmark, based in Los Angeles. She studied fine art in London, England and after moving to the United States 13 years ago. Her personal work includes projects about gender based violence and undocumented migrant workers in California. She is currently concentrating on a long term project "Water to Dust" documenting how climate change is affecting people and the environment around them in California. Her work has appeared in the New York Times, The Sydney Morning Herald, Open Society Foundation , BuzzFeed News, The Guardian, The Phoblographer She is a regular contributor to @everydayclimatechange and @everydaycalifornia Exhibitions: Docudays UA, International Human Rights Documentary Film Festival, Kiev. Noorderlicht Fotogalerie in Groningen Anderson Ranch - 15 stories ICP - projection "talk in images" Part of 15 Stories of Hope, Change & Justice exhibition at Johns Hopkins university Street level photoworks Glasgow with @everydayclimatechange ImagOrbetello exhibition with @everydayclimatechange Water to Dust Water to Dust : a photographic account of how climate change is affecting the people and environment of California. The project includes stories about how 149 million trees have died in the Sierra Nevada mountains, how water contamination is affecting rural communities as demand for water increases, and how California is seeing an increase in more aggressive, larger and faster moving wildfires that are devastating communities and forests. We are facing an existential threat to ourselves and our environment, she believe with a better educated and more informed public we can make better decisions for our future.
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